• Title : Sydney (Australie)
• Size: 10in x 7in (255mm x 180mm)
• Condition: (A+) Fine Condition
• Date : 1859
• Ref #:  82028

Description:
This original steel-plate engraved antique print an view of Sydney NSW from the north across Circular Quay & The Rocks with a view to St James Church on Kings St - across where the Harbour Bridge is now situated - by Pierre Eugene Aubert was published by Dufour, Mulat and Boulanger, Paris in 1859.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - 
Colors used: - 
General color appearance: - 
Paper size: - 10in x 7in (255mm x 180mm)
Plate size: - 10in x 7in (255mm x 180mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Crease in right margin
Plate area: - None
Verso: - None

Background: 
The History of Sydney begins in prehistoric times with the occupation of the district by Australian Aborigines, whose ancestors came to Sydney in the Upper Paleolithic period. The modern history of the city began with the arrival of a First Fleet of British ships in 1788 and the foundation of a penal colony by Great Britain.
From 1788 to 1900 Sydney was the capital of the British colony of New South Wales. An elected city council was established in 1840. In 1900, Sydney became a state capital, when New South Wales voted to join the Australian Federation. Sydney today is Australia\'s largest city and a major international capital of culture and finance.

Aubert, Pierre Eugene, 1789-1847
A French artist and engraver of the early 19th century, working with the Paris publishers Dufour, Mulat and Boulanger.

• Title : Sydney (Australie)
• Size: 10in x 7in (255mm x 180mm)
• Condition: (A+) Fine Condition
• Date : 1859
• Ref #:  82029

Description:
This original steel-plate engraved antique print an view of Sydney NSW from the north across the Rocks with a view to St James Church on Kings St, across the harbour where the Harbour Bridge now sits, by Pierre Eugene Aubert was published by Dufour, Mulat and Boulanger, Paris in 1859.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Early
Colors used: - Yellow, green, blue
General color appearance: - Authentic
Paper size: - 10in x 7in (255mm x 180mm)
Plate size: - 10in x 7in (255mm x 180mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Crease in right margin
Plate area: - None
Verso: - None

Background: 
The History of Sydney begins in prehistoric times with the occupation of the district by Australian Aborigines, whose ancestors came to Sydney in the Upper Paleolithic period. The modern history of the city began with the arrival of a First Fleet of British ships in 1788 and the foundation of a penal colony by Great Britain.
From 1788 to 1900 Sydney was the capital of the British colony of New South Wales. An elected city council was established in 1840. In 1900, Sydney became a state capital, when New South Wales voted to join the Australian Federation. Sydney today is Australia\'s largest city and a major international capital of culture and finance.

Aubert, Pierre Eugene, 1789-1847
A French artist and engraver of the early 19th century, working with the Paris publishers Dufour, Mulat and Boulanger.

• Title : A Young Gentleman
• Date : 1878
• Condition: (A+) Fine Condition
• Ref:  22407
• Size: 14in x 9 1/2in (350mm x 240mm) 

Description: 
This fine, original antique print of a young gentleman - possibly William III -  by the master etcher Leon Richeton - signature engraved at the base of the print - was published in the 1878 edition of The Portfolio.
These faithful re-engravings of classic and historical wood-cuts were faithfully re-issued by in the mid to late 19th century. Such is the quality of his re-strikes these prints are now in major institutional collections such a the Louvre, National Gallery, The Met and many other famous Galleries. Please see below for further background.

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - Off white
Age of map color: - 
Colors used: - 
General color appearance: - 
Paper size: - 14in x 9 1/2in (350mm x 240mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None 

Background:
Leon Richeton (1854 - 1934) was an etcher, etched landscapes, and copied works by other artists, such as Sir Thomas Lawrence and Gainsborough. He published etchings in The Portfolio, and etched illustrations for Alfred Egmont Hake's Paris Originals..., London, 1878.
Thomas Gainsborough FRSA (1727 – 1788) was an English portrait and landscape painter, draughtsman, and printmaker. He surpassed his rival Sir Joshua Reynolds to become the dominant British portraitist of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. He preferred landscapes to portraits, and is credited (with Richard Wilson) as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.

• Title : Mary II depicted as Diana
• Date : 1878
• Condition: (A+) Fine Condition
• Ref:  22399
• Size: 14in x 9 1/2in (350mm x 240mm) 

Description: 
This fine, original antique print of A Young Princess Mary II by the master etcher Augustin Mongin - signature engraved at the base of the print - after Sir Peter Lely was engraved and published in the 1878 edition of The Portfolio.
These faithful re-engravings of classic and historical wood-cuts were faithfully re-issued by in the mid to late 19th century. Such is the quality of his re-strikes these prints are now in major institutional collections such a the Louvre, National Gallery, The Met and many other famous Galleries. Please see below for further background.

General Description: 
Paper thickness and quality: - Heavy & stable
Paper color: - Off white
Age of map color: - 
Colors used: - 
General color appearance: - 
Paper size: - 14in x 9 1/2in (350mm x 240mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None 

Background:
Augustin Mongin:
A nineteenth century French painter and etcher, Augustin Mongin studied art in Paris under Gaucherel. He first exhibited at the Paris Salon in 1874 and during the following years received medals in 1876, 1885, 1887 and 1889. Augustin Mongin was elected to the Societe des Artistes Francais in 1887 and, in 1900, was awarded both the Chevalier de la Legion d'honneur and the medaille d'honneur. In his etchings, Augustin Mongin was best known for his for works after the art of old masters such as Karel du Jardin, Reynolds and Peter Lely. He was also commissioned by publishers in both France and England for etchings after contemporary artists, such as H. G. Glindoni.

Princess Mary is depicted as Diana, the goddess of hunting; in this guise she carries a bow, wears a crescent moon and is followed by a greyhound. Her rich silk gown recalls the dresses worn by the Windsor Beauties series in the Royal Collection painted by Lely. The landscape background reminds us of the work of Titian, whom the artist admired.

• Title : Bart Murillo seipsum depin gens. pro filorum votis acprecibus explendis
• Date : 1870
• Condition: (A+) Fine Condition
• Ref:  22446
• Size: 13 1/2in x 9 1/2in (350mm x 240mm)

Description: 
This fine, original antique Heliograph self portrait of the Spanish artist Bartolome Esteban Murillo by the German engraver Heinrich Aldegrever or Aldegraf in the early 16th century was re-engraved and published by Charles Oliver Murray in 1870.
These faithful re-engravings of classic and historical wood-cuts were faithfully re-issued in the mid to late 19th century. Such is the quality of his re-strikes that many of these prints are now in major institutional collections such a the Louvre, National Gallery, The Met and many other famous Galleries. Please see below for further background.

The Latin inscription on the cartouche at the centre of the ledge explains that the self-portrait was made at the request of Murillo's children: 'Bart (olo) mé Murillo portraying himself to fulfil the wishes and prayers of his children - or sons'. Despite the unlined appearance of the face the painting is probably relatively late in date, of the early 1670s, when Murillo's children would have been of an age to take pride in their father's achievements. The composition is based on a formula that had been developed for portrait engravings used on the frontispiece of books. The sitter is shown in an oval frame and on the ledge below are the instruments of his profession, a palette and brushes on the right and a drawing and pencil on the left. 

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - White
Age of map color: - 
Colors used: -  General color appearance: - 
Paper size: - 13 1/2in x 9 1/2in (350mm x 240mm)
Margins: - Min 1/2in (12mm)

 Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
Bartolomé Esteban Murillo (born late December 1617, died April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times.

Charles Oliver Murray (1842–1923) was a Scottish engraver. Born in Roxburghshire in 1842, Murray trained at the Trustees Academy in Edinburgh and moved to London by 1872. He was elected a Fellow of the Society of Painter-Etchers on 7 May 1881. He published widely in The Art Journal from the 1880s onwards and frequently exhibited at the Royal Academy. Murray died in London in 1923.(Ref: M&B; Tooley)

• Title : Holy Family with St. Anne, St. Paul and Lute-Playing Angel
• Size: 13 1/2in x 9 1/2in (345mm x 240mm)
• Condition: (A+) Fine Condition
• Date : 1870
• Ref #:  22408

Description:
This fine, original antique wood-cut print of Holy Family with St Paul by Jacapo de Barbari in the early 16th century was faithfully re-engraved and published by Charles Amand-Durand in 1870.
These beautiful re-engravings of classic and historical wood-cuts were painstakingly re-issued by Amand-Durand in Paris in the mid to late 19th century. Such is the quality of his re-strikes that Durands prints are now in major institutional collections such a the Louvre, National Gallery, The Met and many other famous Galleries. Please see below for further background on Amand-Durand.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 14in x 9 1/2in (350mm x 240mm)
Plate size: - 8in x 6in (205mm x 1530mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Jacopo de Barbari sometimes known or referred to as de Barbari, de Barberi, de Barbari, Barbaro, Barberino, Barbarigo or Barberigo (1460/70 – 1516), was an Italian painter and print-maker with a highly individual style. He moved from Venice to Germany in 1500, thus becoming the first Italian Renaissance artist of stature to work in Northern Europe. His few surviving paintings (about twelve) include the first known example of trompe l oeil since antiquity. His twenty-nine engravings and three very large woodcuts were also highly influential.
His earliest documented work is his huge (1.345 x 2.818 metres, from six blocks) and impressive woodcut aerial view Map of Venice, for which a privilege was granted to its publisher in 1500, recording that the work had taken three years. This clearly drew on the work of many surveyors, but was a spectacular feat nonetheless, and caused a considerable stir from the first. It was later updated by others to reflect major new building projects in a second state of the print.
Apart from the Map of Venice, he produced two other woodcuts, both of men and satyrs, which were the largest and most impressive figurative woodcuts yet produced, and which established the Italian tradition of fine, large, woodcuts for the following decades. These may have also been produced before 1500; they are clearly strongly influenced by Mantegna.
By the time the Map of Venice was published de\' Barbari had already left for Germany, where he met Dürer, who he may have already known from Dürer\'s first Italian trip (a passage in a letter of Dürer\'s is ambiguous). They discussed human proportion, not obviously one of de\' Barbari\'s strengths, but Dürer was evidently fascinated by what he had to say, though he recorded that de\' Barberi had not told him everything he knew:
...I find no one who has written anything about how to make canon of human proportions except for a man named Jacob, born in Venice and a charming painter. He showed me a man and a woman which he had made according to measure, so that I would now rather see what he meant than behold a new kingdom... Jacobus did not want to show his principles to me clearly, that I saw well. (From an unpublished draft of the Introduction to Dürer\'s own book on human proportions)
Twenty years later Dürer tried unsuccessfully to get the Archduchess Margaret, Habsburg Regent of the Netherlands, to give him a manuscript book she had on the subject by de Barbari, by then dead; the book has not survived.
His style is related to his possible master, Alvise Vivarini and to Giovanni Bellini, but has a languorous quality all its own. Apart from Dürer, the influence of Mantegna\'s technique also appears in what are probably the earlier engravings, done around the turn of the century, with parallel hatching. His engravings are mostly small, showing just a few figures. Truculent satyrs feature in several prints; there are a number of mythological subjects, including two Sacrifices to Priapus.
The earlier prints show figures with small heads and somewhat shapeless bodies, with sloping shoulders and thick torsos supported by slender legs — also seen in his paintings. Probably from a middle period come several nudes, the most famous being Apollo and Diana, St Sebastian and the Three Bound Captives. In these his ability to organise the whole composition has greatly improved.
In a final group, the style becomes more Italianate, and the compositions more complex. These have an enigmatic, haunting atmosphere, and a very refined technique. Levenson has proposed that they date from his period in the Netherlands and were influenced by the young Lucas van Leyden.

• Title : The Flight into Egypt
• Size: 13 1/2in x 9 1/2in (345mm x 240mm)
• Condition: (A+) Fine Condition
• Date : 1870
• Ref #:  22406

Description:
This fine, original antique wood-cut print an illustrating of the Flight out of Israel into Egypt by The Holy Family by Martin Schongauer - signed M†S - in 15th century was faithfully re-engraved and published by Charles Amand-Durand in 1870.
These beautiful re-engravings of classic and historical wood-cuts were painstakingly re-issued by Amand-Durand in Paris in the mid to late 19th century. Such is the quality of his re-strikes that Durands prints are now in major institutional collections such a the Louvre, National Gallery, The Met and many other famous Galleries. Please see below for further background on Amand-Durand.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 14in x 9 1/2in (350mm x 240mm)
Plate size: - 8in x 6in (205mm x 1530mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Martin Schongauer 1445 - 1491 was one of the most prolific early engravers from the Rhine Valley. He signed all his prints with his initials, making him the first printmaker whose authorship was absolutely clear. While a handful of the artist’s paintings survive, Schongauer’s engravings inspired generations of artists, including Albrecht Dürer. This iconic image shows the Holy Family resting while fleeing the Massacre of the Innocents and their home in Israel for Egypt. The work reflects some traditional accounts of the story, in which angels lowered date palms for easy harvesting, so Mary, Joseph, and the Christ Child would not starve.
Schongauer was the most important printmaker north of the Alps before Albrecht Dürer.
The main work of Schongauer\'s life was the production of a large number of beautiful engravings, which were largely sold, not only in Germany, but also in Italy and even in England and Spain. Vasari says that Michelangelo copied one of his engravings, in the Trial of Saint Anthony. His style shows no trace of Italian influence, but a very clear and organised Gothic.
His subjects are mainly religious, but include comic scenes of ordinary life such as the Peasant family going to market or the Two apprentices fighting. One hundred and sixteen engravings are generally recognised as by his hand, and since several are only known from a single impression, there were probably others that are now lost. Many of his pupils\' plates as well as his own are signed, M†S, as are many copies probably by artists with no connection to him.
Among the most renowned of Schongauer\'s engravings are the series of the Passion and the Death and Coronation of the Virgin, and the series of the Wise and Foolish Virgins. All are remarkable for their miniature-like treatment, their brilliant touch, and their chromatic force. Some, such as the Death of the Virgin and the Adoration of the Magi are richly-filled compositions of many figures, treated with much largeness of style in spite of their minute scale.
He established the system of depicting volume by means of cross-hatching (lines in two directions) which was further developed by Dürer, and was the first engraver to curve parallel lines, probably by rotating the plate against a steady burin. He also developed a burin technique producing deeper lines on the plate, which meant that more impressions could be taken before the plate became worn.
According to Arthur Mayger Hind, Schongauer was one of the first German engravers to rise above the Gothic limitations both of setting and type and that he actualises an idea of beauty which in its nearer approach to more absolute ideals appeals to a far more universal appreciation than earlier engravers such as Master E. S.
The British Museum and other major print rooms possess fine collections of Schongauer\'s prints.

• Title : Petrus Arretinus Acerrimus Virtutum Ac Vitiorum Demostrator
• Size: 13 1/2in x 9 1/2in (345mm x 240mm)
• Condition: (A+) Fine Condition
• Date : 1870
• Ref #:  22442

Description:
This fine, original antique wood-cut print of the Italian playwright and poet Pietro Aretino by Marcantonio Raimondi in the early 16th century was faithfully re-engraved and published by Charles Amand-Durand in 1870.
These beautiful re-engravings of classic and historical wood-cuts were painstakingly re-issued by Amand-Durand in Paris in the mid to late 19th century. Such is the quality of his re-strikes that Durands prints are now in major institutional collections such a the Louvre, National Gallery, The Met and many other famous Galleries. Please see below for further background on Amand-Durand.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 14in x 9 1/2in (350mm x 240mm)
Plate size: - 8in x 6in (205mm x 1530mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Marcantonio Raimondi, often called simply Marcantonio 1470-1482 was an Italian engraver, known for being the first important print-maker whose body of work consists largely of prints copying paintings. He is therefore a key figure in the rise of the reproductive print. He also systematized a technique of engraving that became dominant in Italy and elsewhere. His collaboration with Raphael greatly helped his career, and he continued to exploit Raphael\'s works after the painter\'s death in 1520, playing a large part in spreading High Renaissance styles across Europe. Much of the biographical information we have comes from his life, the only one of a printmaker, in Vasaris Lives of the Artists.
About this time he began to make copies of Dürers woodcut series, the Life of the Virgin. This was extremely common practice, although normally engravers copied other expensive engravings rather than the cheaper woodcuts. However Dürers woodcuts had raised the standard of the medium considerably, and since Marcantonio continued to copy a large number of both Dürers engravings and woodcuts, he must have found it profitable.
His early copies included Dürers famous AD monogram, and Dürer made a complaint to the Venetian Government, which won him some legal protection for his monogram, but not his compositions, in Venetian territory - an important case in the slowly evolving history of intellectual property law.
Marcantonio appears to have spent some of the last half of the decade in Venice, but no dates are known.
The Massacre of the Innocents, designed by Raphael to be engraved.
He is attributed with around 300 engravings. After years of great success, his career ran into trouble in the mid-1520s; he was imprisoned for a time in Rome over his role in the series of erotic prints I Modi, and then, according to Vasari, lost all his money in the Sack of Rome in 1527, after which none of his work can be securely dated.

Pietro Aretino 1492 – 1556 was an Italian author, playwright, poet, satirist and blackmailer, who wielded influence on contemporary art and politics and developed modern literary pornography.

• Title : The Organ player and his Wife
• Size: 13 1/2in x 9 1/2in (345mm x 240mm)
• Condition: (A+) Fine Condition
• Date : 1870
• Ref #:  22404

Description:
This fine, original antique wood-cut print of The Organ player and wife by Israhel van Meckenem in late 15th century was faithfully re-engraved and published by Charles Amand-Durand in 1870.
These beautiful re-engravings of classic and historical wood-cuts were painstakingly re-issued by Amand-Durand in Paris in the mid to late 19th century. Such is the quality of his re-strikes that Durands prints are now in major institutional collections such a the Louvre, National Gallery, The Met and many other famous Galleries. Please see below for further background on Amand-Durand.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 14in x 9 1/2in (350mm x 240mm)
Plate size: - 8in x 6in (205mm x 1530mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
This husband-and-wife duo performs an intimate domestic concert, jointly playing a diminutive pipe organ with four stops. The wife operates the two bellows in time to the music, giving voice to the notes, while her husband creates the melody on the keyboard. He is clad in a housecoat and comfortable slippers and she wears a cozy fur-trimmed dress. Shown at the same scale and working in tandem, they symbolize a harmonious marriage. The little dog listening attentively is both an emblem of loyalty and a realistic detail of their well-to-do home.

Israhel van Meckenem (c.1445 – 10 November 1503), also known as Israhel van Meckenem the Younger, was a German printmaker and goldsmith, perhaps of a Dutch family origin.
He was the most prolific engraver of the fifteenth century and an important figure in the early history of old master prints. He was active from 1465 until his death.
He probably trained with Master E. S. in South Germany, and may well have been with him at his death c. 1467, since he acquired and reworked forty-one of the master\'s plates. Another two hundred of van Meckenem\'s own prints also were copies of ones by Master E. S. In total, he produced over six hundred plates, most of which were copies of other prints; they represent about 20% of print production by all Northern European artists in the period of his working life. His career lasted long enough for him to copy Dürer prints.
He copied prints by the Housebook Master, including some now otherwise lost, Martin Schongauer, and many other German engravers. His famous and very fine late series on the Life of the Virgin appears to have been based on drawings by Hans Holbein the Elder or his workshop, and he may have entered into a regular commercial relationship with Holbein.
His early works were fairly crude, but in the 1480s he developed an effective personal style and made increasingly large and finished works. His own compositions are often very lively, and take a great interest in the secular life of his day. One famous print, supposed to illustrate the story of St John the Baptist and Salome, pushes the specific incidents of the story far in the background to allow space for a scene of court dancers, dressed in the height of contemporary fashion, which takes up most of the plate.
He was sophisticated in self-presentation, signing later prints with his name and town, and producing the first self-portrait print of himself and his wife, which was also the first portrait print of an identifiable person. Some plates seem to have been reworked more than once by his workshop, or produced in more than one version, and many impressions have survived, so his ability to distribute and sell his prints was evidently equally well developed. He was apparently the first to issue engraved (as opposed to woodcut) indulgences, apparently bootlegged version[s] ... never subject to papal review; one print promises 20,000 years reduction of time in Purgatory per set of prayers, increased in a second state to 45,000 years.
In the Heures de Charles d\'Angoulême, an important manuscript showing the links between printmaking and illumination in the late 15th century, Robinet Testard incorporated sixteen of van Meckenem\'s prints, gluing them directly on to the vellum then overpainting.

• Title : Christo Sacrum.....Fridr Dvci Saxon....Albertus Durer....MDXXIIII
• Size: 13 1/2in x 9 1/2in (345mm x 240mm)
• Condition: (A+) Fine Condition
• Date : 1870
• Ref #:  22401

Description:
This fine, original antique wood-cut print of the protector of Martin Luther, Frederick the Wise of Saxony, by the famous German engraver Albrecht Dürer in 1496 was faithfully re-engraved and published by Charles Amand-Durand in 1870.
These beautiful re-engravings of classic and historical wood-cuts were painstakingly re-issued by Amand-Durand in Paris in the mid to late 19th century. Such is the quality of his re-strikes that Durands prints are now in major institutional collections such a the Louvre, National Gallery, The Met and many other famous Galleries. Please see below for further background on Amand-Durand.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 14in x 9 1/2in (350mm x 240mm)
Plate size: - 8in x 6in (205mm x 1530mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Albrecht Dürer 1471 – 1528 was a painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe when he was still in his twenties due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. Dürer is commemorated by both the Lutheran and Episcopal Churches.
Dürer\'s vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts, such as the Apocalypse series (1498), are more Gothic than the rest of his work. His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium.
Dürer\'s introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective, and ideal proportions.

The Portrait of Frederick III of Saxony is a tempera on canvas painting by German Renaissance artist Albrecht Dürer, executed in 1496. It is housed in the Gemäldegalerie of Berlin, Germany.
The painting was one of the first commissions received from Frederick III, Elector of Saxony, together with the Seven Sorrows Polyptych and the central panel of the Dresden Altarpiece. Dürer knew the elector during the latter\'s short stay in Nuremberg in April 1496.
The German artist portrayed the Elector again in a burin etching in 1524.
Dürer portrayed Fredericks bust from three-quarters, looking right, above a dark green background. Elements such as the parapet on which his arms lie, or the hands holding a roll, were typical of Flemish art of the period.
Frederick\'s impervious personality, as well as his status, are emphasized by the large beret and by his determined glance.

Frederick III 1463 – 1525, also known as Frederick the Wise (German Friedrich der Weise) was Elector of Saxony from 1486 to 1525, who is mostly remembered for the worldly protection of his subject Martin Luther.

• Title : Portrait of a Boy
• Date : 1878
• Condition: (A+) Fine Condition
• Ref:  22405
• Size: 14in x 9 1/2in (350mm x 240mm) 

Description: 
This fine, original antique print the Portrait of a Boy by Rembrandt Harmenszoon Van Rijn in the mid 17th century was re-engraved by Leon Richeton and published in the 1878 edition of The Portfolio. 
These faithful re-engravings of classic and historical wood-cuts were faithfully re-issued by in the mid to late 19th century. Such is the quality of his re-strikes these prints are now in major institutional collections such a the Louvre, National Gallery, The Met and many other famous Galleries. Please see below for further background.

General Description: 
Paper thickness and quality: - Heavy & stable
Paper color: - Off white
Age of map color: - 
Colors used: - 
General color appearance: - 
Paper size: - 14in x 9 1/2in (350mm x 240mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None 

Rembrandt Harmenszoon Van Rijn (1606-1669)  was a Dutch draughtsman, painter, and printmaker. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and hCharles Amand Durandistorical scenes, biblical and mythological themes as well as animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), although in many ways antithetical to the Baroque style that dominated Europe, was extremely prolific and innovative, and gave rise to important new genres. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer.

Leon Richeton (1854 - 1934) was an etcher, etched landscapes, and copied works by other artists, such as Sir Thomas Lawrence, Gainsborough & Rembrandt and others. He published etchings in The Portfolio, and etched illustrations for Alfred Egmont Hake's Paris Originals..., London, 1878.

• Title : The Embrace
• Date : 1870
• Condition: (A+) Fine Condition
• Ref:  22403-1
• Size: 13 1/2in x 9 1/2in (345mm x 240mm) 

Description:
This fine, original antique Heliograph of The Embrace by Master M Z or Mattaus Zaisinger in 1503 was re-engraved and published by Charles Amand-Durand in 1870.
These faithful re-engravings of classic and historical wood-cuts were faithfully re-issued by Amand-Durand in Paris in the mid to late 19th century. Such is the quality of his re-strikes that Durands prints are now in major institutional collections such a the Louvre, National Gallery, The Met and many other famous Galleries. Please see below for further background on Amand-Durand.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 13 1/2in x 9 1/2in (345mm x 240mm)
Plate size: - 8in x 6in (205mm x 1530mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Matthaus Zaisinger (aka Master M.Z.), German (1498 - 1555) was a German Goldsmith & Engraver who published twenty-two engravings with the signature initials MZ. Six are dated (1500, 1501, 1503). There are no later dated prints and it is believed that most of his work is concentrated around c1500. The prints are equally divided between religious and secular subjects, often a state of disquiet inhabits his figures, accompanied by eccentric use of perspective and abrupt changes in scale, as seen for example in The Embrace and Solomons Idolatry. Most of his works have landscape backgrounds executed with a delicate, atmospheric touch that suggests a precursor of Albrecht Altdorfer and other painters of the Danube school.

<b>The Embrace</b> contains all of the elements of an adulterous tryst with the stag horns on the chandelier being a common symbol of cuckoldry, but the woman seems an unenthusiastic participant.

• Title : Heliogravure et imp. A. Durand_Paris
• Size: 13 1/2in x 9 1/2in (345mm x 240mm)
• Condition: (A+) Fine Condition
• Date : 1870
• Ref #:  22443

Description:
This fine, original antique Heliograph of St. George Liberating the Princess by Lucas Van Leyden (1494 - 1533) in 1508 was re-engraved and published by Charles Amand-Durand in 1870.
These faithful re-engravings of classic and historical wood-cuts were faithfully re-issued by Amand-Durand in Paris in the mid to late 19th century. Such is the quality of his re-strikes that Durands prints are now in major institutional collections such a the Louvre, National Gallery, The Met and many other famous Galleries. Please see below for further background on Amand-Durand.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 13 1/2in x 9 1/2in (345mm x 240mm)
Plate size: - 8in x 6in (205mm x 1530mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Lucas van Leyden (1494 – 1533), also named either Lucas Hugensz or Lucas Jacobsz, was a Dutch engraver and painter. He was among the first Dutch exponents of genre painting and is generally regarded as a very accomplished engraver.
Lucas was the son of Huygh Jacobsz. and was mainly active in Leiden.
Carel van Mander characterizes Lucas as a tireless artist, who as a child annoyed his mother by working long hours after nightfall, which she forbid not only for the cost of candlelight, but also because she felt that too much study was bad for his sensibilities. According to Van Mander, as a boy he only consorted with other young artists, such as painters, glass-etchers and goldsmiths, and was paid by the Heer van Lochorst (Johan van Lockhorst of Leiden, who died in 1510) a golden florin for each of his years at age 12 for a watercolor of St. Hubert.
From 1513 to 1517, Lucas created a series of woodcuts called The Power of Women which consisted of two large and small sets of prints. The series is one of a number of representations of the Power of Women theme, which was extremely popular in Renaissance art and literature. Artworks in the genre depict the traditional roles of men and women in inverse, with women dominating over men in various situations. The subjects illustrated often consist of legendary historical women who were considered to be virtuous heroines as well as women who were considered cunning, seductive, and manipulative of men. The purpose of the Power of Women theme was to demonstrate that even the strongest and wisest of men were not resistant to the sexuality of women.

The legend of Saint George and the Dragon describes the saint taming and slaying a dragon that demanded human sacrifices; the saint thereby rescues the princess chosen as the next offering.

• Title : Otoo, Roi de Tahiti
• Ref  :  31771
• Size: 10in x 8in (255mm x 205mm)
• Date : 1774
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print a portrait of Chief Tynah (Otoo) of Tahiti Island, met by Captain James Cook during his 1st Voyage of Discovery in 1769, was engraved by Robert Benard - after Sydney Parkinson - and was published in the 1774 French edition of Capt. James Cooks 1st Voyage of Discovery to the South Seas by John Hawkesworth in An Account of the Voyages Undertaken by the Order of His Present Majesty for Making Discoveries in the Southern Hemisphere and Successively Performed by Commodore Byron, Captain Wallis, Captain Carteret, and Captain Cook, in the Dolphin, the Swallow, and the Endeavor, Drawn Up from the Journals Which Were Kept by the Several Commanders, and from the Papers of Joseph Banks. Paris, 1774.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 10in x 8in (255mm x 205mm)
Plate size: - 9 1/2in x 7 1/4in (240mm x 185mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling in bottom margin
Plate area: - None
Verso: - None

Background: 
Tahiti previously also known as Otaheite is the largest island in the Windward group of French Polynesia. The island is located in the archipelago of the Society Islands in the central Southern Pacific Ocean.
The first European to have visited Tahiti according to existing records was lieutenant Samuel Wallis, who was circumnavigating the globe in HMS Dolphin, sighting the island on 18 June 1767, and eventually harboring in Matavai Bay. This bay was situated on the territory of the chiefdom of Pare-Arue, governed by Tu (Tu-nui-e-a a-i-te-Atua) and his regent Tutaha, and the chiefdom of Ha apape, governed by Amo and his wife Oberea (Purea). Wallis named the island King Georges Island. The first contacts were difficult, since on the 24 and 26 June 1767, Tahitian warriors in canoes showed aggression towards the British, hurling stones from their slings. In retaliation, the British sailors opened fire on the warriors in the canoes and on the hills. In reaction to this powerful counter-attack, the Tahitians laid down peace offerings for the British. Following this episode, Samuel Wallis was able to establish cordial relations with the female chieftain “Oberea “ (Purea) and remained on the island until 27 July 1767.
In July 1768, Captain James Cook was commissioned by the Royal Society and on orders from the Lords Commissioners of the Admiralty to observe the transit of Venus across the sun, a phenomenon that would be visible from Tahiti on 3 June 1769. He arrived in Tahitis Matavai Bay, commanding the HMS Endeavour on 12 April 1769. On 14 April, Cook met with Tutaha and Tepau. On 15 April, Cook picked the site for a fortified camp at Point Venus along with Banks, Parkinson, Daniel Solander, to protect Charles Greens observatory. The length of stay enabled them to undertake for the first time real ethnographic and scientific observations of the island. Assisted by the botanist Joseph Banks, and by the artist Sydney Parkinson, Cook gathered valuable information on the fauna and flora, as well as the native society, language and customs, including the proper name of the island, Otaheite. On 28 April, Cook met Purea and Tupaia, and Tupaia befriended Banks following the transit. On 21 June, Amo visited Cook, and then on 25 June, Pohuetea visited, signifying another chief seeking to ally himself with the British.
Cook and Banks circumnavigated the island from 26 June to 1 July. On the exploration, they met Ahio, chief of Ha apaiano o or Papenoo, Rita, chief of Hitia a, Pahairro, chief of Pueu, Vehiatua, chief of Tautra, Matahiapo, chief of Teahupo o, Tutea, chief of Vaira o, and Moe, chief of Afa Ahiti. In Papara, guided by Tupaia, they investigated the ruins of Mahaiatea marae, an impressive structure containing a stone pyramid or ahu, measuring 44 feet high, 267 feet long and 87 feet wide. Cook and the Endeavour departed Tahiti on 13 July 1769, taking Raiatean navigator Tupaia along for his geographic knowledge of the islands.
Cook returned to Tahiti between 15 August and 1 September 1773, greeted by the chiefs Tai and Puhi, besides the youg ari i Vehiatua II and his stepfather Ti itorea. Cook anchored in Vaitepiha Bay before returning to Point Venus where he met Tu, the paramount chief. Cook picked up two passengers from Tahiti during this trip, Porea and Mai, with Hitihiti later replacing Porea when Cook stopped at Raiatea. Cook took Hitihiti to Tahiti on 22 April, during his return leg. Then, Cook departed Tahiti on 14 May 1774.
During his final visit, Cook returned Mai to Tahiti on 12 Aug. 1777, after Mais long visit in England. Cook also brought two Maori from Queen Charlotte Sound, Te Weherua and Koa. Cook first harbored in Vaitepiha Bay, where he visited Vehiatua II s funeral bier and the prefabricated Spanish mission house. Cook also met Vehiatua III, and inscribed on the back of the Spanish cross, Georgius tertius Rex Annis 1767, 69, 73, 74 & 77, as a counterpoint to Christus Vincit Carolus III imperat 1774 on the front. On 23 Aug., Cook sailed for Matavai Bay, where he met Tu, his father Teu, his mother Tetupaia, his brothers Ari ipaea and Vaetua, and his sisters Ari ipaea-vahine, Tetua-te-ahamai, and Auo. Cook also observed a human sacrifice, taata tapu, at the Utu-ai-mahurau marae, and 49 skulls from previous victims.
On 29 Sept. 1777, Cook sailed for Papetoai Bay on Moorea. Cook met Mahine in an act of friendship on 3 Oct., though he was an enemy of Tu. When a goat kid was stolen on 6 Oct., Cook in a rampage, ordered the burning of houses and canoes until it was returned. Cook sailed for Huahine on 11 Oct., Raiatea on 2 Nov., and Borabora on 7 Dec.
On 26 October 1788, HMS Bounty, under the command of Captain William Bligh, landed in Tahiti with the mission of carrying Tahitian breadfruit trees (Tahitian: uru) to the Caribbean. Sir Joseph Banks, the botanist from James Cooks first expedition, had concluded that this plant would be ideal to feed the African slaves working in the Caribbean plantations at very little cost. The crew remained in Tahiti for about five months, the time needed to transplant the seedlings of the trees. Three weeks after leaving Tahiti, on 28 April 1789, the crew mutinied on the initiative of Fletcher Christian. The mutineers seized the ship and set the captain and most of those members of the crew who remained loyal to him adrift in a ships boat. A group of mutineers then went back to settle in Tahiti.
Although various explorers had refused to get involved in tribal conflicts, the mutineers from the Bounty offered their services as mercenaries and furnished arms to the family which became the Pōmare Dynasty. The chief Tū knew how to use their presence in the harbours favoured by sailors to his advantage. As a result of his alliance with the mutineers, he succeeded in considerably increasing his supremacy over the island of Tahiti.

Sydney Parkinson 1745 – 71 was draughtsman to the botanist Sir Joseph Banks on James Cook’s first voyage to the Pacific in 1768. He died of dysentery in 1771, on the homeward voyage.
Parkinson was the first European artist to create drawings of Indigenous Australian, Maori & South Sea peoples, as well as landscapes, from direct observation. Hundreds of his original drawings survive in the British Museum. He is particularly remembered for his plant illustrations which were later used to create the lavish plates for Joseph Banks’ Florilegium.
When the Endeavour returned to England in 1772, a dispute arose between Joseph Banks and Sydney’s brother, Stanfield Parkinson. As his employer, Banks claimed rights to Sydney’s drawings, papers and collections made on the voyage. Stanfield claimed that Sydney had willed them to his family. Banks lent the Parkinson family Sydney’s journal and drawings with instructions that they were not to be published, however Stanfield disregarded this and arranged for A Journal of a voyage to the South Seas to be printed from Sydney’s account of the voyage.
Banks managed to suppress Stanfield’s publication until the official account of the voyage, edited by John Hawkesworth, appeared. In return for Parkinson’s papers, Banks paid Stanfield Parkinson 500 pounds for balance of wages due to Sydney, but the dispute did not end there. Stanfield further accused Banks of retaining items collected by Sydney which were intended for his relatives. Stanfield Parkinson was declared insane soon after the publication of Sydney Parkinson’s Journal and died in an asylum.

John Hawkesworth An English writer and journalist, Hawkesworth was commissioned by the British Admiralty to edit for publication the narratives of its officers’ circumnavigations. He was given full access to the journals of the commanders and the freedom to adapt and re-tell them in the first person. Cook was already on his way back from his second Pacific voyage, temporarily docked at Cape Town (South Africa), when he first saw the published volumes: he was mortified and furious to find that Hawkesworth claimed in the introduction that Cook had seen and blessed (with slight corrections) the resulting manuscript. (In his defense, Hawkesworth also had been a victim of misunderstanding.) Cook had trouble recognizing himself. Moreover, the work was full of errors and commentary introduced by Hawkesworth and, in Cook’s view, too full of Banks, who had promoted himself and the publication. Still, the work was popular; the first edition sold out in several months.

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Vue de I Isle d Ulietea avec une double Pirogue et un hanger ou les Insulares retirent leurs Batiments de mer (A view in the island of Ulietea with a double canoe and a boathouse)
• Size: 15in x 10in (380mm x 255mm)
• Ref #:  21616
• Date : 1774
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print a view of fishing vessels, locals inspecting the days catch and views of the Island of Raiatea (Ulietea) in the Society Isles of French Polynesia, visited by Captain Cook in HMS Endeavor during his first visit to the Island in 1769, was engraved by Le Veau - after Sydney Parkinson - was published in the 1774 French edition of John Hawkesworths An Account of the Voyages Undertaken by the Order of His Present Majesty for Making Discoveries in the Southern Hemisphere and Successively Performed by Commodore Byron, Captain Wallis, Captain Carteret, and Captain Cook, in the Dolphin, the Swallow, and the Endeavor, Drawn Up from the Journals Which Were Kept by the Several Commanders, and from the Papers of Joseph Banks, Esq. Paris 1774.

..........a double canoe (pahi) with carved figures on bow and stern. Another double canoe in the background at right and a boathouse at left. There are a great number of boathouses all round the bays built with a Catanarian arch, thatched all over; and the boats kept in them are very long, bellying out on the sides, with a very high peak stern, and are used only at particular seasons.....from the account by Sydney Parkinson 1769

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 15in x 10in (380mm x 255mm)
Plate size: - 14 1/2in x 9 1/2in (370mm x 240mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Raiatea, is the second largest of the Society Islands, after Tahiti, in French Polynesia. The island is widely regarded as the centre of the eastern islands in ancient Polynesia and it is likely that the organised migrations to Hawaii, Aotearoa and other parts of East Polynesia started at Raiātea.
Captain Cook visited Raiatea in 1769 and again in 1773-1774.

John Hawkesworth 1715 – 1773
An English writer and journalist, Hawkesworth was commissioned by the British Admiralty to edit for publication the narratives of its officers’ circumnavigations. He was given full access to the journals of the commanders and the freedom to adapt and re-tell them in the first person. Cook was already on his way back from his second Pacific voyage, temporarily docked at Cape Town (South Africa), when he first saw the published volumes: he was mortified and furious to find that Hawkesworth claimed in the introduction that Cook had seen and blessed (with slight corrections) the resulting manuscript. (In his defense, Hawkesworth also had been a victim of misunderstanding.) Cook had trouble recognizing himself. Moreover, the work was full of errors and commentary introduced by Hawkesworth and, in Cook’s view, too full of Banks, who had promoted himself and the publication. Still, the work was popular; the first edition sold out in several months.

Sydney Parkinson 1745 – 71 was draughtsman to the botanist Sir Joseph Banks on James Cook’s first voyage to the Pacific in 1768. He died of dysentery in 1771, on the homeward voyage.
Parkinson was the first European artist to create drawings of Indigenous Australian, Maori & South Sea peoples, as well as landscapes, from direct observation. Hundreds of his original drawings survive in the British Museum. He is particularly remembered for his plant illustrations which were later used to create the lavish plates for Joseph Banks’ Florilegium.
When the Endeavour returned to England in 1772, a dispute arose between Joseph Banks and Sydney’s brother, Stanfield Parkinson. As his employer, Banks claimed rights to Sydney’s drawings, papers and collections made on the voyage. Stanfield claimed that Sydney had willed them to his family. Banks lent the Parkinson family Sydney’s journal and drawings with instructions that they were not to be published, however Stanfield disregarded this and arranged for A Journal of a voyage to the South Seas to be printed from Sydney’s account of the voyage.
Banks managed to suppress Stanfield’s publication until the official account of the voyage, edited by John Hawkesworth, appeared. In return for Parkinson’s papers, Banks paid Stanfield Parkinson 500 pounds for balance of wages due to Sydney, but the dispute did not end there. Stanfield further accused Banks of retaining items collected by Sydney which were intended for his relatives. Stanfield Parkinson was declared insane soon after the publication of Sydney Parkinson’s Journal and died in an asylum.

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Vue de I Isle d Otahiti et de plusieurs Pirogues (View of the Island of Tahiti and several canoes)
• Size: 15 1/2in x 10in (390mm x 255mm)
• Ref #:  16085
• Date : 1778
• Condition: (A+) Fine Condition

Description:
This large original copper-plate engraved antique print a view of
Matavia Bay, on the Island of Tahiti, with various canoes & boats, visited by Captain James Cook in August 1773, during his 2nd Voyage of Discovery to the South Seas, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778.

Cooks Journal 1773
On 20th Aug, wrote Cook, Nothing worthy of note happened till the Dusk of the evening when one of the Natives made off with a musquet belonging to the Guard on shore, I was present when this happen\'d and sent two or three of our people after him, this would have signified but little had not some of the natives pursued the thief, knock\'d him down and took from him the Musquet and return\'d it to us.
Three days later I set out accompanied by Captain Furneaux some of the Gentlemen and several of the Natives, we met the Chief... I knew him at first sight and he me, having seen each other several times in 1769 at which time he was but a boy. According to Wales the Capt returned from his Visit to the King, Owhyadoa, having with much difficulty, and expince in presents &c procured three Hogs.

Off to Matavai Bay
The next day, wrote Burney we hove our Anchors up & saild from this place, the Commodore leaving his Cutter behind to try if they could procure any more Hogs - the next day (25th) the Cutter returned about Noon with 10 which were divided between the 2 Ships - at 7 this Evening we Anchored in Matavia Bay in 10 fathoms & Moord with our Small Bower & Stream Anchors.
When the natives came aboard, Cook found several of whom I knew and almost all of them me... In the morning, after having given directions about erecting Tents for the reception of the Sick, Coopers and guard, I set out for Oparre accompanied by Captain Furneaux, some of the gentlemen... as soon as we landed we were conducted to Otoo [Tu], the chief.
When Cook returned, he had the Sick land, Twenty from the Adventure and one from the Resolution, landed a sufficient number of men to guard the Whole and left the command to Lieutt Edgcombe of the Marines. A party of Marines being sent on Shore as a Guard, wrote Wales, I landed my Observatory and Instruments and begun to put them up on the Spot where Mr Green Observed the Transit of Venus in 1769.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 15 1/2in x 10in (390mm x 255mm)
Plate size: - 14 1/2in x 9 1/2in (370mm x 240mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - Folds as issued
Verso: - None

Background: 
Tahiti previously also known as Otaheite is the largest island in the Windward group of French Polynesia. The island is located in the archipelago of the Society Islands in the central Southern Pacific Ocean.
The first European to have visited Tahiti according to existing records was lieutenant Samuel Wallis, who was circumnavigating the globe in HMS Dolphin, sighting the island on 18 June 1767, and eventually harboring in Matavai Bay. This bay was situated on the territory of the chiefdom of Pare-Arue, governed by Tu (Tu-nui-e-a a-i-te-Atua) and his regent Tutaha, and the chiefdom of Ha apape, governed by Amo and his wife Oberea (Purea). Wallis named the island King Georges Island. The first contacts were difficult, since on the 24 and 26 June 1767, Tahitian warriors in canoes showed aggression towards the British, hurling stones from their slings. In retaliation, the British sailors opened fire on the warriors in the canoes and on the hills. In reaction to this powerful counter-attack, the Tahitians laid down peace offerings for the British. Following this episode, Samuel Wallis was able to establish cordial relations with the female chieftain “Oberea “ (Purea) and remained on the island until 27 July 1767.
In July 1768, Captain James Cook was commissioned by the Royal Society and on orders from the Lords Commissioners of the Admiralty to observe the transit of Venus across the sun, a phenomenon that would be visible from Tahiti on 3 June 1769. He arrived in Tahitis Matavai Bay, commanding the HMS Endeavour on 12 April 1769. On 14 April, Cook met with Tutaha and Tepau. On 15 April, Cook picked the site for a fortified camp at Point Venus along with Banks, Parkinson, Daniel Solander, to protect Charles Greens observatory. The length of stay enabled them to undertake for the first time real ethnographic and scientific observations of the island. Assisted by the botanist Joseph Banks, and by the artist Sydney Parkinson, Cook gathered valuable information on the fauna and flora, as well as the native society, language and customs, including the proper name of the island, Otaheite. On 28 April, Cook met Purea and Tupaia, and Tupaia befriended Banks following the transit. On 21 June, Amo visited Cook, and then on 25 June, Pohuetea visited, signifying another chief seeking to ally himself with the British.
Cook and Banks circumnavigated the island from 26 June to 1 July. On the exploration, they met Ahio, chief of Ha apaiano o or Papenoo, Rita, chief of Hitia a, Pahairro, chief of Pueu, Vehiatua, chief of Tautra, Matahiapo, chief of Teahupo o, Tutea, chief of Vaira o, and Moe, chief of Afa Ahiti. In Papara, guided by Tupaia, they investigated the ruins of Mahaiatea marae, an impressive structure containing a stone pyramid or ahu, measuring 44 feet high, 267 feet long and 87 feet wide. Cook and the Endeavour departed Tahiti on 13 July 1769, taking Raiatean navigator Tupaia along for his geographic knowledge of the islands.
Cook returned to Tahiti between 15 August and 1 September 1773, greeted by the chiefs Tai and Puhi, besides the youg ari i Vehiatua II and his stepfather Ti itorea. Cook anchored in Vaitepiha Bay before returning to Point Venus where he met Tu, the paramount chief. Cook picked up two passengers from Tahiti during this trip, Porea and Mai, with Hitihiti later replacing Porea when Cook stopped at Raiatea. Cook took Hitihiti to Tahiti on 22 April, during his return leg. Then, Cook departed Tahiti on 14 May 1774.
During his final visit, Cook returned Mai to Tahiti on 12 Aug. 1777, after Mais long visit in England. Cook also brought two Maori from Queen Charlotte Sound, Te Weherua and Koa. Cook first harbored in Vaitepiha Bay, where he visited Vehiatua II s funeral bier and the prefabricated Spanish mission house. Cook also met Vehiatua III, and inscribed on the back of the Spanish cross, Georgius tertius Rex Annis 1767, 69, 73, 74 & 77, as a counterpoint to Christus Vincit Carolus III imperat 1774 on the front. On 23 Aug., Cook sailed for Matavai Bay, where he met Tu, his father Teu, his mother Tetupaia, his brothers Ari ipaea and Vaetua, and his sisters Ari ipaea-vahine, Tetua-te-ahamai, and Auo. Cook also observed a human sacrifice, taata tapu, at the Utu-ai-mahurau marae, and 49 skulls from previous victims.
On 29 Sept. 1777, Cook sailed for Papetoai Bay on Moorea. Cook met Mahine in an act of friendship on 3 Oct., though he was an enemy of Tu. When a goat kid was stolen on 6 Oct., Cook in a rampage, ordered the burning of houses and canoes until it was returned. Cook sailed for Huahine on 11 Oct., Raiatea on 2 Nov., and Borabora on 7 Dec.
On 26 October 1788, HMS Bounty, under the command of Captain William Bligh, landed in Tahiti with the mission of carrying Tahitian breadfruit trees (Tahitian: uru) to the Caribbean. Sir Joseph Banks, the botanist from James Cooks first expedition, had concluded that this plant would be ideal to feed the African slaves working in the Caribbean plantations at very little cost. The crew remained in Tahiti for about five months, the time needed to transplant the seedlings of the trees. Three weeks after leaving Tahiti, on 28 April 1789, the crew mutinied on the initiative of Fletcher Christian. The mutineers seized the ship and set the captain and most of those members of the crew who remained loyal to him adrift in a ships boat. A group of mutineers then went back to settle in Tahiti.
Although various explorers had refused to get involved in tribal conflicts, the mutineers from the Bounty offered their services as mercenaries and furnished arms to the family which became the Pōmare Dynasty. The chief Tū knew how to use their presence in the harbours favoured by sailors to his advantage. As a result of his alliance with the mutineers, he succeeded in considerably increasing his supremacy over the island of Tahiti.

William Hodges RA 1744 – 1797 was an English painter. He was a member of James Cooks second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.
Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expeditions artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cooks journals from the voyage.
Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.
Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition..

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Vue de Taiti et de plusieurs Pirogues De Cette Isle (View of the Island of Tahiti and canoes)
• Size: 15in x 7 1/2in (380mm x 190mm)
• Ref #:  21576
• Date : 1778
• Condition: (A+) Fine Condition

Description:
This large original copper-plate engraved antique print a view of
Matavia Bay, on the Island of Tahiti, with various canoes & boats, visited by Captain James Cook in August 1773, during his 2nd Voyage of Discovery to the South Seas, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778.

Cooks Journal 1773
On 20th Aug, wrote Cook, Nothing worthy of note happened till the Dusk of the evening when one of the Natives made off with a musquet belonging to the Guard on shore, I was present when this happen\'d and sent two or three of our people after him, this would have signified but little had not some of the natives pursued the thief, knock\'d him down and took from him the Musquet and return\'d it to us.
Three days later I set out accompanied by Captain Furneaux some of the Gentlemen and several of the Natives, we met the Chief... I knew him at first sight and he me, having seen each other several times in 1769 at which time he was but a boy. According to Wales the Capt returned from his Visit to the King, Owhyadoa, having with much difficulty, and expince in presents &c procured three Hogs.

Off to Matavai Bay
The next day, wrote Burney we hove our Anchors up & saild from this place, the Commodore leaving his Cutter behind to try if they could procure any more Hogs - the next day (25th) the Cutter returned about Noon with 10 which were divided between the 2 Ships - at 7 this Evening we Anchored in Matavia Bay in 10 fathoms & Moord with our Small Bower & Stream Anchors.
When the natives came aboard, Cook found several of whom I knew and almost all of them me... In the morning, after having given directions about erecting Tents for the reception of the Sick, Coopers and guard, I set out for Oparre accompanied by Captain Furneaux, some of the gentlemen... as soon as we landed we were conducted to Otoo [Tu], the chief.
When Cook returned, he had the Sick land, Twenty from the Adventure and one from the Resolution, landed a sufficient number of men to guard the Whole and left the command to Lieutt Edgcombe of the Marines. A party of Marines being sent on Shore as a Guard, wrote Wales, I landed my Observatory and Instruments and begun to put them up on the Spot where Mr Green Observed the Transit of Venus in 1769.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 15in x 7 1/2in (380mm x 190mm)
Plate size: - 14 1/2in x 7in (370mm x 180mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - Folds as issued
Verso: - None

Background: 
Tahiti previously also known as Otaheite is the largest island in the Windward group of French Polynesia. The island is located in the archipelago of the Society Islands in the central Southern Pacific Ocean.
The first European to have visited Tahiti according to existing records was lieutenant Samuel Wallis, who was circumnavigating the globe in HMS Dolphin, sighting the island on 18 June 1767, and eventually harboring in Matavai Bay. This bay was situated on the territory of the chiefdom of Pare-Arue, governed by Tu (Tu-nui-e-a a-i-te-Atua) and his regent Tutaha, and the chiefdom of Ha apape, governed by Amo and his wife Oberea (Purea). Wallis named the island King Georges Island. The first contacts were difficult, since on the 24 and 26 June 1767, Tahitian warriors in canoes showed aggression towards the British, hurling stones from their slings. In retaliation, the British sailors opened fire on the warriors in the canoes and on the hills. In reaction to this powerful counter-attack, the Tahitians laid down peace offerings for the British. Following this episode, Samuel Wallis was able to establish cordial relations with the female chieftain “Oberea “ (Purea) and remained on the island until 27 July 1767.
In July 1768, Captain James Cook was commissioned by the Royal Society and on orders from the Lords Commissioners of the Admiralty to observe the transit of Venus across the sun, a phenomenon that would be visible from Tahiti on 3 June 1769. He arrived in Tahitis Matavai Bay, commanding the HMS Endeavour on 12 April 1769. On 14 April, Cook met with Tutaha and Tepau. On 15 April, Cook picked the site for a fortified camp at Point Venus along with Banks, Parkinson, Daniel Solander, to protect Charles Greens observatory. The length of stay enabled them to undertake for the first time real ethnographic and scientific observations of the island. Assisted by the botanist Joseph Banks, and by the artist Sydney Parkinson, Cook gathered valuable information on the fauna and flora, as well as the native society, language and customs, including the proper name of the island, Otaheite. On 28 April, Cook met Purea and Tupaia, and Tupaia befriended Banks following the transit. On 21 June, Amo visited Cook, and then on 25 June, Pohuetea visited, signifying another chief seeking to ally himself with the British.
Cook and Banks circumnavigated the island from 26 June to 1 July. On the exploration, they met Ahio, chief of Ha apaiano o or Papenoo, Rita, chief of Hitia a, Pahairro, chief of Pueu, Vehiatua, chief of Tautra, Matahiapo, chief of Teahupo o, Tutea, chief of Vaira o, and Moe, chief of Afa Ahiti. In Papara, guided by Tupaia, they investigated the ruins of Mahaiatea marae, an impressive structure containing a stone pyramid or ahu, measuring 44 feet high, 267 feet long and 87 feet wide. Cook and the Endeavour departed Tahiti on 13 July 1769, taking Raiatean navigator Tupaia along for his geographic knowledge of the islands.
Cook returned to Tahiti between 15 August and 1 September 1773, greeted by the chiefs Tai and Puhi, besides the youg ari i Vehiatua II and his stepfather Ti itorea. Cook anchored in Vaitepiha Bay before returning to Point Venus where he met Tu, the paramount chief. Cook picked up two passengers from Tahiti during this trip, Porea and Mai, with Hitihiti later replacing Porea when Cook stopped at Raiatea. Cook took Hitihiti to Tahiti on 22 April, during his return leg. Then, Cook departed Tahiti on 14 May 1774.
During his final visit, Cook returned Mai to Tahiti on 12 Aug. 1777, after Mais long visit in England. Cook also brought two Maori from Queen Charlotte Sound, Te Weherua and Koa. Cook first harbored in Vaitepiha Bay, where he visited Vehiatua II s funeral bier and the prefabricated Spanish mission house. Cook also met Vehiatua III, and inscribed on the back of the Spanish cross, Georgius tertius Rex Annis 1767, 69, 73, 74 & 77, as a counterpoint to Christus Vincit Carolus III imperat 1774 on the front. On 23 Aug., Cook sailed for Matavai Bay, where he met Tu, his father Teu, his mother Tetupaia, his brothers Ari ipaea and Vaetua, and his sisters Ari ipaea-vahine, Tetua-te-ahamai, and Auo. Cook also observed a human sacrifice, taata tapu, at the Utu-ai-mahurau marae, and 49 skulls from previous victims.
On 29 Sept. 1777, Cook sailed for Papetoai Bay on Moorea. Cook met Mahine in an act of friendship on 3 Oct., though he was an enemy of Tu. When a goat kid was stolen on 6 Oct., Cook in a rampage, ordered the burning of houses and canoes until it was returned. Cook sailed for Huahine on 11 Oct., Raiatea on 2 Nov., and Borabora on 7 Dec.
On 26 October 1788, HMS Bounty, under the command of Captain William Bligh, landed in Tahiti with the mission of carrying Tahitian breadfruit trees (Tahitian: uru) to the Caribbean. Sir Joseph Banks, the botanist from James Cooks first expedition, had concluded that this plant would be ideal to feed the African slaves working in the Caribbean plantations at very little cost. The crew remained in Tahiti for about five months, the time needed to transplant the seedlings of the trees. Three weeks after leaving Tahiti, on 28 April 1789, the crew mutinied on the initiative of Fletcher Christian. The mutineers seized the ship and set the captain and most of those members of the crew who remained loyal to him adrift in a ships boat. A group of mutineers then went back to settle in Tahiti.
Although various explorers had refused to get involved in tribal conflicts, the mutineers from the Bounty offered their services as mercenaries and furnished arms to the family which became the Pōmare Dynasty. The chief Tū knew how to use their presence in the harbours favoured by sailors to his advantage. As a result of his alliance with the mutineers, he succeeded in considerably increasing his supremacy over the island of Tahiti.

William Hodges RA 1744 – 1797 was an English painter. He was a member of James Cooks second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.
Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expeditions artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cooks journals from the voyage.
Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.
Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition..

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Flotte D Otahiti Assemblee A Oparee (The Fleet of Otaheite assembled at Oparee)
• Size: 15in x 10in (380mm x 255mm)
• Ref #:  21426
• Date : 1778
• Condition: (A+) Fine Condition

Description:
This large original copper-plate engraved antique print a view of
theTahitian fleet, met by Captain James Cook at Oparee Reef, west of Matavai Bay Tahiti, visited by Captain James Cook in 1773, during his 2nd Voyage of Discovery to the South Seas, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778.

Cooks Journal 1773
On 20th Aug, wrote Cook, Nothing worthy of note happened till the Dusk of the evening when one of the Natives made off with a musquet belonging to the Guard on shore, I was present when this happen\'d and sent two or three of our people after him, this would have signified but little had not some of the natives pursued the thief, knock\'d him down and took from him the Musquet and return\'d it to us.
Three days later I set out accompanied by Captain Furneaux some of the Gentlemen and several of the Natives, we met the Chief... I knew him at first sight and he me, having seen each other several times in 1769 at which time he was but a boy. According to Wales the Capt returned from his Visit to the King, Owhyadoa, having with much difficulty, and expince in presents &c procured three Hogs.

Off to Matavai Bay
The next day, wrote Burney we hove our Anchors up & saild from this place, the Commodore leaving his Cutter behind to try if they could procure any more Hogs - the next day (25th) the Cutter returned about Noon with 10 which were divided between the 2 Ships - at 7 this Evening we Anchored in Matavia Bay in 10 fathoms & Moord with our Small Bower & Stream Anchors.
When the natives came aboard, Cook found several of whom I knew and almost all of them me... In the morning, after having given directions about erecting Tents for the reception of the Sick, Coopers and guard, I set out for Oparre accompanied by Captain Furneaux, some of the gentlemen... as soon as we landed we were conducted to Otoo [Tu], the chief.
When Cook returned, he had the Sick land, Twenty from the Adventure and one from the Resolution, landed a sufficient number of men to guard the Whole and left the command to Lieutt Edgcombe of the Marines. A party of Marines being sent on Shore as a Guard, wrote Wales, I landed my Observatory and Instruments and begun to put them up on the Spot where Mr Green Observed the Transit of Venus in 1769.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 15in x 10in (380mm x 255mm)
Plate size: - 15in x 9 1/2in (380mm x 245mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - L&R margins cropped to plate-mark
Plate area: - None
Verso: - None

Background: 
Tahiti previously also known as Otaheite is the largest island in the Windward group of French Polynesia. The island is located in the archipelago of the Society Islands in the central Southern Pacific Ocean.
The first European to have visited Tahiti according to existing records was lieutenant Samuel Wallis, who was circumnavigating the globe in HMS Dolphin, sighting the island on 18 June 1767, and eventually harboring in Matavai Bay. This bay was situated on the territory of the chiefdom of Pare-Arue, governed by Tu (Tu-nui-e-a a-i-te-Atua) and his regent Tutaha, and the chiefdom of Ha apape, governed by Amo and his wife Oberea (Purea). Wallis named the island King Georges Island. The first contacts were difficult, since on the 24 and 26 June 1767, Tahitian warriors in canoes showed aggression towards the British, hurling stones from their slings. In retaliation, the British sailors opened fire on the warriors in the canoes and on the hills. In reaction to this powerful counter-attack, the Tahitians laid down peace offerings for the British. Following this episode, Samuel Wallis was able to establish cordial relations with the female chieftain “Oberea “ (Purea) and remained on the island until 27 July 1767.
In July 1768, Captain James Cook was commissioned by the Royal Society and on orders from the Lords Commissioners of the Admiralty to observe the transit of Venus across the sun, a phenomenon that would be visible from Tahiti on 3 June 1769. He arrived in Tahitis Matavai Bay, commanding the HMS Endeavour on 12 April 1769. On 14 April, Cook met with Tutaha and Tepau. On 15 April, Cook picked the site for a fortified camp at Point Venus along with Banks, Parkinson, Daniel Solander, to protect Charles Greens observatory. The length of stay enabled them to undertake for the first time real ethnographic and scientific observations of the island. Assisted by the botanist Joseph Banks, and by the artist Sydney Parkinson, Cook gathered valuable information on the fauna and flora, as well as the native society, language and customs, including the proper name of the island, Otaheite. On 28 April, Cook met Purea and Tupaia, and Tupaia befriended Banks following the transit. On 21 June, Amo visited Cook, and then on 25 June, Pohuetea visited, signifying another chief seeking to ally himself with the British.
Cook and Banks circumnavigated the island from 26 June to 1 July. On the exploration, they met Ahio, chief of Ha apaiano o or Papenoo, Rita, chief of Hitia a, Pahairro, chief of Pueu, Vehiatua, chief of Tautra, Matahiapo, chief of Teahupo o, Tutea, chief of Vaira o, and Moe, chief of Afa Ahiti. In Papara, guided by Tupaia, they investigated the ruins of Mahaiatea marae, an impressive structure containing a stone pyramid or ahu, measuring 44 feet high, 267 feet long and 87 feet wide. Cook and the Endeavour departed Tahiti on 13 July 1769, taking Raiatean navigator Tupaia along for his geographic knowledge of the islands.
Cook returned to Tahiti between 15 August and 1 September 1773, greeted by the chiefs Tai and Puhi, besides the youg ari i Vehiatua II and his stepfather Ti itorea. Cook anchored in Vaitepiha Bay before returning to Point Venus where he met Tu, the paramount chief. Cook picked up two passengers from Tahiti during this trip, Porea and Mai, with Hitihiti later replacing Porea when Cook stopped at Raiatea. Cook took Hitihiti to Tahiti on 22 April, during his return leg. Then, Cook departed Tahiti on 14 May 1774.
During his final visit, Cook returned Mai to Tahiti on 12 Aug. 1777, after Mais long visit in England. Cook also brought two Maori from Queen Charlotte Sound, Te Weherua and Koa. Cook first harbored in Vaitepiha Bay, where he visited Vehiatua II s funeral bier and the prefabricated Spanish mission house. Cook also met Vehiatua III, and inscribed on the back of the Spanish cross, Georgius tertius Rex Annis 1767, 69, 73, 74 & 77, as a counterpoint to Christus Vincit Carolus III imperat 1774 on the front. On 23 Aug., Cook sailed for Matavai Bay, where he met Tu, his father Teu, his mother Tetupaia, his brothers Ari ipaea and Vaetua, and his sisters Ari ipaea-vahine, Tetua-te-ahamai, and Auo. Cook also observed a human sacrifice, taata tapu, at the Utu-ai-mahurau marae, and 49 skulls from previous victims.
On 29 Sept. 1777, Cook sailed for Papetoai Bay on Moorea. Cook met Mahine in an act of friendship on 3 Oct., though he was an enemy of Tu. When a goat kid was stolen on 6 Oct., Cook in a rampage, ordered the burning of houses and canoes until it was returned. Cook sailed for Huahine on 11 Oct., Raiatea on 2 Nov., and Borabora on 7 Dec.
On 26 October 1788, HMS Bounty, under the command of Captain William Bligh, landed in Tahiti with the mission of carrying Tahitian breadfruit trees (Tahitian: uru) to the Caribbean. Sir Joseph Banks, the botanist from James Cooks first expedition, had concluded that this plant would be ideal to feed the African slaves working in the Caribbean plantations at very little cost. The crew remained in Tahiti for about five months, the time needed to transplant the seedlings of the trees. Three weeks after leaving Tahiti, on 28 April 1789, the crew mutinied on the initiative of Fletcher Christian. The mutineers seized the ship and set the captain and most of those members of the crew who remained loyal to him adrift in a ships boat. A group of mutineers then went back to settle in Tahiti.
Although various explorers had refused to get involved in tribal conflicts, the mutineers from the Bounty offered their services as mercenaries and furnished arms to the family which became the Pōmare Dynasty. The chief Tū knew how to use their presence in the harbours favoured by sailors to his advantage. As a result of his alliance with the mutineers, he succeeded in considerably increasing his supremacy over the island of Tahiti.

William Hodges RA 1744 – 1797 was an English painter. He was a member of James Cooks second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.
Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expeditions artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cooks journals from the voyage.
Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.
Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition..

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Un Toupapow, avec un Cadavre dessus avec le principal personnage du deuil en habit de Ceremonie (Manao tupapau Ceremony with a corpse top with the main character of the mourning ceremony dress)
• Size: 15in x 10in (380mm x 255mm)
• Ref #:  31848
• Date : 1774
• Condition: (A) Very Good Condition

Description:
This large original copper-plate engraved antique print of the Spirit of the Dead Watching (Manao tupapau) in Tahiti with priest and mourners, visited by Captain James Cook in 1773, during his 2nd Voyage of Discovery to the South Seas, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778.

Ghosts in Polynesian culture
There was widespread belief in ghosts in Polynesian culture, some of which persists today. After death, a person\'s ghost would normally travel to the sky world or the underworld, but some could stay on earth. In many Polynesian legends, ghosts were often involved in the affairs of the living. Ghosts might also cause sickness or even invade the body of ordinary people, to be driven out through strong medicines.
In the reconstructed Proto-Polynesian language, the word qaitu refers to a ghost, the spirit of a dead person, while the word tupuqa has a broader meaning including all supernatural beings. Some of the ancient Māui legends that are common throughout the Polynesian islands include the idea of a double soul inhabiting the body. One was the soul which never forsakes man, and the other the soul that could be separated or charmed away from the body by incantations was the hau.
In some societies, the tattoo marks on the Polynesian\'s face indicated their cult. A spiral symbol meant that the man favoured the sky world, but before ascending there on a whirlwind his ghost had to travel to his people\'s homeland, situated in the navel of the world. Different markings indicated that the ghost chose to live in the underworld. The Hawaiians believed in aumakua, ghosts who did not go down into Po, the land of King Milu. These ghosts remained in the land of the living, guarding their former families.
Of his 1892 Tahitian painting Manao Tupapau, Paul Gauguin said according to Tahitian beliefs, the title Manao Tupapau has a double meaning . . . either she thinks of the ghost or the ghost thinks of her.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 15in x 10in (380mm x 255mm)
Plate size: - 15in x 9 1/2in (380mm x 245mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Tahiti previously also known as Otaheite is the largest island in the Windward group of French Polynesia. The island is located in the archipelago of the Society Islands in the central Southern Pacific Ocean.
The first European to have visited Tahiti according to existing records was lieutenant Samuel Wallis, who was circumnavigating the globe in HMS Dolphin, sighting the island on 18 June 1767, and eventually harboring in Matavai Bay. This bay was situated on the territory of the chiefdom of Pare-Arue, governed by Tu (Tu-nui-e-a a-i-te-Atua) and his regent Tutaha, and the chiefdom of Ha apape, governed by Amo and his wife Oberea (Purea). Wallis named the island King Georges Island. The first contacts were difficult, since on the 24 and 26 June 1767, Tahitian warriors in canoes showed aggression towards the British, hurling stones from their slings. In retaliation, the British sailors opened fire on the warriors in the canoes and on the hills. In reaction to this powerful counter-attack, the Tahitians laid down peace offerings for the British. Following this episode, Samuel Wallis was able to establish cordial relations with the female chieftain “Oberea “ (Purea) and remained on the island until 27 July 1767.
In July 1768, Captain James Cook was commissioned by the Royal Society and on orders from the Lords Commissioners of the Admiralty to observe the transit of Venus across the sun, a phenomenon that would be visible from Tahiti on 3 June 1769. He arrived in Tahitis Matavai Bay, commanding the HMS Endeavour on 12 April 1769. On 14 April, Cook met with Tutaha and Tepau. On 15 April, Cook picked the site for a fortified camp at Point Venus along with Banks, Parkinson, Daniel Solander, to protect Charles Greens observatory. The length of stay enabled them to undertake for the first time real ethnographic and scientific observations of the island. Assisted by the botanist Joseph Banks, and by the artist Sydney Parkinson, Cook gathered valuable information on the fauna and flora, as well as the native society, language and customs, including the proper name of the island, Otaheite. On 28 April, Cook met Purea and Tupaia, and Tupaia befriended Banks following the transit. On 21 June, Amo visited Cook, and then on 25 June, Pohuetea visited, signifying another chief seeking to ally himself with the British.
Cook and Banks circumnavigated the island from 26 June to 1 July. On the exploration, they met Ahio, chief of Ha apaiano o or Papenoo, Rita, chief of Hitia a, Pahairro, chief of Pueu, Vehiatua, chief of Tautra, Matahiapo, chief of Teahupo o, Tutea, chief of Vaira o, and Moe, chief of Afa Ahiti. In Papara, guided by Tupaia, they investigated the ruins of Mahaiatea marae, an impressive structure containing a stone pyramid or ahu, measuring 44 feet high, 267 feet long and 87 feet wide. Cook and the Endeavour departed Tahiti on 13 July 1769, taking Raiatean navigator Tupaia along for his geographic knowledge of the islands.
Cook returned to Tahiti between 15 August and 1 September 1773, greeted by the chiefs Tai and Puhi, besides the youg ari i Vehiatua II and his stepfather Ti itorea. Cook anchored in Vaitepiha Bay before returning to Point Venus where he met Tu, the paramount chief. Cook picked up two passengers from Tahiti during this trip, Porea and Mai, with Hitihiti later replacing Porea when Cook stopped at Raiatea. Cook took Hitihiti to Tahiti on 22 April, during his return leg. Then, Cook departed Tahiti on 14 May 1774.
During his final visit, Cook returned Mai to Tahiti on 12 Aug. 1777, after Mais long visit in England. Cook also brought two Maori from Queen Charlotte Sound, Te Weherua and Koa. Cook first harbored in Vaitepiha Bay, where he visited Vehiatua II s funeral bier and the prefabricated Spanish mission house. Cook also met Vehiatua III, and inscribed on the back of the Spanish cross, Georgius tertius Rex Annis 1767, 69, 73, 74 & 77, as a counterpoint to Christus Vincit Carolus III imperat 1774 on the front. On 23 Aug., Cook sailed for Matavai Bay, where he met Tu, his father Teu, his mother Tetupaia, his brothers Ari ipaea and Vaetua, and his sisters Ari ipaea-vahine, Tetua-te-ahamai, and Auo. Cook also observed a human sacrifice, taata tapu, at the Utu-ai-mahurau marae, and 49 skulls from previous victims.
On 29 Sept. 1777, Cook sailed for Papetoai Bay on Moorea. Cook met Mahine in an act of friendship on 3 Oct., though he was an enemy of Tu. When a goat kid was stolen on 6 Oct., Cook in a rampage, ordered the burning of houses and canoes until it was returned. Cook sailed for Huahine on 11 Oct., Raiatea on 2 Nov., and Borabora on 7 Dec.
On 26 October 1788, HMS Bounty, under the command of Captain William Bligh, landed in Tahiti with the mission of carrying Tahitian breadfruit trees (Tahitian: uru) to the Caribbean. Sir Joseph Banks, the botanist from James Cooks first expedition, had concluded that this plant would be ideal to feed the African slaves working in the Caribbean plantations at very little cost. The crew remained in Tahiti for about five months, the time needed to transplant the seedlings of the trees. Three weeks after leaving Tahiti, on 28 April 1789, the crew mutinied on the initiative of Fletcher Christian. The mutineers seized the ship and set the captain and most of those members of the crew who remained loyal to him adrift in a ships boat. A group of mutineers then went back to settle in Tahiti.
Although various explorers had refused to get involved in tribal conflicts, the mutineers from the Bounty offered their services as mercenaries and furnished arms to the family which became the Pōmare Dynasty. The chief Tū knew how to use their presence in the harbours favoured by sailors to his advantage. As a result of his alliance with the mutineers, he succeeded in considerably increasing his supremacy over the island of Tahiti.

Captain James King FRS 1750 – 1784 was an officer of the Royal Navy. He served under James Cook on his last voyage around the world, specialising in taking important astronomical readings using a sextant. After Cook died he helped lead the ships on the remainder of their course, also completing Cooks account of the voyage. He continued his career in the Navy, reaching the rank of post-captain, commanding several ships and serving in the American War of Independence.
King joined HMS Resolution as second lieutenant, sharing the duties of astronomer with Cook, taking astronomical observations on board by sextant and with Larcum Kendals timekeeper K1, to establish the Resolutions position at sea and on shore by sextant or by astronomical quadrant to establish the geographical position of salient points during the course of Cooks surveys. Thus Kings geographical positions were an important contribution to the accuracy of the various surveys carried out during the voyage and his use of the early chronometers helped prove their use at sea for calculation of Longitude. .
Following the death of Cook, King remained in the Resolution but on the death of Charles Clerke, Cooks successor, King was appointed to command HMS Discovery, the Resolutions consort, remaining in her for the rest of the voyage. After his return to England King was very much involved in the publication of the official account of Cooks third voyage, writing the third volume at Woodstock, near Oxford, where his brother Thomas was rector of St Mary Magdalene. But shortly after his return King was promoted Post-captain and appointed commander of HMS Crocodile in the English Channel.

John Webber RA 1751 – 1793 was an English artist who accompanied Captain Cook on his third Pacific expedition. He is best known for his images of Australasia, Hawaii and Alaska.
Webber was born in London, educated in Bern and studied painting at Paris.His father was Abraham Wäber, a Swiss sculptor who had moved to London, and changed his name to Webber before marrying a Mrs Mary Quant in 1744.
Webber served as official artist on James Cooks third voyage of discovery around the Pacific (1776–80) aboard HMS Resolution. At Adventure Bay in January 1777 he did drawings of A Man of Van Diemens Land and A Woman of Van Diemens Land. He also did many drawings of scenes in New Zealand and the South Sea islands. On this voyage, during which Cook lost his life in a fight in Hawaii, Webber became the first European artist to make contact with Hawaii, then called the Sandwich Islands. He made numerous watercolor landscapes of the islands of Kauai and Hawaii, and also portrayed many of the Hawaiian people.
In April 1778, Captain Cooks ships Resolution and Discovery anchored at Ship Cove, now known as Nootka Sound, Vancouver Island, Canada to refit. The crew took observations and recorded encounters with the local people. Webber made watercolour landscapes including Resolution and Discovery in Ship Cove, 1778. His drawings and paintings were engraved for British Admiraltys account of the expedition, which was published in 1784.
Back in England in 1780 Webber exhibited around 50 works at Royal Academy exhibitions between 1784 and 1792, and was elected an associate of the Royal Academy in 1785 and R.A. in 1791. Most of his work were landscapes. Sometimes figures were included as in A Party from H.M.S. Resolution shooting sea horses, which was shown at the academy in 1784, and his The Death of Captain Cook became well known through an engraving of it. Another version of this picture is in the William Dixson gallery at Sydney

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Un Toupapow, avec un Cadavre dessus avec le principal personnage du deuil en habit de Ceremonie (Manao tupapau Ceremony with a corpse top with the main character of the mourning ceremony dress)
• Size: 15in x 10in (380mm x 255mm)
• Ref #:  21652
• Date : 1774
• Condition: (A+) Fine Condition

Description:
This large original copper-plate engraved antique print of the Spirit of the Dead Watching (Manao tupapau) in Tahiti with priest and mourners, visited by Captain James Cook in 1773, during his 2nd Voyage of Discovery to the South Seas, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778.

Ghosts in Polynesian culture
There was widespread belief in ghosts in Polynesian culture, some of which persists today. After death, a person\'s ghost would normally travel to the sky world or the underworld, but some could stay on earth. In many Polynesian legends, ghosts were often involved in the affairs of the living. Ghosts might also cause sickness or even invade the body of ordinary people, to be driven out through strong medicines.
In the reconstructed Proto-Polynesian language, the word qaitu refers to a ghost, the spirit of a dead person, while the word tupuqa has a broader meaning including all supernatural beings. Some of the ancient Māui legends that are common throughout the Polynesian islands include the idea of a double soul inhabiting the body. One was the soul which never forsakes man, and the other the soul that could be separated or charmed away from the body by incantations was the hau.
In some societies, the tattoo marks on the Polynesian\'s face indicated their cult. A spiral symbol meant that the man favoured the sky world, but before ascending there on a whirlwind his ghost had to travel to his people\'s homeland, situated in the navel of the world. Different markings indicated that the ghost chose to live in the underworld. The Hawaiians believed in aumakua, ghosts who did not go down into Po, the land of King Milu. These ghosts remained in the land of the living, guarding their former families.
Of his 1892 Tahitian painting Manao Tupapau, Paul Gauguin said according to Tahitian beliefs, the title Manao Tupapau has a double meaning . . . either she thinks of the ghost or the ghost thinks of her.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 15in x 10in (380mm x 255mm)
Plate size: - 15in x 9 1/2in (380mm x 245mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Tahiti previously also known as Otaheite is the largest island in the Windward group of French Polynesia. The island is located in the archipelago of the Society Islands in the central Southern Pacific Ocean.
The first European to have visited Tahiti according to existing records was lieutenant Samuel Wallis, who was circumnavigating the globe in HMS Dolphin, sighting the island on 18 June 1767, and eventually harboring in Matavai Bay. This bay was situated on the territory of the chiefdom of Pare-Arue, governed by Tu (Tu-nui-e-a a-i-te-Atua) and his regent Tutaha, and the chiefdom of Ha apape, governed by Amo and his wife Oberea (Purea). Wallis named the island King Georges Island. The first contacts were difficult, since on the 24 and 26 June 1767, Tahitian warriors in canoes showed aggression towards the British, hurling stones from their slings. In retaliation, the British sailors opened fire on the warriors in the canoes and on the hills. In reaction to this powerful counter-attack, the Tahitians laid down peace offerings for the British. Following this episode, Samuel Wallis was able to establish cordial relations with the female chieftain “Oberea “ (Purea) and remained on the island until 27 July 1767.
In July 1768, Captain James Cook was commissioned by the Royal Society and on orders from the Lords Commissioners of the Admiralty to observe the transit of Venus across the sun, a phenomenon that would be visible from Tahiti on 3 June 1769. He arrived in Tahitis Matavai Bay, commanding the HMS Endeavour on 12 April 1769. On 14 April, Cook met with Tutaha and Tepau. On 15 April, Cook picked the site for a fortified camp at Point Venus along with Banks, Parkinson, Daniel Solander, to protect Charles Greens observatory. The length of stay enabled them to undertake for the first time real ethnographic and scientific observations of the island. Assisted by the botanist Joseph Banks, and by the artist Sydney Parkinson, Cook gathered valuable information on the fauna and flora, as well as the native society, language and customs, including the proper name of the island, Otaheite. On 28 April, Cook met Purea and Tupaia, and Tupaia befriended Banks following the transit. On 21 June, Amo visited Cook, and then on 25 June, Pohuetea visited, signifying another chief seeking to ally himself with the British.
Cook and Banks circumnavigated the island from 26 June to 1 July. On the exploration, they met Ahio, chief of Ha apaiano o or Papenoo, Rita, chief of Hitia a, Pahairro, chief of Pueu, Vehiatua, chief of Tautra, Matahiapo, chief of Teahupo o, Tutea, chief of Vaira o, and Moe, chief of Afa Ahiti. In Papara, guided by Tupaia, they investigated the ruins of Mahaiatea marae, an impressive structure containing a stone pyramid or ahu, measuring 44 feet high, 267 feet long and 87 feet wide. Cook and the Endeavour departed Tahiti on 13 July 1769, taking Raiatean navigator Tupaia along for his geographic knowledge of the islands.
Cook returned to Tahiti between 15 August and 1 September 1773, greeted by the chiefs Tai and Puhi, besides the youg ari i Vehiatua II and his stepfather Ti itorea. Cook anchored in Vaitepiha Bay before returning to Point Venus where he met Tu, the paramount chief. Cook picked up two passengers from Tahiti during this trip, Porea and Mai, with Hitihiti later replacing Porea when Cook stopped at Raiatea. Cook took Hitihiti to Tahiti on 22 April, during his return leg. Then, Cook departed Tahiti on 14 May 1774.
During his final visit, Cook returned Mai to Tahiti on 12 Aug. 1777, after Mais long visit in England. Cook also brought two Maori from Queen Charlotte Sound, Te Weherua and Koa. Cook first harbored in Vaitepiha Bay, where he visited Vehiatua II s funeral bier and the prefabricated Spanish mission house. Cook also met Vehiatua III, and inscribed on the back of the Spanish cross, Georgius tertius Rex Annis 1767, 69, 73, 74 & 77, as a counterpoint to Christus Vincit Carolus III imperat 1774 on the front. On 23 Aug., Cook sailed for Matavai Bay, where he met Tu, his father Teu, his mother Tetupaia, his brothers Ari ipaea and Vaetua, and his sisters Ari ipaea-vahine, Tetua-te-ahamai, and Auo. Cook also observed a human sacrifice, taata tapu, at the Utu-ai-mahurau marae, and 49 skulls from previous victims.
On 29 Sept. 1777, Cook sailed for Papetoai Bay on Moorea. Cook met Mahine in an act of friendship on 3 Oct., though he was an enemy of Tu. When a goat kid was stolen on 6 Oct., Cook in a rampage, ordered the burning of houses and canoes until it was returned. Cook sailed for Huahine on 11 Oct., Raiatea on 2 Nov., and Borabora on 7 Dec.
On 26 October 1788, HMS Bounty, under the command of Captain William Bligh, landed in Tahiti with the mission of carrying Tahitian breadfruit trees (Tahitian: uru) to the Caribbean. Sir Joseph Banks, the botanist from James Cooks first expedition, had concluded that this plant would be ideal to feed the African slaves working in the Caribbean plantations at very little cost. The crew remained in Tahiti for about five months, the time needed to transplant the seedlings of the trees. Three weeks after leaving Tahiti, on 28 April 1789, the crew mutinied on the initiative of Fletcher Christian. The mutineers seized the ship and set the captain and most of those members of the crew who remained loyal to him adrift in a ships boat. A group of mutineers then went back to settle in Tahiti.
Although various explorers had refused to get involved in tribal conflicts, the mutineers from the Bounty offered their services as mercenaries and furnished arms to the family which became the Pōmare Dynasty. The chief Tū knew how to use their presence in the harbours favoured by sailors to his advantage. As a result of his alliance with the mutineers, he succeeded in considerably increasing his supremacy over the island of Tahiti.

Captain James King FRS 1750 – 1784 was an officer of the Royal Navy. He served under James Cook on his last voyage around the world, specialising in taking important astronomical readings using a sextant. After Cook died he helped lead the ships on the remainder of their course, also completing Cooks account of the voyage. He continued his career in the Navy, reaching the rank of post-captain, commanding several ships and serving in the American War of Independence.
King joined HMS Resolution as second lieutenant, sharing the duties of astronomer with Cook, taking astronomical observations on board by sextant and with Larcum Kendals timekeeper K1, to establish the Resolutions position at sea and on shore by sextant or by astronomical quadrant to establish the geographical position of salient points during the course of Cooks surveys. Thus Kings geographical positions were an important contribution to the accuracy of the various surveys carried out during the voyage and his use of the early chronometers helped prove their use at sea for calculation of Longitude. .
Following the death of Cook, King remained in the Resolution but on the death of Charles Clerke, Cooks successor, King was appointed to command HMS Discovery, the Resolutions consort, remaining in her for the rest of the voyage. After his return to England King was very much involved in the publication of the official account of Cooks third voyage, writing the third volume at Woodstock, near Oxford, where his brother Thomas was rector of St Mary Magdalene. But shortly after his return King was promoted Post-captain and appointed commander of HMS Crocodile in the English Channel.

John Webber RA 1751 – 1793 was an English artist who accompanied Captain Cook on his third Pacific expedition. He is best known for his images of Australasia, Hawaii and Alaska.
Webber was born in London, educated in Bern and studied painting at Paris.His father was Abraham Wäber, a Swiss sculptor who had moved to London, and changed his name to Webber before marrying a Mrs Mary Quant in 1744.
Webber served as official artist on James Cooks third voyage of discovery around the Pacific (1776–80) aboard HMS Resolution. At Adventure Bay in January 1777 he did drawings of A Man of Van Diemens Land and A Woman of Van Diemens Land. He also did many drawings of scenes in New Zealand and the South Sea islands. On this voyage, during which Cook lost his life in a fight in Hawaii, Webber became the first European artist to make contact with Hawaii, then called the Sandwich Islands. He made numerous watercolor landscapes of the islands of Kauai and Hawaii, and also portrayed many of the Hawaiian people.
In April 1778, Captain Cooks ships Resolution and Discovery anchored at Ship Cove, now known as Nootka Sound, Vancouver Island, Canada to refit. The crew took observations and recorded encounters with the local people. Webber made watercolour landscapes including Resolution and Discovery in Ship Cove, 1778. His drawings and paintings were engraved for British Admiraltys account of the expedition, which was published in 1784.
Back in England in 1780 Webber exhibited around 50 works at Royal Academy exhibitions between 1784 and 1792, and was elected an associate of the Royal Academy in 1785 and R.A. in 1791. Most of his work were landscapes. Sometimes figures were included as in A Party from H.M.S. Resolution shooting sea horses, which was shown at the academy in 1784, and his The Death of Captain Cook became well known through an engraving of it. Another version of this picture is in the William Dixson gallery at Sydney

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Maniere dont on expose les morts a Otahiti (How the dead are exposed on Tahiti)
• Size: 15in x 10 1/2in (395mm x 265mm)
• Ref #:  21733-1
• Date : 1774
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print of how the Dead are left mummified outdoors in an elevated platform in Tahiti, and the ritual of the Spirit of the Dead Watching (Manao tupapau), visited by Captain Cook in HMS Endeavor during his first visit to the Island in 1769, was engraved by Robert Benard - after Sydney Parkinson - was published in the 1774 French edition of John Hawkesworths An Account of the Voyages Undertaken by the Order of His Present Majesty for Making Discoveries in the Southern Hemisphere and Successively Performed by Commodore Byron, Captain Wallis, Captain Carteret, and Captain Cook, in the Dolphin, the Swallow, and the Endeavor, Drawn Up from the Journals Which Were Kept by the Several Commanders, and from the Papers of Joseph Banks, Esq. Paris 1774.

Ghosts in Polynesian culture
There was widespread belief in ghosts in Polynesian culture, some of which persists today. After death, a person\'s ghost would normally travel to the sky world or the underworld, but some could stay on earth. In many Polynesian legends, ghosts were often involved in the affairs of the living. Ghosts might also cause sickness or even invade the body of ordinary people, to be driven out through strong medicines.
In the reconstructed Proto-Polynesian language, the word qaitu refers to a ghost, the spirit of a dead person, while the word tupuqa has a broader meaning including all supernatural beings. Some of the ancient Māui legends that are common throughout the Polynesian islands include the idea of a double soul inhabiting the body. One was the soul which never forsakes man, and the other the soul that could be separated or charmed away from the body by incantations was the hau.
In some societies, the tattoo marks on the Polynesian\'s face indicated their cult. A spiral symbol meant that the man favoured the sky world, but before ascending there on a whirlwind his ghost had to travel to his people\'s homeland, situated in the navel of the world. Different markings indicated that the ghost chose to live in the underworld. The Hawaiians believed in aumakua, ghosts who did not go down into Po, the land of King Milu. These ghosts remained in the land of the living, guarding their former families.
Of his 1892 Tahitian painting Manao Tupapau, Paul Gauguin said according to Tahitian beliefs, the title Manao Tupapau has a double meaning . . . either she thinks of the ghost or the ghost thinks of her.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 16in x 10 1/2in (405mm x 265mm)
Plate size: - 14 1/2in x 9 1/2in (370mm x 240mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Tahiti previously also known as Otaheite is the largest island in the Windward group of French Polynesia. The island is located in the archipelago of the Society Islands in the central Southern Pacific Ocean.
The first European to have visited Tahiti according to existing records was lieutenant Samuel Wallis, who was circumnavigating the globe in HMS Dolphin, sighting the island on 18 June 1767, and eventually harboring in Matavai Bay. This bay was situated on the territory of the chiefdom of Pare-Arue, governed by Tu (Tu-nui-e-a a-i-te-Atua) and his regent Tutaha, and the chiefdom of Ha apape, governed by Amo and his wife Oberea (Purea). Wallis named the island King Georges Island. The first contacts were difficult, since on the 24 and 26 June 1767, Tahitian warriors in canoes showed aggression towards the British, hurling stones from their slings. In retaliation, the British sailors opened fire on the warriors in the canoes and on the hills. In reaction to this powerful counter-attack, the Tahitians laid down peace offerings for the British. Following this episode, Samuel Wallis was able to establish cordial relations with the female chieftain “Oberea “ (Purea) and remained on the island until 27 July 1767.
In July 1768, Captain James Cook was commissioned by the Royal Society and on orders from the Lords Commissioners of the Admiralty to observe the transit of Venus across the sun, a phenomenon that would be visible from Tahiti on 3 June 1769. He arrived in Tahitis Matavai Bay, commanding the HMS Endeavour on 12 April 1769. On 14 April, Cook met with Tutaha and Tepau. On 15 April, Cook picked the site for a fortified camp at Point Venus along with Banks, Parkinson, Daniel Solander, to protect Charles Greens observatory. The length of stay enabled them to undertake for the first time real ethnographic and scientific observations of the island. Assisted by the botanist Joseph Banks, and by the artist Sydney Parkinson, Cook gathered valuable information on the fauna and flora, as well as the native society, language and customs, including the proper name of the island, Otaheite. On 28 April, Cook met Purea and Tupaia, and Tupaia befriended Banks following the transit. On 21 June, Amo visited Cook, and then on 25 June, Pohuetea visited, signifying another chief seeking to ally himself with the British.
Cook and Banks circumnavigated the island from 26 June to 1 July. On the exploration, they met Ahio, chief of Ha apaiano o or Papenoo, Rita, chief of Hitia a, Pahairro, chief of Pueu, Vehiatua, chief of Tautra, Matahiapo, chief of Teahupo o, Tutea, chief of Vaira o, and Moe, chief of Afa Ahiti. In Papara, guided by Tupaia, they investigated the ruins of Mahaiatea marae, an impressive structure containing a stone pyramid or ahu, measuring 44 feet high, 267 feet long and 87 feet wide. Cook and the Endeavour departed Tahiti on 13 July 1769, taking Raiatean navigator Tupaia along for his geographic knowledge of the islands.
Cook returned to Tahiti between 15 August and 1 September 1773, greeted by the chiefs Tai and Puhi, besides the youg ari i Vehiatua II and his stepfather Ti itorea. Cook anchored in Vaitepiha Bay before returning to Point Venus where he met Tu, the paramount chief. Cook picked up two passengers from Tahiti during this trip, Porea and Mai, with Hitihiti later replacing Porea when Cook stopped at Raiatea. Cook took Hitihiti to Tahiti on 22 April, during his return leg. Then, Cook departed Tahiti on 14 May 1774.
During his final visit, Cook returned Mai to Tahiti on 12 Aug. 1777, after Mais long visit in England. Cook also brought two Maori from Queen Charlotte Sound, Te Weherua and Koa. Cook first harbored in Vaitepiha Bay, where he visited Vehiatua II s funeral bier and the prefabricated Spanish mission house. Cook also met Vehiatua III, and inscribed on the back of the Spanish cross, Georgius tertius Rex Annis 1767, 69, 73, 74 & 77, as a counterpoint to Christus Vincit Carolus III imperat 1774 on the front. On 23 Aug., Cook sailed for Matavai Bay, where he met Tu, his father Teu, his mother Tetupaia, his brothers Ari ipaea and Vaetua, and his sisters Ari ipaea-vahine, Tetua-te-ahamai, and Auo. Cook also observed a human sacrifice, taata tapu, at the Utu-ai-mahurau marae, and 49 skulls from previous victims.
On 29 Sept. 1777, Cook sailed for Papetoai Bay on Moorea. Cook met Mahine in an act of friendship on 3 Oct., though he was an enemy of Tu. When a goat kid was stolen on 6 Oct., Cook in a rampage, ordered the burning of houses and canoes until it was returned. Cook sailed for Huahine on 11 Oct., Raiatea on 2 Nov., and Borabora on 7 Dec.
On 26 October 1788, HMS Bounty, under the command of Captain William Bligh, landed in Tahiti with the mission of carrying Tahitian breadfruit trees (Tahitian: uru) to the Caribbean. Sir Joseph Banks, the botanist from James Cooks first expedition, had concluded that this plant would be ideal to feed the African slaves working in the Caribbean plantations at very little cost. The crew remained in Tahiti for about five months, the time needed to transplant the seedlings of the trees. Three weeks after leaving Tahiti, on 28 April 1789, the crew mutinied on the initiative of Fletcher Christian. The mutineers seized the ship and set the captain and most of those members of the crew who remained loyal to him adrift in a ships boat. A group of mutineers then went back to settle in Tahiti.
Although various explorers had refused to get involved in tribal conflicts, the mutineers from the Bounty offered their services as mercenaries and furnished arms to the family which became the Pōmare Dynasty. The chief Tū knew how to use their presence in the harbours favoured by sailors to his advantage. As a result of his alliance with the mutineers, he succeeded in considerably increasing his supremacy over the island of Tahiti.

Captain James King FRS 1750 – 1784 was an officer of the Royal Navy. He served under James Cook on his last voyage around the world, specialising in taking important astronomical readings using a sextant. After Cook died he helped lead the ships on the remainder of their course, also completing Cooks account of the voyage. He continued his career in the Navy, reaching the rank of post-captain, commanding several ships and serving in the American War of Independence.
King joined HMS Resolution as second lieutenant, sharing the duties of astronomer with Cook, taking astronomical observations on board by sextant and with Larcum Kendals timekeeper K1, to establish the Resolutions position at sea and on shore by sextant or by astronomical quadrant to establish the geographical position of salient points during the course of Cooks surveys. Thus Kings geographical positions were an important contribution to the accuracy of the various surveys carried out during the voyage and his use of the early chronometers helped prove their use at sea for calculation of Longitude. .
Following the death of Cook, King remained in the Resolution but on the death of Charles Clerke, Cooks successor, King was appointed to command HMS Discovery, the Resolutions consort, remaining in her for the rest of the voyage. After his return to England King was very much involved in the publication of the official account of Cooks third voyage, writing the third volume at Woodstock, near Oxford, where his brother Thomas was rector of St Mary Magdalene. But shortly after his return King was promoted Post-captain and appointed commander of HMS Crocodile in the English Channel.

John Webber RA 1751 – 1793 was an English artist who accompanied Captain Cook on his third Pacific expedition. He is best known for his images of Australasia, Hawaii and Alaska.
Webber was born in London, educated in Bern and studied painting at Paris.His father was Abraham Wäber, a Swiss sculptor who had moved to London, and changed his name to Webber before marrying a Mrs Mary Quant in 1744.
Webber served as official artist on James Cooks third voyage of discovery around the Pacific (1776–80) aboard HMS Resolution. At Adventure Bay in January 1777 he did drawings of A Man of Van Diemens Land and A Woman of Van Diemens Land. He also did many drawings of scenes in New Zealand and the South Sea islands. On this voyage, during which Cook lost his life in a fight in Hawaii, Webber became the first European artist to make contact with Hawaii, then called the Sandwich Islands. He made numerous watercolor landscapes of the islands of Kauai and Hawaii, and also portrayed many of the Hawaiian people.
In April 1778, Captain Cooks ships Resolution and Discovery anchored at Ship Cove, now known as Nootka Sound, Vancouver Island, Canada to refit. The crew took observations and recorded encounters with the local people. Webber made watercolour landscapes including Resolution and Discovery in Ship Cove, 1778. His drawings and paintings were engraved for British Admiraltys account of the expedition, which was published in 1784.
Back in England in 1780 Webber exhibited around 50 works at Royal Academy exhibitions between 1784 and 1792, and was elected an associate of the Royal Academy in 1785 and R.A. in 1791. Most of his work were landscapes. Sometimes figures were included as in A Party from H.M.S. Resolution shooting sea horses, which was shown at the academy in 1784, and his The Death of Captain Cook became well known through an engraving of it. Another version of this picture is in the William Dixson gallery at Sydney

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Maniere dont on expose les morts a Otahiti (How the dead are exposed on Tahiti)
• Size: 16in x 10 1/2in (405mm x 265mm)
• Ref #:  21427
• Date : 1774
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print of how the Dead are left mummified outdoors in an elevated platform in Tahiti, and the ritual of the Spirit of the Dead Watching (Manao tupapau), visited by Captain Cook in HMS Endeavor during his first visit to the Island in 1769, was engraved by Robert Benard - after Sydney Parkinson - was published in the 1774 French edition of John Hawkesworths An Account of the Voyages Undertaken by the Order of His Present Majesty for Making Discoveries in the Southern Hemisphere and Successively Performed by Commodore Byron, Captain Wallis, Captain Carteret, and Captain Cook, in the Dolphin, the Swallow, and the Endeavor, Drawn Up from the Journals Which Were Kept by the Several Commanders, and from the Papers of Joseph Banks, Esq. Paris 1774.

Ghosts in Polynesian culture
There was widespread belief in ghosts in Polynesian culture, some of which persists today. After death, a person\'s ghost would normally travel to the sky world or the underworld, but some could stay on earth. In many Polynesian legends, ghosts were often involved in the affairs of the living. Ghosts might also cause sickness or even invade the body of ordinary people, to be driven out through strong medicines.
In the reconstructed Proto-Polynesian language, the word qaitu refers to a ghost, the spirit of a dead person, while the word tupuqa has a broader meaning including all supernatural beings. Some of the ancient Māui legends that are common throughout the Polynesian islands include the idea of a double soul inhabiting the body. One was the soul which never forsakes man, and the other the soul that could be separated or charmed away from the body by incantations was the hau.
In some societies, the tattoo marks on the Polynesian\'s face indicated their cult. A spiral symbol meant that the man favoured the sky world, but before ascending there on a whirlwind his ghost had to travel to his people\'s homeland, situated in the navel of the world. Different markings indicated that the ghost chose to live in the underworld. The Hawaiians believed in aumakua, ghosts who did not go down into Po, the land of King Milu. These ghosts remained in the land of the living, guarding their former families.
Of his 1892 Tahitian painting Manao Tupapau, Paul Gauguin said according to Tahitian beliefs, the title Manao Tupapau has a double meaning . . . either she thinks of the ghost or the ghost thinks of her.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 16in x 10 1/2in (405mm x 265mm)
Plate size: - 14 1/2in x 9 1/2in (370mm x 240mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Tahiti previously also known as Otaheite is the largest island in the Windward group of French Polynesia. The island is located in the archipelago of the Society Islands in the central Southern Pacific Ocean.
The first European to have visited Tahiti according to existing records was lieutenant Samuel Wallis, who was circumnavigating the globe in HMS Dolphin, sighting the island on 18 June 1767, and eventually harboring in Matavai Bay. This bay was situated on the territory of the chiefdom of Pare-Arue, governed by Tu (Tu-nui-e-a a-i-te-Atua) and his regent Tutaha, and the chiefdom of Ha apape, governed by Amo and his wife Oberea (Purea). Wallis named the island King Georges Island. The first contacts were difficult, since on the 24 and 26 June 1767, Tahitian warriors in canoes showed aggression towards the British, hurling stones from their slings. In retaliation, the British sailors opened fire on the warriors in the canoes and on the hills. In reaction to this powerful counter-attack, the Tahitians laid down peace offerings for the British. Following this episode, Samuel Wallis was able to establish cordial relations with the female chieftain “Oberea “ (Purea) and remained on the island until 27 July 1767.
In July 1768, Captain James Cook was commissioned by the Royal Society and on orders from the Lords Commissioners of the Admiralty to observe the transit of Venus across the sun, a phenomenon that would be visible from Tahiti on 3 June 1769. He arrived in Tahitis Matavai Bay, commanding the HMS Endeavour on 12 April 1769. On 14 April, Cook met with Tutaha and Tepau. On 15 April, Cook picked the site for a fortified camp at Point Venus along with Banks, Parkinson, Daniel Solander, to protect Charles Greens observatory. The length of stay enabled them to undertake for the first time real ethnographic and scientific observations of the island. Assisted by the botanist Joseph Banks, and by the artist Sydney Parkinson, Cook gathered valuable information on the fauna and flora, as well as the native society, language and customs, including the proper name of the island, Otaheite. On 28 April, Cook met Purea and Tupaia, and Tupaia befriended Banks following the transit. On 21 June, Amo visited Cook, and then on 25 June, Pohuetea visited, signifying another chief seeking to ally himself with the British.
Cook and Banks circumnavigated the island from 26 June to 1 July. On the exploration, they met Ahio, chief of Ha apaiano o or Papenoo, Rita, chief of Hitia a, Pahairro, chief of Pueu, Vehiatua, chief of Tautra, Matahiapo, chief of Teahupo o, Tutea, chief of Vaira o, and Moe, chief of Afa Ahiti. In Papara, guided by Tupaia, they investigated the ruins of Mahaiatea marae, an impressive structure containing a stone pyramid or ahu, measuring 44 feet high, 267 feet long and 87 feet wide. Cook and the Endeavour departed Tahiti on 13 July 1769, taking Raiatean navigator Tupaia along for his geographic knowledge of the islands.
Cook returned to Tahiti between 15 August and 1 September 1773, greeted by the chiefs Tai and Puhi, besides the youg ari i Vehiatua II and his stepfather Ti itorea. Cook anchored in Vaitepiha Bay before returning to Point Venus where he met Tu, the paramount chief. Cook picked up two passengers from Tahiti during this trip, Porea and Mai, with Hitihiti later replacing Porea when Cook stopped at Raiatea. Cook took Hitihiti to Tahiti on 22 April, during his return leg. Then, Cook departed Tahiti on 14 May 1774.
During his final visit, Cook returned Mai to Tahiti on 12 Aug. 1777, after Mais long visit in England. Cook also brought two Maori from Queen Charlotte Sound, Te Weherua and Koa. Cook first harbored in Vaitepiha Bay, where he visited Vehiatua II s funeral bier and the prefabricated Spanish mission house. Cook also met Vehiatua III, and inscribed on the back of the Spanish cross, Georgius tertius Rex Annis 1767, 69, 73, 74 & 77, as a counterpoint to Christus Vincit Carolus III imperat 1774 on the front. On 23 Aug., Cook sailed for Matavai Bay, where he met Tu, his father Teu, his mother Tetupaia, his brothers Ari ipaea and Vaetua, and his sisters Ari ipaea-vahine, Tetua-te-ahamai, and Auo. Cook also observed a human sacrifice, taata tapu, at the Utu-ai-mahurau marae, and 49 skulls from previous victims.
On 29 Sept. 1777, Cook sailed for Papetoai Bay on Moorea. Cook met Mahine in an act of friendship on 3 Oct., though he was an enemy of Tu. When a goat kid was stolen on 6 Oct., Cook in a rampage, ordered the burning of houses and canoes until it was returned. Cook sailed for Huahine on 11 Oct., Raiatea on 2 Nov., and Borabora on 7 Dec.
On 26 October 1788, HMS Bounty, under the command of Captain William Bligh, landed in Tahiti with the mission of carrying Tahitian breadfruit trees (Tahitian: uru) to the Caribbean. Sir Joseph Banks, the botanist from James Cooks first expedition, had concluded that this plant would be ideal to feed the African slaves working in the Caribbean plantations at very little cost. The crew remained in Tahiti for about five months, the time needed to transplant the seedlings of the trees. Three weeks after leaving Tahiti, on 28 April 1789, the crew mutinied on the initiative of Fletcher Christian. The mutineers seized the ship and set the captain and most of those members of the crew who remained loyal to him adrift in a ships boat. A group of mutineers then went back to settle in Tahiti.
Although various explorers had refused to get involved in tribal conflicts, the mutineers from the Bounty offered their services as mercenaries and furnished arms to the family which became the Pōmare Dynasty. The chief Tū knew how to use their presence in the harbours favoured by sailors to his advantage. As a result of his alliance with the mutineers, he succeeded in considerably increasing his supremacy over the island of Tahiti.

Captain James King FRS 1750 – 1784 was an officer of the Royal Navy. He served under James Cook on his last voyage around the world, specialising in taking important astronomical readings using a sextant. After Cook died he helped lead the ships on the remainder of their course, also completing Cooks account of the voyage. He continued his career in the Navy, reaching the rank of post-captain, commanding several ships and serving in the American War of Independence.
King joined HMS Resolution as second lieutenant, sharing the duties of astronomer with Cook, taking astronomical observations on board by sextant and with Larcum Kendals timekeeper K1, to establish the Resolutions position at sea and on shore by sextant or by astronomical quadrant to establish the geographical position of salient points during the course of Cooks surveys. Thus Kings geographical positions were an important contribution to the accuracy of the various surveys carried out during the voyage and his use of the early chronometers helped prove their use at sea for calculation of Longitude. .
Following the death of Cook, King remained in the Resolution but on the death of Charles Clerke, Cooks successor, King was appointed to command HMS Discovery, the Resolutions consort, remaining in her for the rest of the voyage. After his return to England King was very much involved in the publication of the official account of Cooks third voyage, writing the third volume at Woodstock, near Oxford, where his brother Thomas was rector of St Mary Magdalene. But shortly after his return King was promoted Post-captain and appointed commander of HMS Crocodile in the English Channel.

John Webber RA 1751 – 1793 was an English artist who accompanied Captain Cook on his third Pacific expedition. He is best known for his images of Australasia, Hawaii and Alaska.
Webber was born in London, educated in Bern and studied painting at Paris.His father was Abraham Wäber, a Swiss sculptor who had moved to London, and changed his name to Webber before marrying a Mrs Mary Quant in 1744.
Webber served as official artist on James Cooks third voyage of discovery around the Pacific (1776–80) aboard HMS Resolution. At Adventure Bay in January 1777 he did drawings of A Man of Van Diemens Land and A Woman of Van Diemens Land. He also did many drawings of scenes in New Zealand and the South Sea islands. On this voyage, during which Cook lost his life in a fight in Hawaii, Webber became the first European artist to make contact with Hawaii, then called the Sandwich Islands. He made numerous watercolor landscapes of the islands of Kauai and Hawaii, and also portrayed many of the Hawaiian people.
In April 1778, Captain Cooks ships Resolution and Discovery anchored at Ship Cove, now known as Nootka Sound, Vancouver Island, Canada to refit. The crew took observations and recorded encounters with the local people. Webber made watercolour landscapes including Resolution and Discovery in Ship Cove, 1778. His drawings and paintings were engraved for British Admiraltys account of the expedition, which was published in 1784.
Back in England in 1780 Webber exhibited around 50 works at Royal Academy exhibitions between 1784 and 1792, and was elected an associate of the Royal Academy in 1785 and R.A. in 1791. Most of his work were landscapes. Sometimes figures were included as in A Party from H.M.S. Resolution shooting sea horses, which was shown at the academy in 1784, and his The Death of Captain Cook became well known through an engraving of it. Another version of this picture is in the William Dixson gallery at Sydney

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Le Corps De Thee, Chef De O Taiti, Tel Qu on le Conservoit Apres sa Mort. (The body of Thee, Chief of Tahiti Preserved after his death)
• Size: 14 1/2in x 9 1/2in (370mm x 245mm)
• Ref #:  31834
• Date : 1785
• Condition: (A) Very Good Condition

Description:
This fine original copper-plate engraved antique print of the mummified remains of Chief Vehiatua II (Tu), laying in state, on the island of Tahiti visited by Captain Cook in 1777, during his 3rd & last Voyage of Discovery, was engraved by Robert Benard - after John Webber - and was published in the 1785 French edition of Capt. James Cook & Capt. James King publication A Voyage to the Pacific Ocean. Undertaken, by the Command of his Majesty, for making Discoveries in the Northern Hemisphere. To determine The Position and Extent of the West Side of North America; its Distance from Asia; and the Practicability of a Northern Passage to Europe. Performed under the direction of Captains Cook, Clerke, and Gore, In His Majestys Ships the Resolution and Discovery. In the Years 1776, 1777, 1778, 1779, and 1780. In Three Volumes. Vol. I and II written by James Cook, F.R.S. Vol. III by Captain James King, LL.D. and F.R.S. Paris, 1785.

.....during his final visit, Cook returned Omai to Tahiti on 12 Aug. 1777, after Omais long visit in England. Cook also brought two Maori from Queen Charlotte Sound, Te Weherua and Koa. Cook first harbored in Vaitepiha Bay, where he visited Vehiatua IIs funeral bier and the prefabricated Spanish mission house. Cook also met Vehiatua III, and inscribed on the back of the Spanish cross, Georgius tertius Rex Annis 1767, 69, 73, 74 & 77, as a counterpoint to Christus Vincit Carolus III imperat 1774 on the front. On 23 Aug., Cook sailed for Matavai Bay, where he met Tu, his father Teu, his mother Tetupaia, his brothers Ariipaea and Vaetua, and his sisters Ariipaea-vahine, Tetua-te-ahamai, and Auo. Cook also observed a human sacrifice, taata tapu, at the Utu-ai-mahurau marae, and 49 skulls from previous victims....

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 16in x 10 1/2in (405mm x 265mm)
Plate size: - 14 1/2in x 9 1/2in (370mm x 245mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling
Plate area: - None
Verso: - Light soiling

Background: 
Tahiti previously also known as Otaheite is the largest island in the Windward group of French Polynesia. The island is located in the archipelago of the Society Islands in the central Southern Pacific Ocean.
The first European to have visited Tahiti according to existing records was lieutenant Samuel Wallis, who was circumnavigating the globe in HMS Dolphin, sighting the island on 18 June 1767, and eventually harboring in Matavai Bay. This bay was situated on the territory of the chiefdom of Pare-Arue, governed by Tu (Tu-nui-e-a a-i-te-Atua) and his regent Tutaha, and the chiefdom of Ha apape, governed by Amo and his wife Oberea (Purea). Wallis named the island King Georges Island. The first contacts were difficult, since on the 24 and 26 June 1767, Tahitian warriors in canoes showed aggression towards the British, hurling stones from their slings. In retaliation, the British sailors opened fire on the warriors in the canoes and on the hills. In reaction to this powerful counter-attack, the Tahitians laid down peace offerings for the British. Following this episode, Samuel Wallis was able to establish cordial relations with the female chieftain “Oberea “ (Purea) and remained on the island until 27 July 1767.
In July 1768, Captain James Cook was commissioned by the Royal Society and on orders from the Lords Commissioners of the Admiralty to observe the transit of Venus across the sun, a phenomenon that would be visible from Tahiti on 3 June 1769. He arrived in Tahitis Matavai Bay, commanding the HMS Endeavour on 12 April 1769. On 14 April, Cook met with Tutaha and Tepau. On 15 April, Cook picked the site for a fortified camp at Point Venus along with Banks, Parkinson, Daniel Solander, to protect Charles Greens observatory. The length of stay enabled them to undertake for the first time real ethnographic and scientific observations of the island. Assisted by the botanist Joseph Banks, and by the artist Sydney Parkinson, Cook gathered valuable information on the fauna and flora, as well as the native society, language and customs, including the proper name of the island, Otaheite. On 28 April, Cook met Purea and Tupaia, and Tupaia befriended Banks following the transit. On 21 June, Amo visited Cook, and then on 25 June, Pohuetea visited, signifying another chief seeking to ally himself with the British.
Cook and Banks circumnavigated the island from 26 June to 1 July. On the exploration, they met Ahio, chief of Ha apaiano o or Papenoo, Rita, chief of Hitia a, Pahairro, chief of Pueu, Vehiatua, chief of Tautra, Matahiapo, chief of Teahupo o, Tutea, chief of Vaira o, and Moe, chief of Afa Ahiti. In Papara, guided by Tupaia, they investigated the ruins of Mahaiatea marae, an impressive structure containing a stone pyramid or ahu, measuring 44 feet high, 267 feet long and 87 feet wide. Cook and the Endeavour departed Tahiti on 13 July 1769, taking Raiatean navigator Tupaia along for his geographic knowledge of the islands.
Cook returned to Tahiti between 15 August and 1 September 1773, greeted by the chiefs Tai and Puhi, besides the youg ari i Vehiatua II and his stepfather Ti itorea. Cook anchored in Vaitepiha Bay before returning to Point Venus where he met Tu, the paramount chief. Cook picked up two passengers from Tahiti during this trip, Porea and Mai, with Hitihiti later replacing Porea when Cook stopped at Raiatea. Cook took Hitihiti to Tahiti on 22 April, during his return leg. Then, Cook departed Tahiti on 14 May 1774.
During his final visit, Cook returned Mai to Tahiti on 12 Aug. 1777, after Mais long visit in England. Cook also brought two Maori from Queen Charlotte Sound, Te Weherua and Koa. Cook first harbored in Vaitepiha Bay, where he visited Vehiatua II s funeral bier and the prefabricated Spanish mission house. Cook also met Vehiatua III, and inscribed on the back of the Spanish cross, Georgius tertius Rex Annis 1767, 69, 73, 74 & 77, as a counterpoint to Christus Vincit Carolus III imperat 1774 on the front. On 23 Aug., Cook sailed for Matavai Bay, where he met Tu, his father Teu, his mother Tetupaia, his brothers Ari ipaea and Vaetua, and his sisters Ari ipaea-vahine, Tetua-te-ahamai, and Auo. Cook also observed a human sacrifice, taata tapu, at the Utu-ai-mahurau marae, and 49 skulls from previous victims.
On 29 Sept. 1777, Cook sailed for Papetoai Bay on Moorea. Cook met Mahine in an act of friendship on 3 Oct., though he was an enemy of Tu. When a goat kid was stolen on 6 Oct., Cook in a rampage, ordered the burning of houses and canoes until it was returned. Cook sailed for Huahine on 11 Oct., Raiatea on 2 Nov., and Borabora on 7 Dec.
On 26 October 1788, HMS Bounty, under the command of Captain William Bligh, landed in Tahiti with the mission of carrying Tahitian breadfruit trees (Tahitian: uru) to the Caribbean. Sir Joseph Banks, the botanist from James Cooks first expedition, had concluded that this plant would be ideal to feed the African slaves working in the Caribbean plantations at very little cost. The crew remained in Tahiti for about five months, the time needed to transplant the seedlings of the trees. Three weeks after leaving Tahiti, on 28 April 1789, the crew mutinied on the initiative of Fletcher Christian. The mutineers seized the ship and set the captain and most of those members of the crew who remained loyal to him adrift in a ships boat. A group of mutineers then went back to settle in Tahiti.
Although various explorers had refused to get involved in tribal conflicts, the mutineers from the Bounty offered their services as mercenaries and furnished arms to the family which became the Pōmare Dynasty. The chief Tū knew how to use their presence in the harbours favoured by sailors to his advantage. As a result of his alliance with the mutineers, he succeeded in considerably increasing his supremacy over the island of Tahiti.

Captain James King FRS 1750 – 1784 was an officer of the Royal Navy. He served under James Cook on his last voyage around the world, specialising in taking important astronomical readings using a sextant. After Cook died he helped lead the ships on the remainder of their course, also completing Cooks account of the voyage. He continued his career in the Navy, reaching the rank of post-captain, commanding several ships and serving in the American War of Independence.
King joined HMS Resolution as second lieutenant, sharing the duties of astronomer with Cook, taking astronomical observations on board by sextant and with Larcum Kendals timekeeper K1, to establish the Resolutions position at sea and on shore by sextant or by astronomical quadrant to establish the geographical position of salient points during the course of Cooks surveys. Thus Kings geographical positions were an important contribution to the accuracy of the various surveys carried out during the voyage and his use of the early chronometers helped prove their use at sea for calculation of Longitude. .
Following the death of Cook, King remained in the Resolution but on the death of Charles Clerke, Cooks successor, King was appointed to command HMS Discovery, the Resolutions consort, remaining in her for the rest of the voyage. After his return to England King was very much involved in the publication of the official account of Cooks third voyage, writing the third volume at Woodstock, near Oxford, where his brother Thomas was rector of St Mary Magdalene. But shortly after his return King was promoted Post-captain and appointed commander of HMS Crocodile in the English Channel.

John Webber RA 1751 – 1793 was an English artist who accompanied Captain Cook on his third Pacific expedition. He is best known for his images of Australasia, Hawaii and Alaska.
Webber was born in London, educated in Bern and studied painting at Paris.His father was Abraham Wäber, a Swiss sculptor who had moved to London, and changed his name to Webber before marrying a Mrs Mary Quant in 1744.
Webber served as official artist on James Cooks third voyage of discovery around the Pacific (1776–80) aboard HMS Resolution. At Adventure Bay in January 1777 he did drawings of A Man of Van Diemens Land and A Woman of Van Diemens Land. He also did many drawings of scenes in New Zealand and the South Sea islands. On this voyage, during which Cook lost his life in a fight in Hawaii, Webber became the first European artist to make contact with Hawaii, then called the Sandwich Islands. He made numerous watercolor landscapes of the islands of Kauai and Hawaii, and also portrayed many of the Hawaiian people.
In April 1778, Captain Cooks ships Resolution and Discovery anchored at Ship Cove, now known as Nootka Sound, Vancouver Island, Canada to refit. The crew took observations and recorded encounters with the local people. Webber made watercolour landscapes including Resolution and Discovery in Ship Cove, 1778. His drawings and paintings were engraved for British Admiraltys account of the expedition, which was published in 1784.
Back in England in 1780 Webber exhibited around 50 works at Royal Academy exhibitions between 1784 and 1792, and was elected an associate of the Royal Academy in 1785 and R.A. in 1791. Most of his work were landscapes. Sometimes figures were included as in A Party from H.M.S. Resolution shooting sea horses, which was shown at the academy in 1784, and his The Death of Captain Cook became well known through an engraving of it. Another version of this picture is in the William Dixson gallery at Sydney

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Le Corps De Thee, Chef De O Taiti, Tel Qu on le Conservoit Apres sa Mort. (The body of Thee, Chief of Tahiti Preserved after his death)
• Size: 16in x 10 1/2in (405mm x 265mm)
• Ref #:  21442
• Date : 1785
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print of the mummified remains of Chief Vehiatua II (Tu), laying in state, on the island of Tahiti visited by Captain Cook in 1777, during his 3rd & last Voyage of Discovery, was engraved by Robert Benard - after John Webber - and was published in the 1785 French edition of Capt. James Cook & Capt. James King publication A Voyage to the Pacific Ocean. Undertaken, by the Command of his Majesty, for making Discoveries in the Northern Hemisphere. To determine The Position and Extent of the West Side of North America; its Distance from Asia; and the Practicability of a Northern Passage to Europe. Performed under the direction of Captains Cook, Clerke, and Gore, In His Majestys Ships the Resolution and Discovery. In the Years 1776, 1777, 1778, 1779, and 1780. In Three Volumes. Vol. I and II written by James Cook, F.R.S. Vol. III by Captain James King, LL.D. and F.R.S. Paris, 1785.

.....during his final visit, Cook returned Omai to Tahiti on 12 Aug. 1777, after Omais long visit in England. Cook also brought two Maori from Queen Charlotte Sound, Te Weherua and Koa. Cook first harbored in Vaitepiha Bay, where he visited Vehiatua IIs funeral bier and the prefabricated Spanish mission house. Cook also met Vehiatua III, and inscribed on the back of the Spanish cross, Georgius tertius Rex Annis 1767, 69, 73, 74 & 77, as a counterpoint to Christus Vincit Carolus III imperat 1774 on the front. On 23 Aug., Cook sailed for Matavai Bay, where he met Tu, his father Teu, his mother Tetupaia, his brothers Ariipaea and Vaetua, and his sisters Ariipaea-vahine, Tetua-te-ahamai, and Auo. Cook also observed a human sacrifice, taata tapu, at the Utu-ai-mahurau marae, and 49 skulls from previous victims....

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 16in x 10 1/2in (405mm x 265mm)
Plate size: - 14 1/2in x 9 1/2in (370mm x 245mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling
Plate area: - None
Verso: - Light soiling

Background: 
Tahiti previously also known as Otaheite is the largest island in the Windward group of French Polynesia. The island is located in the archipelago of the Society Islands in the central Southern Pacific Ocean.
The first European to have visited Tahiti according to existing records was lieutenant Samuel Wallis, who was circumnavigating the globe in HMS Dolphin, sighting the island on 18 June 1767, and eventually harboring in Matavai Bay. This bay was situated on the territory of the chiefdom of Pare-Arue, governed by Tu (Tu-nui-e-a a-i-te-Atua) and his regent Tutaha, and the chiefdom of Ha apape, governed by Amo and his wife Oberea (Purea). Wallis named the island King Georges Island. The first contacts were difficult, since on the 24 and 26 June 1767, Tahitian warriors in canoes showed aggression towards the British, hurling stones from their slings. In retaliation, the British sailors opened fire on the warriors in the canoes and on the hills. In reaction to this powerful counter-attack, the Tahitians laid down peace offerings for the British. Following this episode, Samuel Wallis was able to establish cordial relations with the female chieftain “Oberea “ (Purea) and remained on the island until 27 July 1767.
In July 1768, Captain James Cook was commissioned by the Royal Society and on orders from the Lords Commissioners of the Admiralty to observe the transit of Venus across the sun, a phenomenon that would be visible from Tahiti on 3 June 1769. He arrived in Tahitis Matavai Bay, commanding the HMS Endeavour on 12 April 1769. On 14 April, Cook met with Tutaha and Tepau. On 15 April, Cook picked the site for a fortified camp at Point Venus along with Banks, Parkinson, Daniel Solander, to protect Charles Greens observatory. The length of stay enabled them to undertake for the first time real ethnographic and scientific observations of the island. Assisted by the botanist Joseph Banks, and by the artist Sydney Parkinson, Cook gathered valuable information on the fauna and flora, as well as the native society, language and customs, including the proper name of the island, Otaheite. On 28 April, Cook met Purea and Tupaia, and Tupaia befriended Banks following the transit. On 21 June, Amo visited Cook, and then on 25 June, Pohuetea visited, signifying another chief seeking to ally himself with the British.
Cook and Banks circumnavigated the island from 26 June to 1 July. On the exploration, they met Ahio, chief of Ha apaiano o or Papenoo, Rita, chief of Hitia a, Pahairro, chief of Pueu, Vehiatua, chief of Tautra, Matahiapo, chief of Teahupo o, Tutea, chief of Vaira o, and Moe, chief of Afa Ahiti. In Papara, guided by Tupaia, they investigated the ruins of Mahaiatea marae, an impressive structure containing a stone pyramid or ahu, measuring 44 feet high, 267 feet long and 87 feet wide. Cook and the Endeavour departed Tahiti on 13 July 1769, taking Raiatean navigator Tupaia along for his geographic knowledge of the islands.
Cook returned to Tahiti between 15 August and 1 September 1773, greeted by the chiefs Tai and Puhi, besides the youg ari i Vehiatua II and his stepfather Ti itorea. Cook anchored in Vaitepiha Bay before returning to Point Venus where he met Tu, the paramount chief. Cook picked up two passengers from Tahiti during this trip, Porea and Mai, with Hitihiti later replacing Porea when Cook stopped at Raiatea. Cook took Hitihiti to Tahiti on 22 April, during his return leg. Then, Cook departed Tahiti on 14 May 1774.
During his final visit, Cook returned Mai to Tahiti on 12 Aug. 1777, after Mais long visit in England. Cook also brought two Maori from Queen Charlotte Sound, Te Weherua and Koa. Cook first harbored in Vaitepiha Bay, where he visited Vehiatua II s funeral bier and the prefabricated Spanish mission house. Cook also met Vehiatua III, and inscribed on the back of the Spanish cross, Georgius tertius Rex Annis 1767, 69, 73, 74 & 77, as a counterpoint to Christus Vincit Carolus III imperat 1774 on the front. On 23 Aug., Cook sailed for Matavai Bay, where he met Tu, his father Teu, his mother Tetupaia, his brothers Ari ipaea and Vaetua, and his sisters Ari ipaea-vahine, Tetua-te-ahamai, and Auo. Cook also observed a human sacrifice, taata tapu, at the Utu-ai-mahurau marae, and 49 skulls from previous victims.
On 29 Sept. 1777, Cook sailed for Papetoai Bay on Moorea. Cook met Mahine in an act of friendship on 3 Oct., though he was an enemy of Tu. When a goat kid was stolen on 6 Oct., Cook in a rampage, ordered the burning of houses and canoes until it was returned. Cook sailed for Huahine on 11 Oct., Raiatea on 2 Nov., and Borabora on 7 Dec.
On 26 October 1788, HMS Bounty, under the command of Captain William Bligh, landed in Tahiti with the mission of carrying Tahitian breadfruit trees (Tahitian: uru) to the Caribbean. Sir Joseph Banks, the botanist from James Cooks first expedition, had concluded that this plant would be ideal to feed the African slaves working in the Caribbean plantations at very little cost. The crew remained in Tahiti for about five months, the time needed to transplant the seedlings of the trees. Three weeks after leaving Tahiti, on 28 April 1789, the crew mutinied on the initiative of Fletcher Christian. The mutineers seized the ship and set the captain and most of those members of the crew who remained loyal to him adrift in a ships boat. A group of mutineers then went back to settle in Tahiti.
Although various explorers had refused to get involved in tribal conflicts, the mutineers from the Bounty offered their services as mercenaries and furnished arms to the family which became the Pōmare Dynasty. The chief Tū knew how to use their presence in the harbours favoured by sailors to his advantage. As a result of his alliance with the mutineers, he succeeded in considerably increasing his supremacy over the island of Tahiti.

Captain James King FRS 1750 – 1784 was an officer of the Royal Navy. He served under James Cook on his last voyage around the world, specialising in taking important astronomical readings using a sextant. After Cook died he helped lead the ships on the remainder of their course, also completing Cooks account of the voyage. He continued his career in the Navy, reaching the rank of post-captain, commanding several ships and serving in the American War of Independence.
King joined HMS Resolution as second lieutenant, sharing the duties of astronomer with Cook, taking astronomical observations on board by sextant and with Larcum Kendals timekeeper K1, to establish the Resolutions position at sea and on shore by sextant or by astronomical quadrant to establish the geographical position of salient points during the course of Cooks surveys. Thus Kings geographical positions were an important contribution to the accuracy of the various surveys carried out during the voyage and his use of the early chronometers helped prove their use at sea for calculation of Longitude. .
Following the death of Cook, King remained in the Resolution but on the death of Charles Clerke, Cooks successor, King was appointed to command HMS Discovery, the Resolutions consort, remaining in her for the rest of the voyage. After his return to England King was very much involved in the publication of the official account of Cooks third voyage, writing the third volume at Woodstock, near Oxford, where his brother Thomas was rector of St Mary Magdalene. But shortly after his return King was promoted Post-captain and appointed commander of HMS Crocodile in the English Channel.

John Webber RA 1751 – 1793 was an English artist who accompanied Captain Cook on his third Pacific expedition. He is best known for his images of Australasia, Hawaii and Alaska.
Webber was born in London, educated in Bern and studied painting at Paris.His father was Abraham Wäber, a Swiss sculptor who had moved to London, and changed his name to Webber before marrying a Mrs Mary Quant in 1744.
Webber served as official artist on James Cooks third voyage of discovery around the Pacific (1776–80) aboard HMS Resolution. At Adventure Bay in January 1777 he did drawings of A Man of Van Diemens Land and A Woman of Van Diemens Land. He also did many drawings of scenes in New Zealand and the South Sea islands. On this voyage, during which Cook lost his life in a fight in Hawaii, Webber became the first European artist to make contact with Hawaii, then called the Sandwich Islands. He made numerous watercolor landscapes of the islands of Kauai and Hawaii, and also portrayed many of the Hawaiian people.
In April 1778, Captain Cooks ships Resolution and Discovery anchored at Ship Cove, now known as Nootka Sound, Vancouver Island, Canada to refit. The crew took observations and recorded encounters with the local people. Webber made watercolour landscapes including Resolution and Discovery in Ship Cove, 1778. His drawings and paintings were engraved for British Admiraltys account of the expedition, which was published in 1784.
Back in England in 1780 Webber exhibited around 50 works at Royal Academy exhibitions between 1784 and 1792, and was elected an associate of the Royal Academy in 1785 and R.A. in 1791. Most of his work were landscapes. Sometimes figures were included as in A Party from H.M.S. Resolution shooting sea horses, which was shown at the academy in 1784, and his The Death of Captain Cook became well known through an engraving of it. Another version of this picture is in the William Dixson gallery at Sydney

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Vue d L Interieur d une Maison dans i Isle d Ulietea. Representation d une danse a la mode du pays. (View of the inside a house in Isle of Ulieteai. Representation of a dance of the fashion of the country)
• Size: 14 1/2in x 9 1/2in (370mm x 245mm)
• Ref #:  16087
• Date : 1785
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print of te interior of a long house, dancing girls and musicians on the Island of Raiatea (Ulietea) part of French Polynesia, visited by Captain Cook in 1777, during his 3rd & last Voyage of Discovery, was engraved by Robert Benard - after John Webber - and was published in the 1785 French edition of Capt. James Cook & Capt. James King publication A Voyage to the Pacific Ocean. Undertaken, by the Command of his Majesty, for making Discoveries in the Northern Hemisphere. To determine The Position and Extent of the West Side of North America; its Distance from Asia; and the Practicability of a Northern Passage to Europe. Performed under the direction of Captains Cook, Clerke, and Gore, In His Majestys Ships the Resolution and Discovery. In the Years 1776, 1777, 1778, 1779, and 1780. In Three Volumes. Vol. I and II written by James Cook, F.R.S. Vol. III by Captain James King, LL.D. and F.R.S. Paris, 1785.

Cooks Journal 1777
Sep. 29 Mon. Sails for Moorea (Eimeo).
30 Tue. Anchors at Tareu/Papetaai, Moorea.
Oct. 11 Sat. Sails for Fare, Huahine.
12 Sun. Lands at Fare and installs Omai ashore, builds house and plantation.
Nov. 2 Sun. Sails for Raiatea.
3 Mon. Anchors at Haamanino (also in July 1768 and May 1774). Sets up Observatory.
Dec. 8 Mon. Stands off Borabora but stands off and heads MS.
22 Mon. Crosses the Equator.
24 Wed. Sights Christmas Island. Anchors in atoll and collects turtles.
30 Tue. Observes eclipse of Sun (Cook Islet/Eclipse Island).

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 14 1/2in x 9 1/2in (370mm x 245mm)
Plate size: - 14 1/2in x 9 1/2in (370mm x 245mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling
Plate area: - None
Verso: - Light soiling

Background: 
Raiatea, is the second largest of the Society Islands, after Tahiti, in French Polynesia. The island is widely regarded as the centre of the eastern islands in ancient Polynesia and it is likely that the organised migrations to Hawaii, Aotearoa and other parts of East Polynesia started at Raiātea.
A traditional name for the island is Havaii, homeland of the Māori people.
The first European to record sighting Ra\\\\\\\'iātea was Pedro Fernandes de Queirós in 1606; it was charted as La Fugitiva The Polynesian navigator, Tupaia, who sailed with explorer James Cook, was born in Ra\\\\\\\'iātea around 1725.
Cook visited Raiatea in 1769 and again in 1773-1774. Omai (c.1751-1780), another young man from Raiātea, traveled with the European explorers to London in 1774 and also served as an interpreter to Captain Cook on his second and third journey.
King Tamatoa VI was the last monarch, reigning from 1884-1888.

Captain James King FRS 1750 – 1784 was an officer of the Royal Navy. He served under James Cook on his last voyage around the world, specialising in taking important astronomical readings using a sextant. After Cook died he helped lead the ships on the remainder of their course, also completing Cooks account of the voyage. He continued his career in the Navy, reaching the rank of post-captain, commanding several ships and serving in the American War of Independence.
King joined HMS Resolution as second lieutenant, sharing the duties of astronomer with Cook, taking astronomical observations on board by sextant and with Larcum Kendals timekeeper K1, to establish the Resolutions position at sea and on shore by sextant or by astronomical quadrant to establish the geographical position of salient points during the course of Cooks surveys. Thus Kings geographical positions were an important contribution to the accuracy of the various surveys carried out during the voyage and his use of the early chronometers helped prove their use at sea for calculation of Longitude. .
Following the death of Cook, King remained in the Resolution but on the death of Charles Clerke, Cooks successor, King was appointed to command HMS Discovery, the Resolutions consort, remaining in her for the rest of the voyage. After his return to England King was very much involved in the publication of the official account of Cooks third voyage, writing the third volume at Woodstock, near Oxford, where his brother Thomas was rector of St Mary Magdalene. But shortly after his return King was promoted Post-captain and appointed commander of HMS Crocodile in the English Channel.

John Webber RA 1751 – 1793 was an English artist who accompanied Captain Cook on his third Pacific expedition. He is best known for his images of Australasia, Hawaii and Alaska.
Webber was born in London, educated in Bern and studied painting at Paris.His father was Abraham Wäber, a Swiss sculptor who had moved to London, and changed his name to Webber before marrying a Mrs Mary Quant in 1744.
Webber served as official artist on James Cooks third voyage of discovery around the Pacific (1776–80) aboard HMS Resolution. At Adventure Bay in January 1777 he did drawings of A Man of Van Diemens Land and A Woman of Van Diemens Land. He also did many drawings of scenes in New Zealand and the South Sea islands. On this voyage, during which Cook lost his life in a fight in Hawaii, Webber became the first European artist to make contact with Hawaii, then called the Sandwich Islands. He made numerous watercolor landscapes of the islands of Kauai and Hawaii, and also portrayed many of the Hawaiian people.
In April 1778, Captain Cooks ships Resolution and Discovery anchored at Ship Cove, now known as Nootka Sound, Vancouver Island, Canada to refit. The crew took observations and recorded encounters with the local people. Webber made watercolour landscapes including Resolution and Discovery in Ship Cove, 1778. His drawings and paintings were engraved for British Admiraltys account of the expedition, which was published in 1784.
Back in England in 1780 Webber exhibited around 50 works at Royal Academy exhibitions between 1784 and 1792, and was elected an associate of the Royal Academy in 1785 and R.A. in 1791. Most of his work were landscapes. Sometimes figures were included as in A Party from H.M.S. Resolution shooting sea horses, which was shown at the academy in 1784, and his The Death of Captain Cook became well known through an engraving of it. Another version of this picture is in the William Dixson gallery at Sydney

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Vue d de L Isle d Huaheine avec la Maison de Dieu, et un petit Autel couvert d offrandes. (View of the Island of Huaheine with the House of God, and a small covered altar with offerings)
• Size: 14 1/2in x 9 1/2in (370mm x 245mm)
• Ref #:  21590
• Date : 1778
• Condition: (A+) Fine Condition

Description:
This large original copper-plate engraved antique print a view of the Island of Huahine, near Tahiti and a local shrine and the practice of the Spirit of the Dead Watching (Manao tupapau), visited by Captain James Cook in 1773, during his 2nd Voyage of Discovery to the South Seas, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778.

Ghosts in Polynesian culture
There was widespread belief in ghosts in Polynesian culture, some of which persists today. After death, a person\'s ghost would normally travel to the sky world or the underworld, but some could stay on earth. In many Polynesian legends, ghosts were often involved in the affairs of the living. Ghosts might also cause sickness or even invade the body of ordinary people, to be driven out through strong medicines.
In the reconstructed Proto-Polynesian language, the word qaitu refers to a ghost, the spirit of a dead person, while the word tupuqa has a broader meaning including all supernatural beings. Some of the ancient Māui legends that are common throughout the Polynesian islands include the idea of a double soul inhabiting the body. One was the soul which never forsakes man, and the other the soul that could be separated or charmed away from the body by incantations was the hau.
In some societies, the tattoo marks on the Polynesian\'s face indicated their cult. A spiral symbol meant that the man favoured the sky world, but before ascending there on a whirlwind his ghost had to travel to his people\'s homeland, situated in the navel of the world. Different markings indicated that the ghost chose to live in the underworld. The Hawaiians believed in aumakua, ghosts who did not go down into Po, the land of King Milu. These ghosts remained in the land of the living, guarding their former families.
Of his 1892 Tahitian painting Manao Tupapau, Paul Gauguin said according to Tahitian beliefs, the title Manao Tupapau has a double meaning . . . either she thinks of the ghost or the ghost thinks of her.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 14 1/2in x 9 1/2in (370mm x 245mm)
Plate size: - 14 1/2in x 9 1/2in (370mm x 245mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Huahine is an island located among the Society Islands, in French Polynesia, an overseas territory of France in the Pacific Ocean. It is part of the Leeward Islands group (Iles sous le Vent).
Captain Cook arrived Fare Harbour on 16 July 1769, with Tupaia navigating the HMS Endeavour. They met with leading chief Ori (Mato). Cook returned on 3 Sept. 1773 and met with Oris son Teri itaria, the new ari i rahi of the island.

William Hodges RA 1744 – 1797 was an English painter. He was a member of James Cooks second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.
Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expeditions artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cooks journals from the voyage.
Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.
Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition..

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Reception Du Capitaine Cook a Hapaee (Reception for Captain Cook in Hapaee)
• Size: 15 1/2in x 10 1/2in (395mm x 265mm)
• Ref #:  21437
• Date : 1785
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print of the reception for Captain Cook on the island of Lifuka, one of the islands of the Haapai group of Tonga Islands, visited by Captain Cook in 1777, during his 3rd & last Voyage of Discovery, was engraved by Robert Benard - after John Webber - and was published in the 1785 French edition of Capt. James Cook & Capt. James King publication A Voyage to the Pacific Ocean. Undertaken, by the Command of his Majesty, for making Discoveries in the Northern Hemisphere. To determine The Position and Extent of the West Side of North America; its Distance from Asia; and the Practicability of a Northern Passage to Europe. Performed under the direction of Captains Cook, Clerke, and Gore, In His Majestys Ships the Resolution and Discovery. In the Years 1776, 1777, 1778, 1779, and 1780. In Three Volumes. Vol. I and II written by James Cook, F.R.S. Vol. III by Captain James King, LL.D. and F.R.S. Paris, 1785.

Captain Cook seated with the chiefs, watching two pairs of combatants, one pair boxing, the other pair fighting with clubs within a large circle of spectators. Some men of Cook\'s company are on the left on the fringe of the crowd.
............presently after a number of men entered the Circle or Area before us, armed with Clubs made of the green branches of the Cocoanut tree, these paraded about for a few minutes and then retired the one half to one side and the other half to the other, and seated themselves before the spectators: but soon after went to single Combat, one or two steping forward from the one side and chalenging those on the other which was done more by actions than words; if the Challenge was expected, which was generally the case, each put himself in a proper attitude and began to engage and continued till one or the other gave out or their weapons were broke….there were Wristling and Boxing matches; the first were performed in the same m[an]ner as at Otahiete, and the second very little different from the method practiced in England. Cook Journals III, i, 107

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 15 1/2in x 10 1/2in (395mm x 265mm)
Plate size: - 14 1/2in x 9 1/2in (370mm x 245mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling
Plate area: - None
Verso: - Light soiling

Background: 

Lifuka is an island in the Kingdom of Tonga. It is located within the Haapai Group in the centre of the country, to northeast of the national capital of Nukualofa.
Lifuka is the place where Captain James Cook dubbed Tonga The Friendly Islands. Tofua is where the mutiny on the Bounty occurred in 1789; this active volcanic island lies approximately forty nautical miles west of Lifuka. The Cpt. Bligh voyage stands as the longest successful passage ever recorded in an open boat without modern navigational aids.

Haapai is a group of islands, islets, reefs and shoals with an area of 109.30 square kilometres in the central part of the Kingdom of Tonga, with the Tongatapu group to the south and the Vavau group to the north. Seventeen of the Ha apai islands are populated with altogether 6,616 people.
The first European to visit Ha apai, was Abel Tasman in 1643. Captain James Cook in 1774 and 1777, made several stops on the islands. He gave them the name of Friendly Islands in 1777.
On 18 May 1777, Cook arrived with Omai. They were greeted by Fatafehi Paulaho, King of the Isles or Tui Tonga, the most sacred chief in these islands.

Tonga officially the Kingdom of Tonga, is a Polynesian sovereign state and archipelago comprising 169 islands, of which 36 are inhabited. The total surface area is about 750 square kilometres (290 sq mi) scattered over 700,000 square kilometres (270,000 sq mi) of the southern Pacific Ocean. It has a population of 107,122 people, of whom 70% reside on the main island of Tongatapu.
The Tongan people first encountered Europeans in 1616 when the Dutch vessel Eendracht, captained by Willem Schouten, made a short visit to trade. Later came other Dutch explorers, including Jacob Le Maire (who called on the northern island of Niuatoputapu); and in 1643 Abel Tasman (who visited Tongatapu and Haapai).
Later noteworthy European visitors included James Cook (Royal Navy) in 1773, 1774, and 1777; Alessandro Malaspina (Spanish Navy) in 1793; the first London missionaries in 1797; and the Wesleyan Methodist Reverend Walter Lawry in 1822.
Tonga became known in the West as the Friendly Islands because of the congenial reception accorded to Captain James Cook on his first visit in 1773. He arrived at the time of the inasi festival, the yearly donation of the First Fruits to the Tui Tonga (the islands paramount chief) and so received an invitation to the festivities. According to the writer William Mariner, the chiefs wanted to kill Cook during the gathering but could not agree on a plan.

Captain James King FRS 1750 – 1784 was an officer of the Royal Navy. He served under James Cook on his last voyage around the world, specialising in taking important astronomical readings using a sextant. After Cook died he helped lead the ships on the remainder of their course, also completing Cooks account of the voyage. He continued his career in the Navy, reaching the rank of post-captain, commanding several ships and serving in the American War of Independence.
King joined HMS Resolution as second lieutenant, sharing the duties of astronomer with Cook, taking astronomical observations on board by sextant and with Larcum Kendals timekeeper K1, to establish the Resolutions position at sea and on shore by sextant or by astronomical quadrant to establish the geographical position of salient points during the course of Cooks surveys. Thus Kings geographical positions were an important contribution to the accuracy of the various surveys carried out during the voyage and his use of the early chronometers helped prove their use at sea for calculation of Longitude. .
Following the death of Cook, King remained in the Resolution but on the death of Charles Clerke, Cooks successor, King was appointed to command HMS Discovery, the Resolutions consort, remaining in her for the rest of the voyage. After his return to England King was very much involved in the publication of the official account of Cooks third voyage, writing the third volume at Woodstock, near Oxford, where his brother Thomas was rector of St Mary Magdalene. But shortly after his return King was promoted Post-captain and appointed commander of HMS Crocodile in the English Channel.

John Webber RA 1751 – 1793 was an English artist who accompanied Captain Cook on his third Pacific expedition. He is best known for his images of Australasia, Hawaii and Alaska.
Webber was born in London, educated in Bern and studied painting at Paris.His father was Abraham Wäber, a Swiss sculptor who had moved to London, and changed his name to Webber before marrying a Mrs Mary Quant in 1744.
Webber served as official artist on James Cooks third voyage of discovery around the Pacific (1776–80) aboard HMS Resolution. At Adventure Bay in January 1777 he did drawings of A Man of Van Diemens Land and A Woman of Van Diemens Land. He also did many drawings of scenes in New Zealand and the South Sea islands. On this voyage, during which Cook lost his life in a fight in Hawaii, Webber became the first European artist to make contact with Hawaii, then called the Sandwich Islands. He made numerous watercolor landscapes of the islands of Kauai and Hawaii, and also portrayed many of the Hawaiian people.
In April 1778, Captain Cooks ships Resolution and Discovery anchored at Ship Cove, now known as Nootka Sound, Vancouver Island, Canada to refit. The crew took observations and recorded encounters with the local people. Webber made watercolour landscapes including Resolution and Discovery in Ship Cove, 1778. His drawings and paintings were engraved for British Admiraltys account of the expedition, which was published in 1784.
Back in England in 1780 Webber exhibited around 50 works at Royal Academy exhibitions between 1784 and 1792, and was elected an associate of the Royal Academy in 1785 and R.A. in 1791. Most of his work were landscapes. Sometimes figures were included as in A Party from H.M.S. Resolution shooting sea horses, which was shown at the academy in 1784, and his The Death of Captain Cook became well known through an engraving of it. Another version of this picture is in the William Dixson gallery at Sydney

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Afia-Too-Ca, Cimetiere Dans L Isle D Amsterdam (AFIA-Too-Ca, cemetery in L Isle D Amsterdam)
• Size: 14 1/2in x 9 1/2in (370mm x 245mm)
• Ref #:  31833
• Date : 1785
• Condition: (A) Very Good Condition

Description:
This fine original copper-plate engraved antique print of the burial mounds or Langi, Tomb Hills in the town of Mua on the main Tongan Island of Tongatapu (named Amsterdam by Willem Schouten in 1616) visited by Captain Cook in 1777, during his 3rd & last Voyage of Discovery, was engraved by Robert Benard - after John Webber - and was published in the 1785 French edition of Capt. James Cook & Capt. James King publication A Voyage to the Pacific Ocean. Undertaken, by the Command of his Majesty, for making Discoveries in the Northern Hemisphere. To determine The Position and Extent of the West Side of North America; its Distance from Asia; and the Practicability of a Northern Passage to Europe. Performed under the direction of Captains Cook, Clerke, and Gore, In His Majestys Ships the Resolution and Discovery. In the Years 1776, 1777, 1778, 1779, and 1780. In Three Volumes. Vol. I and II written by James Cook, F.R.S. Vol. III by Captain James King, LL.D. and F.R.S. Paris, 1785.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 15 1/2in x 10in (390mm x 255mm)
Plate size: - 14 1/2in x 9 1/2in (370mm x 245mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling
Plate area: - None
Verso: - Light soiling

Background: 
Mua is a small town in the Hahake (eastern) district on the island of Tongatapu, and it was for centuries the ancient capital of Tonga. It is divided in the villages Lapaha and Tatakamotonga, is close to Talasiu and famous for the ancient langi (royal burial tombs).
Muʻa was at one time the center of Lapita culture in Tonga (about 2,000 years ago) and later (twelfth to sixteenth century CE) the capital of the Tuʻi Tonga Empire. After the disintegration of the empire it remained the capital of the Tui Tonga (Tonga kings), up to the nineteenth century, but was rather a spiritual centre and no longer a source of political power.
The Tui Tonga and his retinue stayed in Lapaha, his residence being Olotele and Ahofakasiu, while Takuilau was for his wives. Subchiefs and servants on the other hand lived in Tatakamotonga.
When, around 1470, the Tui Tonga line started to lose power to the Tui Ha atakalaua, and another century later to the Tu i Kanokupolu, chiefs belonging to these lines were not welcome in Mu a, and had to stay on the low-lying coastal areas, separated from the real chiefs (i.e. those belonging to the Tu i Tonga) by the Hala Fonuamoa (dry land road). The former became known as the kauhalalalo (low road people) and the latter as the kauhala uta (inland road people), which nowadays are still two important moieties in Tonga.
Whatever political power the Tu i Tonga yielded to their rivals, they gained in spiritual power, and as a kind of high priest they were perhaps even more awesome than as kings. When a Tu i Tonga died he was buried in one of the huge tomb hills, known as langi, of which there are still at least two dozen in Lapaha. The Tu i Haʻatakalaua were also buried in such tombs, but they are called fale instead.
The langi are big, artificial hills surrounded by huge slabs of coral rock, usually in three or more tiered layers. These slabs were quarried from several places along the coast of Tongatapu or neighbouring minor islands. The waves of the sea made them over the centuries, by compacting coral sand into layers of 10 to 20 centimetres (3.9 to 7.9 inches) thick. They were only to be dug out and then transported by boat to the building site. Nevertheless, the accuracy by which the slabs were cut to shape so that they fit along each other with barely any space to spare is remarkable.
One of the best-preserved langi is the Paepae-o-Tele a, which is even more remarkable as the slabs along the corner really have an L shape.
The story that the slabs were moved by magic means from Uvea to Tonga is just a myth. Uvea is volcanic and has not got the proper geology. This fact has always been known, as shown, for example by a stanza of the poem named Laveofo from around the 18th century by Tufui.

Haapai is a group of islands, islets, reefs and shoals with an area of 109.30 square kilometres in the central part of the Kingdom of Tonga, with the Tongatapu group to the south and the Vavau group to the north. Seventeen of the Ha apai islands are populated with altogether 6,616 people.
The first European to visit Ha apai, was Abel Tasman in 1643. Captain James Cook in 1774 and 1777, made several stops on the islands. He gave them the name of Friendly Islands in 1777.
On 18 May 1777, Cook arrived with Omai. They were greeted by Fatafehi Paulaho, King of the Isles or Tui Tonga, the most sacred chief in these islands.

Tonga officially the Kingdom of Tonga, is a Polynesian sovereign state and archipelago comprising 169 islands, of which 36 are inhabited. The total surface area is about 750 square kilometres (290 sq mi) scattered over 700,000 square kilometres (270,000 sq mi) of the southern Pacific Ocean. It has a population of 107,122 people, of whom 70% reside on the main island of Tongatapu.
The Tongan people first encountered Europeans in 1616 when the Dutch vessel Eendracht, captained by Willem Schouten, made a short visit to trade. Later came other Dutch explorers, including Jacob Le Maire (who called on the northern island of Niuatoputapu); and in 1643 Abel Tasman (who visited Tongatapu and Haapai).
Later noteworthy European visitors included James Cook (Royal Navy) in 1773, 1774, and 1777; Alessandro Malaspina (Spanish Navy) in 1793; the first London missionaries in 1797; and the Wesleyan Methodist Reverend Walter Lawry in 1822.
Tonga became known in the West as the Friendly Islands because of the congenial reception accorded to Captain James Cook on his first visit in 1773. He arrived at the time of the inasi festival, the yearly donation of the First Fruits to the Tui Tonga (the islands paramount chief) and so received an invitation to the festivities. According to the writer William Mariner, the chiefs wanted to kill Cook during the gathering but could not agree on a plan.

Captain James King FRS 1750 – 1784 was an officer of the Royal Navy. He served under James Cook on his last voyage around the world, specialising in taking important astronomical readings using a sextant. After Cook died he helped lead the ships on the remainder of their course, also completing Cooks account of the voyage. He continued his career in the Navy, reaching the rank of post-captain, commanding several ships and serving in the American War of Independence.
King joined HMS Resolution as second lieutenant, sharing the duties of astronomer with Cook, taking astronomical observations on board by sextant and with Larcum Kendals timekeeper K1, to establish the Resolutions position at sea and on shore by sextant or by astronomical quadrant to establish the geographical position of salient points during the course of Cooks surveys. Thus Kings geographical positions were an important contribution to the accuracy of the various surveys carried out during the voyage and his use of the early chronometers helped prove their use at sea for calculation of Longitude. .
Following the death of Cook, King remained in the Resolution but on the death of Charles Clerke, Cooks successor, King was appointed to command HMS Discovery, the Resolutions consort, remaining in her for the rest of the voyage. After his return to England King was very much involved in the publication of the official account of Cooks third voyage, writing the third volume at Woodstock, near Oxford, where his brother Thomas was rector of St Mary Magdalene. But shortly after his return King was promoted Post-captain and appointed commander of HMS Crocodile in the English Channel.

John Webber RA 1751 – 1793 was an English artist who accompanied Captain Cook on his third Pacific expedition. He is best known for his images of Australasia, Hawaii and Alaska.
Webber was born in London, educated in Bern and studied painting at Paris.His father was Abraham Wäber, a Swiss sculptor who had moved to London, and changed his name to Webber before marrying a Mrs Mary Quant in 1744.
Webber served as official artist on James Cooks third voyage of discovery around the Pacific (1776–80) aboard HMS Resolution. At Adventure Bay in January 1777 he did drawings of A Man of Van Diemens Land and A Woman of Van Diemens Land. He also did many drawings of scenes in New Zealand and the South Sea islands. On this voyage, during which Cook lost his life in a fight in Hawaii, Webber became the first European artist to make contact with Hawaii, then called the Sandwich Islands. He made numerous watercolor landscapes of the islands of Kauai and Hawaii, and also portrayed many of the Hawaiian people.
In April 1778, Captain Cooks ships Resolution and Discovery anchored at Ship Cove, now known as Nootka Sound, Vancouver Island, Canada to refit. The crew took observations and recorded encounters with the local people. Webber made watercolour landscapes including Resolution and Discovery in Ship Cove, 1778. His drawings and paintings were engraved for British Admiraltys account of the expedition, which was published in 1784.
Back in England in 1780 Webber exhibited around 50 works at Royal Academy exhibitions between 1784 and 1792, and was elected an associate of the Royal Academy in 1785 and R.A. in 1791. Most of his work were landscapes. Sometimes figures were included as in A Party from H.M.S. Resolution shooting sea horses, which was shown at the academy in 1784, and his The Death of Captain Cook became well known through an engraving of it. Another version of this picture is in the William Dixson gallery at Sydney

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Debarquement A Middelburgh L une des Amis (Landing A Middelburgh one of the Friendly Islands)
• Size: 12in x 8in (305mm x 205mm)
• Ref #:  21357
• Date : 1778
• Condition: (A+) Fine Condition

Description:
This large original copper-plate engraved antique print of Captain Cook landing on the Island of Eua - with HMS Resolution in the background - (named Middelburg by the Dutch explorer Abel Tasman in 1643) a small island close the the main island of Tongatapu, in the Kingdom of Tonga, visited by Captain James Cook in 1773, during his 2nd Voyage of Discovery to the South Seas, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778.

As it was, Cook did not encounter the Tongan islands until his Second Voyage, when he stopped at both \'Eua and Tongatapu (or, by Tasman\'s nomenclature, Middleburg and Amsterdam respectively) in October of 1773. Here he was welcomed a shore by acclamations from an immence [sic] crowd of Men and Women not one of which had so much as a stick in their hands.
Indeed, Cook found the islanders to be so accommodating that he returned to the archipelago in 1774 on his way back from New Zealand. Stopping at the island of Nomuka, Cook was sought out by name, and with this proof that these people have a communication with Amsterdam, the cultural unity of the islands was established.
It was at this time that he famously named the island group the Friendly Archipelago, as a lasting friendship seems to subsist among the Inhabitants and their Courtesy to Strangers intitles [sic] them to that Name.
Cooks Third Voyage also included a visit to Tonga, this time for a stay of several months. Cook first dropped anchor at Nomuka in May, and then, at the invitation of the great chief Finau, travelled to another island, Lifuka. Here, Cook and his men were treated to such entertainments as whould [sic] have met with universal applause on a European Theatre.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 12in x 8in (305mm x 205mm)
Plate size: - 11 1/2in x 7in (295mm x 180mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - Folds as issued
Verso: - None

Background: 
Eua is a smaller but still major island in the kingdom of Tonga. It is close to Tongatapu, but forms a separate administrative division
Eua was put on the European maps by Abel Tasman who reached it and Tongatapu on 21 January 1643. He called it Middelburg Island, after the capital of the Dutch province of Zeeland. He did not go on land, but proceeded to the Hihifo district of Tongatapu, which he named Amsterdam Island after the capital of the Netherlands.

Tonga officially the Kingdom of Tonga, is a Polynesian sovereign state and archipelago comprising 169 islands, of which 36 are inhabited. The total surface area is about 750 square kilometres (290 sq mi) scattered over 700,000 square kilometres (270,000 sq mi) of the southern Pacific Ocean. It has a population of 107,122 people, of whom 70% reside on the main island of Tongatapu.
The Tongan people first encountered Europeans in 1616 when the Dutch vessel Eendracht, captained by Willem Schouten, made a short visit to trade. Later came other Dutch explorers, including Jacob Le Maire (who called on the northern island of Niuatoputapu); and in 1643 Abel Tasman (who visited Tongatapu and Haapai).
Later noteworthy European visitors included James Cook (Royal Navy) in 1773, 1774, and 1777; Alessandro Malaspina (Spanish Navy) in 1793; the first London missionaries in 1797; and the Wesleyan Methodist Reverend Walter Lawry in 1822.
Tonga became known in the West as the Friendly Islands because of the congenial reception accorded to Captain James Cook on his first visit in 1773. He arrived at the time of the inasi festival, the yearly donation of the First Fruits to the Tui Tonga (the islands paramount chief) and so received an invitation to the festivities. According to the writer William Mariner, the chiefs wanted to kill Cook during the gathering but could not agree on a plan.

William Hodges RA 1744 – 1797 was an English painter. He was a member of James Cooks second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.
Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expeditions artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cooks journals from the voyage.
Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.
Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition..

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Debarquement A Middelburgh L une des Isles Friendly, (Des Amis) (Landing A Middelburgh one of the Friendly Isles, (friends)
• Size: 20in x 9 1/2in (510mm x 245mm)
• Ref #:  21497
• Date : 1778
• Condition: (A) Very Good Condition

Description:
This large original copper-plate engraved antique print of Captain Cook landing on the Island of Eua - with HMS Resolution in the background - (named Middelburg by the Dutch explorer Abel Tasman in 1643) a small island close the the main island of Tongatapu, in the Kingdom of Tonga, visited by Captain James Cook in 1773, during his 2nd Voyage of Discovery to the South Seas, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778.

As it was, Cook did not encounter the Tongan islands until his Second Voyage, when he stopped at both \'Eua and Tongatapu (or, by Tasman\'s nomenclature, Middleburg and Amsterdam respectively) in October of 1773. Here he was welcomed a shore by acclamations from an immence [sic] crowd of Men and Women not one of which had so much as a stick in their hands.
Indeed, Cook found the islanders to be so accommodating that he returned to the archipelago in 1774 on his way back from New Zealand. Stopping at the island of Nomuka, Cook was sought out by name, and with this proof that these people have a communication with Amsterdam, the cultural unity of the islands was established.
It was at this time that he famously named the island group the Friendly Archipelago, as a lasting friendship seems to subsist among the Inhabitants and their Courtesy to Strangers intitles [sic] them to that Name.
Cooks Third Voyage also included a visit to Tonga, this time for a stay of several months. Cook first dropped anchor at Nomuka in May, and then, at the invitation of the great chief Finau, travelled to another island, Lifuka. Here, Cook and his men were treated to such entertainments as whould [sic] have met with universal applause on a European Theatre.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 20in x 9 1/2in (510mm x 245mm)
Plate size: - 19in x 9 1/2in (480mm x 245mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling
Plate area: - Folds as issued, creasing along folds
Verso: - Light soiling

Background: 
Eua is a smaller but still major island in the kingdom of Tonga. It is close to Tongatapu, but forms a separate administrative division
Eua was put on the European maps by Abel Tasman who reached it and Tongatapu on 21 January 1643. He called it Middelburg Island, after the capital of the Dutch province of Zeeland. He did not go on land, but proceeded to the Hihifo district of Tongatapu, which he named Amsterdam Island after the capital of the Netherlands.

Tonga officially the Kingdom of Tonga, is a Polynesian sovereign state and archipelago comprising 169 islands, of which 36 are inhabited. The total surface area is about 750 square kilometres (290 sq mi) scattered over 700,000 square kilometres (270,000 sq mi) of the southern Pacific Ocean. It has a population of 107,122 people, of whom 70% reside on the main island of Tongatapu.
The Tongan people first encountered Europeans in 1616 when the Dutch vessel Eendracht, captained by Willem Schouten, made a short visit to trade. Later came other Dutch explorers, including Jacob Le Maire (who called on the northern island of Niuatoputapu); and in 1643 Abel Tasman (who visited Tongatapu and Haapai).
Later noteworthy European visitors included James Cook (Royal Navy) in 1773, 1774, and 1777; Alessandro Malaspina (Spanish Navy) in 1793; the first London missionaries in 1797; and the Wesleyan Methodist Reverend Walter Lawry in 1822.
Tonga became known in the West as the Friendly Islands because of the congenial reception accorded to Captain James Cook on his first visit in 1773. He arrived at the time of the inasi festival, the yearly donation of the First Fruits to the Tui Tonga (the islands paramount chief) and so received an invitation to the festivities. According to the writer William Mariner, the chiefs wanted to kill Cook during the gathering but could not agree on a plan.

William Hodges RA 1744 – 1797 was an English painter. He was a member of James Cooks second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.
Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expeditions artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cooks journals from the voyage.
Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.
Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition..

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Cimetiere D Atooi (Cemetery in Atooi)
• Size: 15 1/2in x 10in (390mm x 255mm)
• Ref #:  21441
• Date : 1785
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print of the inside of a Hawaiian Heiau - temple - on the Island of Kauai (Atooi) Hawaii, visited by Captain Cook in 1778, during his 3rd & last Voyage of Discovery, was engraved by Robert Benard - after John Webber - and was published in the 1785 French edition of Capt. James Cook & Capt. James King publication A Voyage to the Pacific Ocean. Undertaken, by the Command of his Majesty, for making Discoveries in the Northern Hemisphere. To determine The Position and Extent of the West Side of North America; its Distance from Asia; and the Practicability of a Northern Passage to Europe. Performed under the direction of Captains Cook, Clerke, and Gore, In His Majestys Ships the Resolution and Discovery. In the Years 1776, 1777, 1778, 1779, and 1780. In Three Volumes. Vol. I and II written by James Cook, F.R.S. Vol. III by Captain James King, LL.D. and F.R.S. Paris, 1785.

Captain Cook arrived at Atooi (Kauai) on 19th January 1778 and stayed until 23rd January 1778.
On the 21st January, Cook accompanied by John Webber, proceeded inland from their beach side anchorage to Waimea, on the south coast of Kauai. Their intention was to examine elevated objects visible from the ship. It proved to be a morai, or temple similar to ones they had seen in Tahiti and other South Pacific islands. This structure was nearly 20-feet high and covered in a thin, light-grey cloth, which likely had ceremonial significance. The temple rested on a platform and consisted of thousands of rough-edged lava rock piled in a tight, mortarless fashion. In the center is the spindly-legged oracle tower, where the priest (kahuna) might seek counsel or pray. Carved figures with tapa and leaf offerings are seen outside thatched huts topped with pili, the tall grass that grew throughout the lowlands. In his journal, Cook took particular note of several stone objects he had observed:
...........about the middle of the Morai, there were three of these places in line. We were told three chiefs had been buried there, and before them was another that was oblong. This they called Tanga (taboo or kapu in Hawaiian) and gave us clearly to understand that three human sacrifices had been buried there, that is, one at the burial of each chief. Cooks Journals - January 21, 1778

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 15 1/2in x 10in (390mm x 255mm)
Plate size: - 14 1/2in x 9 1/2in (370mm x 245mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling
Plate area: - None
Verso: - Light soiling

Background: 
Kauai is geologically the oldest of the main Hawaiian Islands.
In 1778, Captain James Cook arrived at Waimea Bay, the first European known to have reached the Hawaiian islands. He named the archipelago after his patron the 6th Earl of Sandwich, George Montagu

Hawaii is the 50th and most recent state to have joined the United States of America, having received statehood on August 21, 1959. Hawaii is the only U.S. state located in Oceania and the only one composed entirely of islands. It is the northernmost island group in Polynesia, occupying most of an archipelago in the central Pacific Ocean. Hawaii is the only U.S. state located outside North America.
It is possible that Spanish explorers arrived in the Hawaiian Islands in the 16th century—200 years before Captain James Cook\\\'s first documented visit in 1778. Ruy López de Villalobos commanded a fleet of six ships that left Acapulco in 1542 bound for the Philippines with a Spanish sailor named Juan Gaetano aboard as pilot. Depending on the interpretation, Gaetanos reports describe an encounter with either Hawaii or the Marshall Islands. If de Villalobos crew spotted Hawaii, Gaetano would be considered the first European to see the islands. Some scholars have dismissed these claims due to a lack of credibility.
Spanish archives contain a chart that depicts islands at the same latitude as Hawaii but with a longitude ten degrees east of the islands. In this manuscript, the island of Maui is named La Desgraciada (The Unfortunate Island), and what appears to be Hawaii Island is named La Mesa (The Table). Islands resembling Kahoolawe, Lanai, and Molokai are named Los Monjes (The Monks). For two-and-a-half centuries, Spanish galleons crossed the Pacific from Mexico along a route that passed south of Hawaii on their way to Manila. The exact route was kept secret to protect the Spanish trade monopoly against competing powers.
The 1778 arrival of British explorer James Cook was the first documented contact by a European explorer with Hawaii. Cook named the archipelago as the Sandwich Islands in honor of his sponsor John Montagu, 4th Earl of Sandwich. Cook published the islands location and rendered the native name as Owyhee. This spelling lives on in Owyhee County, Idaho. It was named after three native Hawaiian members of a trapping party who went missing in that area. The Owyhee Mountains were also named for them
Cook visited the Hawaiian Islands twice. As he prepared for departure after his second visit in 1779, a quarrel ensued as Cook took temple idols and fencing as firewood and a minor chief and his men took a ship\\\'s boat. Cook abducted the King of Hawaii Island, Kalani ōpu u, and held him for ransom aboard his ship in order to gain return of Cook\\\'s boat. This tactic had worked in Tahiti and other islands. Instead, Kalani ōpu u s supporters fought back, killing Cook and four marines as Cooks party retreated along the beach to their ship. They departed without the ships boat.

Captain James King FRS 1750 – 1784 was an officer of the Royal Navy. He served under James Cook on his last voyage around the world, specialising in taking important astronomical readings using a sextant. After Cook died he helped lead the ships on the remainder of their course, also completing Cooks account of the voyage. He continued his career in the Navy, reaching the rank of post-captain, commanding several ships and serving in the American War of Independence.
King joined HMS Resolution as second lieutenant, sharing the duties of astronomer with Cook, taking astronomical observations on board by sextant and with Larcum Kendals timekeeper K1, to establish the Resolutions position at sea and on shore by sextant or by astronomical quadrant to establish the geographical position of salient points during the course of Cooks surveys. Thus Kings geographical positions were an important contribution to the accuracy of the various surveys carried out during the voyage and his use of the early chronometers helped prove their use at sea for calculation of Longitude. .
Following the death of Cook, King remained in the Resolution but on the death of Charles Clerke, Cooks successor, King was appointed to command HMS Discovery, the Resolutions consort, remaining in her for the rest of the voyage. After his return to England King was very much involved in the publication of the official account of Cooks third voyage, writing the third volume at Woodstock, near Oxford, where his brother Thomas was rector of St Mary Magdalene. But shortly after his return King was promoted Post-captain and appointed commander of HMS Crocodile in the English Channel.

John Webber RA 1751 – 1793 was an English artist who accompanied Captain Cook on his third Pacific expedition. He is best known for his images of Australasia, Hawaii and Alaska.
Webber was born in London, educated in Bern and studied painting at Paris.His father was Abraham Wäber, a Swiss sculptor who had moved to London, and changed his name to Webber before marrying a Mrs Mary Quant in 1744.
Webber served as official artist on James Cooks third voyage of discovery around the Pacific (1776–80) aboard HMS Resolution. At Adventure Bay in January 1777 he did drawings of A Man of Van Diemens Land and A Woman of Van Diemens Land. He also did many drawings of scenes in New Zealand and the South Sea islands. On this voyage, during which Cook lost his life in a fight in Hawaii, Webber became the first European artist to make contact with Hawaii, then called the Sandwich Islands. He made numerous watercolor landscapes of the islands of Kauai and Hawaii, and also portrayed many of the Hawaiian people.
In April 1778, Captain Cooks ships Resolution and Discovery anchored at Ship Cove, now known as Nootka Sound, Vancouver Island, Canada to refit. The crew took observations and recorded encounters with the local people. Webber made watercolour landscapes including Resolution and Discovery in Ship Cove, 1778. His drawings and paintings were engraved for British Admiraltys account of the expedition, which was published in 1784.
Back in England in 1780 Webber exhibited around 50 works at Royal Academy exhibitions between 1784 and 1792, and was elected an associate of the Royal Academy in 1785 and R.A. in 1791. Most of his work were landscapes. Sometimes figures were included as in A Party from H.M.S. Resolution shooting sea horses, which was shown at the academy in 1784, and his The Death of Captain Cook became well known through an engraving of it. Another version of this picture is in the William Dixson gallery at Sydney

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Interieur D Un Morais D Atooi (Interior of a Morais in Atooi)
• Size: 16in x 10in (405mm x 260mm)
• Ref #:  21478
• Date : 1785
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print of statues inside of a Hawaiian Heiau - temple - on the Island of Kauai (Atooi) Hawaii, visited by Captain Cook in 1778, during his 3rd & last Voyage of Discovery, was engraved by Robert Benard - after John Webber - and was published in the 1785 French edition of Capt. James Cook & Capt. James King publication A Voyage to the Pacific Ocean. Undertaken, by the Command of his Majesty, for making Discoveries in the Northern Hemisphere. To determine The Position and Extent of the West Side of North America; its Distance from Asia; and the Practicability of a Northern Passage to Europe. Performed under the direction of Captains Cook, Clerke, and Gore, In His Majestys Ships the Resolution and Discovery. In the Years 1776, 1777, 1778, 1779, and 1780. In Three Volumes. Vol. I and II written by James Cook, F.R.S. Vol. III by Captain James King, LL.D. and F.R.S. Paris, 1785.

Captain Cook arrived at Atooi (Kauai) on 19th January 1778 and stayed until 23rd January 1778.
On the 21st January, Cook accompanied by John Webber, proceeded inland from their beach side anchorage to Waimea, on the south coast of Kauai. Their intention was to examine elevated objects visible from the ship. It proved to be a morai, or temple similar to ones they had seen in Tahiti and other South Pacific islands. This structure was nearly 20-feet high and covered in a thin, light-grey cloth, which likely had ceremonial significance. The temple rested on a platform and consisted of thousands of rough-edged lava rock piled in a tight, mortarless fashion. In the center is the spindly-legged oracle tower, where the priest (kahuna) might seek counsel or pray. Carved figures with tapa and leaf offerings are seen outside thatched huts topped with pili, the tall grass that grew throughout the lowlands. In his journal, Cook took particular note of several stone objects he had observed:
...........about the middle of the Morai, there were three of these places in line. We were told three chiefs had been buried there, and before them was another that was oblong. This they called Tanga (taboo or kapu in Hawaiian) and gave us clearly to understand that three human sacrifices had been buried there, that is, one at the burial of each chief. Cooks Journals - January 21, 1778

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 16in x 10in (405mm x 260mm)
Plate size: - 11in x 9 1/2in (280mm x 245mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling
Plate area: - None
Verso: - Light soiling

Background: 
Kauai is geologically the oldest of the main Hawaiian Islands.
In 1778, Captain James Cook arrived at Waimea Bay, the first European known to have reached the Hawaiian islands. He named the archipelago after his patron the 6th Earl of Sandwich, George Montagu

Hawaii is the 50th and most recent state to have joined the United States of America, having received statehood on August 21, 1959. Hawaii is the only U.S. state located in Oceania and the only one composed entirely of islands. It is the northernmost island group in Polynesia, occupying most of an archipelago in the central Pacific Ocean. Hawaii is the only U.S. state located outside North America.
It is possible that Spanish explorers arrived in the Hawaiian Islands in the 16th century—200 years before Captain James Cook\\\'s first documented visit in 1778. Ruy López de Villalobos commanded a fleet of six ships that left Acapulco in 1542 bound for the Philippines with a Spanish sailor named Juan Gaetano aboard as pilot. Depending on the interpretation, Gaetanos reports describe an encounter with either Hawaii or the Marshall Islands. If de Villalobos crew spotted Hawaii, Gaetano would be considered the first European to see the islands. Some scholars have dismissed these claims due to a lack of credibility.
Spanish archives contain a chart that depicts islands at the same latitude as Hawaii but with a longitude ten degrees east of the islands. In this manuscript, the island of Maui is named La Desgraciada (The Unfortunate Island), and what appears to be Hawaii Island is named La Mesa (The Table). Islands resembling Kahoolawe, Lanai, and Molokai are named Los Monjes (The Monks). For two-and-a-half centuries, Spanish galleons crossed the Pacific from Mexico along a route that passed south of Hawaii on their way to Manila. The exact route was kept secret to protect the Spanish trade monopoly against competing powers.
The 1778 arrival of British explorer James Cook was the first documented contact by a European explorer with Hawaii. Cook named the archipelago as the Sandwich Islands in honor of his sponsor John Montagu, 4th Earl of Sandwich. Cook published the islands location and rendered the native name as Owyhee. This spelling lives on in Owyhee County, Idaho. It was named after three native Hawaiian members of a trapping party who went missing in that area. The Owyhee Mountains were also named for them
Cook visited the Hawaiian Islands twice. As he prepared for departure after his second visit in 1779, a quarrel ensued as Cook took temple idols and fencing as firewood and a minor chief and his men took a ship\\\'s boat. Cook abducted the King of Hawaii Island, Kalani ōpu u, and held him for ransom aboard his ship in order to gain return of Cook\\\'s boat. This tactic had worked in Tahiti and other islands. Instead, Kalani ōpu u s supporters fought back, killing Cook and four marines as Cooks party retreated along the beach to their ship. They departed without the ships boat.

Captain James King FRS 1750 – 1784 was an officer of the Royal Navy. He served under James Cook on his last voyage around the world, specialising in taking important astronomical readings using a sextant. After Cook died he helped lead the ships on the remainder of their course, also completing Cooks account of the voyage. He continued his career in the Navy, reaching the rank of post-captain, commanding several ships and serving in the American War of Independence.
King joined HMS Resolution as second lieutenant, sharing the duties of astronomer with Cook, taking astronomical observations on board by sextant and with Larcum Kendals timekeeper K1, to establish the Resolutions position at sea and on shore by sextant or by astronomical quadrant to establish the geographical position of salient points during the course of Cooks surveys. Thus Kings geographical positions were an important contribution to the accuracy of the various surveys carried out during the voyage and his use of the early chronometers helped prove their use at sea for calculation of Longitude. .
Following the death of Cook, King remained in the Resolution but on the death of Charles Clerke, Cooks successor, King was appointed to command HMS Discovery, the Resolutions consort, remaining in her for the rest of the voyage. After his return to England King was very much involved in the publication of the official account of Cooks third voyage, writing the third volume at Woodstock, near Oxford, where his brother Thomas was rector of St Mary Magdalene. But shortly after his return King was promoted Post-captain and appointed commander of HMS Crocodile in the English Channel.

John Webber RA 1751 – 1793 was an English artist who accompanied Captain Cook on his third Pacific expedition. He is best known for his images of Australasia, Hawaii and Alaska.
Webber was born in London, educated in Bern and studied painting at Paris.His father was Abraham Wäber, a Swiss sculptor who had moved to London, and changed his name to Webber before marrying a Mrs Mary Quant in 1744.
Webber served as official artist on James Cooks third voyage of discovery around the Pacific (1776–80) aboard HMS Resolution. At Adventure Bay in January 1777 he did drawings of A Man of Van Diemens Land and A Woman of Van Diemens Land. He also did many drawings of scenes in New Zealand and the South Sea islands. On this voyage, during which Cook lost his life in a fight in Hawaii, Webber became the first European artist to make contact with Hawaii, then called the Sandwich Islands. He made numerous watercolor landscapes of the islands of Kauai and Hawaii, and also portrayed many of the Hawaiian people.
In April 1778, Captain Cooks ships Resolution and Discovery anchored at Ship Cove, now known as Nootka Sound, Vancouver Island, Canada to refit. The crew took observations and recorded encounters with the local people. Webber made watercolour landscapes including Resolution and Discovery in Ship Cove, 1778. His drawings and paintings were engraved for British Admiraltys account of the expedition, which was published in 1784.
Back in England in 1780 Webber exhibited around 50 works at Royal Academy exhibitions between 1784 and 1792, and was elected an associate of the Royal Academy in 1785 and R.A. in 1791. Most of his work were landscapes. Sometimes figures were included as in A Party from H.M.S. Resolution shooting sea horses, which was shown at the academy in 1784, and his The Death of Captain Cook became well known through an engraving of it. Another version of this picture is in the William Dixson gallery at Sydney

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Debarquement A Erramanga, Lune Des Nouvelles Hebrides (Landing at Erramanga, of the new Hebrides)
• Size: 19in x 10in (485mm x 255mm)
• Ref #:  31828
• Date : 1778
• Condition: (A) Very Good Condition

Description:
This large original copper-plate engraved antique print of crew and Marines of HMS Resolution landing on the Island of Erromango - with Resolution in the background - an island in the Vanuatu (New Hebrides) group of Islands, visited by Captain James Cook in 1774, during his 2nd Voyage of Discovery to the South Seas, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778.

(August 1774)............on 2nd they looked for an anchorage down the west coast, the next day down the east coast, finally anchoring on 4th. Cook went with two boats to view the coast and to look for a proper landing place, wood and Water. At \"a Sandy Beach, where I could step out of the boat without weting a foot [he] landed in the face of a great Multitude with nothing but a green branch in my hand... I was received very courteously... in short I was charmed with thier behavour\". Soon, however, he had to give orders to fire as they now began to Shoot their Arrows and throw darts and Stones at us, the first discharge threw them into confusion but a nother discharge was hardly sufficient to drive them of the beach and after all they continued to throw Stones from behind the trees and bushes.............

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 19in x 10in (485mm x 255mm)
Plate size: - 19in x 9 1/2in (485mm x 245mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - Folds as issued, creasing along folds
Verso: - None

Background: 
Erromango is the fourth largest island in the Vanuatu archipelago. With a land area of 891.9 square kilometres it is the largest island in Tafea Province, the southernmost of Vanuatu\'s six administrative regions.
James Cook was the first European to land on Erromango, landing near present-day Potnarvin in the north-east on 4 August 1774. Cook and his landing party were set upon by a group of local men, and in the scuffle that followed, several of Cook\'s men were injured and a number of Erromangans killed. Following this incident, Cook gave the name Traitor\'s head to the peninsula adjacent to Potnarvin

Vanuatu is a Pacific island nation located in the South Pacific Ocean. The archipelago, which is of volcanic origin, is 1,750 kilometres east of northern Australia, 540 kilometres northeast of New Caledonia, east of New Guinea, southeast of the Solomon Islands, and west of Fiji.
The Vanuatu group of islands first had contact with Europeans in 1606, when the Portuguese explorer Pedro Fernandes de Queirós, sailing for the Spanish Crown, arrived on the largest island and called the group of islands La Austrialia del Espiritu Santo or The Southern Land of the Holy Spirit, believing he had arrived in Terra Australis or Australia. The Spanish established a short-lived settlement at Big Bay on the north side of the island. The name Espiritu Santo remains to this day.
Europeans did not return until 1768, when Louis Antoine de Bougainville rediscovered the islands on 22 May, naming them the Great Cyclades. In 1774, Captain Cook named the islands the New Hebrides, a name that would last until independence in 1980.

William Hodges RA 1744 – 1797 was an English painter. He was a member of James Cooks second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.
Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expeditions artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cooks journals from the voyage.
Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.
Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition..

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Vue de Lanse Fermee de l entree Du Prince Guillaume (Entrance & view of the Prince William)
• Size: 14 1/2in x 10in (370mm x 255mm)
• Ref #:  31839
• Date : 1785
• Condition: (A) Very Good Condition

Description:
This fine original copper-plate engraved antique print of Captain Cooks ships HMS Resolution and Discovery anchored in Snug Corner Cove, Prince William Sound, Alaska, visited by Captain Cook in 1778, during his 3rd & last Voyage of Discovery, was engraved by Robert Benard - after John Webber - and was published in the 1785 French edition of Capt. James Cook & Capt. James King publication A Voyage to the Pacific Ocean. Undertaken, by the Command of his Majesty, for making Discoveries in the Northern Hemisphere. To determine The Position and Extent of the West Side of North America; its Distance from Asia; and the Practicability of a Northern Passage to Europe. Performed under the direction of Captains Cook, Clerke, and Gore, In His Majestys Ships the Resolution and Discovery. In the Years 1776, 1777, 1778, 1779, and 1780. In Three Volumes. Vol. I and II written by James Cook, F.R.S. Vol. III by Captain James King, LL.D. and F.R.S. Paris, 1785.

May 1778.........On the 12th at nine in the morning, wrote Ledyard, we entered an inlet… at six in the evening perceiving bad weather approaching… both ships anchored… The pinnace of the Resolution with the first lieutenant, some other gentlemen and myself went to the opposite shore to shoot some wild fowl. The first lieutenant was John Gore. The inlet was named Sandwich Sound by Cook, after the Earl of Sandwich, First Lord of the Admiralty, but in the published version of his journal the name appeared as Prince Williams Sound, after George IIIs third son, Duke of Clarence, later William IV. The ships had anchored off Cape Hinchinbrook, named after the country seat of the Earl of Sandwich.
Some local inhabitants appeared and came aboard the ships. Clerke gave them a Glass Bowl, with which they seem\'d much delighted, and toss\'d me, in spight of all my motions to the contrary, one of their Frocks, which was made of Water fowl Skins, and exceedingly well calculated, to keep out both Wet & Cold; then, both Boats put off and made for the Shore, paddling & singing with all the Jollity imaginable. We either found these good folks on of their Jubilee Days, or they are a very happy Race.
They sailed on until Cook found a fine bay or rather harbour which he later called a very snug place and named Snug Corner Bay. Samwell on 14th wrote we secured the Ship with the small Anchor; in carrying this out in the Launch one of the Sailors was so unfortunate as to get his Leg entangled in the Buoy rope which carried him down with the Anchor, however he disengaged himself when he got to the bottom & came up again & saved his Life tho\' he had his Leg broke in a very dangerous Manner.
We heeled the ship to port wrote Gilbert, to examine the leak on the starboard buttock… it being close below the wale and occasioned by some of the seems being very open and the oakum quite rotten and great part of it got out. In two days we repaired this defect being obliged to put two and half inch rope along the seams which were too wide for caulking.
On 18th King noted two boats, one with Mr Gore & the other with the Master, were sent away, the first to explore the Inlet to the Noward: the other to the N end of the Island near us to make observations on the tides. William Bligh was master on the Resolution. They returned by Dusk, Mr Gore had proceeded up the Inlet & perceivd that it took a direction to the NE, & he thought that it bid fair for opening a communication to some other Sea; but the mate that was with him form\'d a very contrary opinion… the Captn judg\'d it the Wisest way to lose no more time, being certain that if we were amongst Islands, we shoud soon come to more Passages. Henry Roberts was the masters mate referred to here. Cook had sent him and others to sketch out the parts they examined

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 14 1/2in x 10in (370mm x 255mm)
Plate size: - 14in x 10in (365mm x 255mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - L&R margins cropped close to borders
Plate area: - None
Verso: - Light soiling

Background: 
Prince William Sound is located on the south coast of the U.S. state of Alaska. It is located on the east side of the Kenai Peninsula, its largest port is Valdez, at the southern terminus of the Trans-Alaska Pipeline System. Other settlements on the sound contain numerous small islands, including Cordova and Whittier plus the Alaska native villages of Chenega and Tatitlek.
James Cook entered Prince William Sound in 1778 and named it Sandwich Sound, after his patron the Earl of Sandwich. The name was changed to honour King George III third son, Prince William Henry, then aged 13 and serving as a midshipman in the Royal Navy.

Captain James King FRS 1750 – 1784 was an officer of the Royal Navy. He served under James Cook on his last voyage around the world, specialising in taking important astronomical readings using a sextant. After Cook died he helped lead the ships on the remainder of their course, also completing Cooks account of the voyage. He continued his career in the Navy, reaching the rank of post-captain, commanding several ships and serving in the American War of Independence.
King joined HMS Resolution as second lieutenant, sharing the duties of astronomer with Cook, taking astronomical observations on board by sextant and with Larcum Kendals timekeeper K1, to establish the Resolutions position at sea and on shore by sextant or by astronomical quadrant to establish the geographical position of salient points during the course of Cooks surveys. Thus Kings geographical positions were an important contribution to the accuracy of the various surveys carried out during the voyage and his use of the early chronometers helped prove their use at sea for calculation of Longitude. .
Following the death of Cook, King remained in the Resolution but on the death of Charles Clerke, Cooks successor, King was appointed to command HMS Discovery, the Resolutions consort, remaining in her for the rest of the voyage. After his return to England King was very much involved in the publication of the official account of Cooks third voyage, writing the third volume at Woodstock, near Oxford, where his brother Thomas was rector of St Mary Magdalene. But shortly after his return King was promoted Post-captain and appointed commander of HMS Crocodile in the English Channel.

John Webber RA 1751 – 1793 was an English artist who accompanied Captain Cook on his third Pacific expedition. He is best known for his images of Australasia, Hawaii and Alaska.
Webber was born in London, educated in Bern and studied painting at Paris.His father was Abraham Wäber, a Swiss sculptor who had moved to London, and changed his name to Webber before marrying a Mrs Mary Quant in 1744.
Webber served as official artist on James Cooks third voyage of discovery around the Pacific (1776–80) aboard HMS Resolution. At Adventure Bay in January 1777 he did drawings of A Man of Van Diemens Land and A Woman of Van Diemens Land. He also did many drawings of scenes in New Zealand and the South Sea islands. On this voyage, during which Cook lost his life in a fight in Hawaii, Webber became the first European artist to make contact with Hawaii, then called the Sandwich Islands. He made numerous watercolor landscapes of the islands of Kauai and Hawaii, and also portrayed many of the Hawaiian people.
In April 1778, Captain Cooks ships Resolution and Discovery anchored at Ship Cove, now known as Nootka Sound, Vancouver Island, Canada to refit. The crew took observations and recorded encounters with the local people. Webber made watercolour landscapes including Resolution and Discovery in Ship Cove, 1778. His drawings and paintings were engraved for British Admiraltys account of the expedition, which was published in 1784.
Back in England in 1780 Webber exhibited around 50 works at Royal Academy exhibitions between 1784 and 1792, and was elected an associate of the Royal Academy in 1785 and R.A. in 1791. Most of his work were landscapes. Sometimes figures were included as in A Party from H.M.S. Resolution shooting sea horses, which was shown at the academy in 1784, and his The Death of Captain Cook became well known through an engraving of it. Another version of this picture is in the William Dixson gallery at Sydney

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Le Capitaine Wallis est attaque dans L Dauphin par les Otahitiens (Captain Wallis attacked in The Dolphin by the Tahitians)
• Size: 14in x 10in (365mm x 255mm)
• Ref #:  25928
• Date : 1774
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print of Captain Samuel Wallis in his ship the HMS Dolphin being attacked by the Tahitians in Matavai Bay - with one tree hill to the right - in 1767 was engraved by Robert Benard and was published in the 1774 French edition of John Hawkesworths An Account of the Voyages Undertaken by the Order of His Present Majesty for Making Discoveries in the Southern Hemisphere and Successively Performed by Commodore Byron, Captain Wallis, Captain Carteret, and Captain Cook, in the Dolphin, the Swallow, and the Endeavor, Drawn Up from the Journals Which Were Kept by the Several Commanders, and from the Papers of Joseph Banks, Esq. Paris 1774

From the log of Samuel Wallis, Captain of The Dolphin 1767.......
At two in the morning, it being very clear, we made sail again; at day-break we saw the land, at about five leagues distance, and steered directly for it; but at eight o’clock, when we were close under it, the fog obliged us again to lie to, and when it cleared away, we were much surprised to find ourselves surrounded by some hundreds of canoes…. When they came within pistol shot of the ship, they lay by, gazing at us with great astonishment, and by turns conferring with each other. In the mean time we showed them trinkets of various kinds, and invited them on board. Soon after, they drew together, and held a kind of council, to determine what should be done: then they all paddled around the ship, making signs of friendship, and one of them holding up a branch of the plantain tree, made a speech that lasted near a quarter of an hour, and then threw it into the sea. Soon after, as we continued to make signs of invitation, a fine, stout, lively young man ventured on board: he came up by the mizzen chains, and jumped out of the shrouds on top of the awning. We made signs to him to come down upon the quarter-deck, and handed up some trinkets to him: he looked pleased, but would accept of nothing till some of the Indians came alongside, and after much talk, threw a few branches of plantain tree on board the ship. He then accepted our presents, and several others very soon came on board.
As we had no anchorage here, we stood along the shore, sending the boats at the same time to sound at a less distance…. About three o’clock in the afternoon, we brought to, abreast of a large bay, where there was an appearance of anchorage. The boats were immediately sent to sound it, and while they were thus employed, I observed a great number of canoes gather round them. I suspected that the Indians had a design to attack them, and as I was very desirous to prevent mischief, I made the signal for the boats to come aboard, and at the same time, to intimidate the Indians, I fired a nine-pounder over their heads. As soon as the cutter began to stand towards the ship, the Indians in their canoes, though they had been startled by the thunder of our nine-pounder, endeavoured to cut her off. The boat, however, sailing faster than the canoes could paddle, soon got clear of those that were about her; but some others, that were full of men, waylaid her in her course, and threw several stones into her, which wounded some of the people. Upon this, the officer on board fired a musquet, loaded with buck-shot, at the man who threw the first stone, and wounded him in the shoulder. The rest of the people in the canoes, as soon as they perceived their companion wounded, leapt in to the sea, and the other canoes paddled away, in great terror and confusion.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -  
Colors used: -  
General color appearance: -  
Paper size: - 14in x 10in (365mm x 255mm)
Plate size: - 14in x 10in (365mm x 255mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - Folds as issued
Verso: - None

Background: 
Samuel Wallis 1728 – 1795
was a British naval officer and explorer of the Pacific Ocean.
Wallis was born near Camelford, Cornwall. He served under John Byron, and in 1766 was promoted to captain and was given the command of HMS Dolphin (1751) as part of an expedition led by Philip Carteret in the Swallow with an assignment to circumnavigate the globe. The two ships were parted by a storm shortly after sailing through the Strait of Magellan, Wallis continuing to Tahiti, which he named King George the Thirds Island in honour of the King (June 1767). Wallis himself was ill and remained in his cabin: lieutenant Tobias Furneaux was the first to set foot, hoisting a pennant and turning a turf, taking possession in the name of His Majesty. Dolphin stayed in Matavai Bay in Tahiti for over a month. Wallis went on to name or rename five more islands in the Society Islands and six atolls in the Tuamotu Islands, as well as confirming the locations of Rongerik and Rongelap in the Marshall Islands. He renamed the Polynesian island of Uvea as Wallis after himself, before reaching Tinian in the Mariana Islands. He continued to Batavia, where many of the crew died from dysentery, then via the Cape of Good Hope to England, arriving in May 1768. He was able to pass on useful information to James Cook who was due to depart shortly for the Pacific, and some of the crew from the Dolphin sailed with Cook. In 1780 Wallis was appointed Commissioner of the Admiralty.

Tahiti previously also known as Otaheite is the largest island in the Windward group of French Polynesia. The island is located in the archipelago of the Society Islands in the central Southern Pacific Ocean.
The first European to have visited Tahiti according to existing records was lieutenant Samuel Wallis, who was circumnavigating the globe in HMS Dolphin, sighting the island on 18 June 1767, and eventually harboring in Matavai Bay. This bay was situated on the territory of the chiefdom of Pare-Arue, governed by Tu (Tu-nui-e-a a-i-te-Atua) and his regent Tutaha, and the chiefdom of Ha apape, governed by Amo and his wife Oberea (Purea). Wallis named the island King Georges Island. The first contacts were difficult, since on the 24 and 26 June 1767, Tahitian warriors in canoes showed aggression towards the British, hurling stones from their slings. In retaliation, the British sailors opened fire on the warriors in the canoes and on the hills. In reaction to this powerful counter-attack, the Tahitians laid down peace offerings for the British. Following this episode, Samuel Wallis was able to establish cordial relations with the female chieftain “Oberea “ (Purea) and remained on the island until 27 July 1767.
In July 1768, Captain James Cook was commissioned by the Royal Society and on orders from the Lords Commissioners of the Admiralty to observe the transit of Venus across the sun, a phenomenon that would be visible from Tahiti on 3 June 1769. He arrived in Tahitis Matavai Bay, commanding the HMS Endeavour on 12 April 1769. On 14 April, Cook met with Tutaha and Tepau. On 15 April, Cook picked the site for a fortified camp at Point Venus along with Banks, Parkinson, Daniel Solander, to protect Charles Greens observatory. The length of stay enabled them to undertake for the first time real ethnographic and scientific observations of the island. Assisted by the botanist Joseph Banks, and by the artist Sydney Parkinson, Cook gathered valuable information on the fauna and flora, as well as the native society, language and customs, including the proper name of the island, Otaheite. On 28 April, Cook met Purea and Tupaia, and Tupaia befriended Banks following the transit. On 21 June, Amo visited Cook, and then on 25 June, Pohuetea visited, signifying another chief seeking to ally himself with the British.
Cook and Banks circumnavigated the island from 26 June to 1 July. On the exploration, they met Ahio, chief of Ha apaiano o or Papenoo, Rita, chief of Hitia a, Pahairro, chief of Pueu, Vehiatua, chief of Tautra, Matahiapo, chief of Teahupo o, Tutea, chief of Vaira o, and Moe, chief of Afa Ahiti. In Papara, guided by Tupaia, they investigated the ruins of Mahaiatea marae, an impressive structure containing a stone pyramid or ahu, measuring 44 feet high, 267 feet long and 87 feet wide. Cook and the Endeavour departed Tahiti on 13 July 1769, taking Raiatean navigator Tupaia along for his geographic knowledge of the islands.
Cook returned to Tahiti between 15 August and 1 September 1773, greeted by the chiefs Tai and Puhi, besides the youg ari i Vehiatua II and his stepfather Ti itorea. Cook anchored in Vaitepiha Bay before returning to Point Venus where he met Tu, the paramount chief. Cook picked up two passengers from Tahiti during this trip, Porea and Mai, with Hitihiti later replacing Porea when Cook stopped at Raiatea. Cook took Hitihiti to Tahiti on 22 April, during his return leg. Then, Cook departed Tahiti on 14 May 1774.
During his final visit, Cook returned Mai to Tahiti on 12 Aug. 1777, after Mais long visit in England. Cook also brought two Maori from Queen Charlotte Sound, Te Weherua and Koa. Cook first harbored in Vaitepiha Bay, where he visited Vehiatua II s funeral bier and the prefabricated Spanish mission house. Cook also met Vehiatua III, and inscribed on the back of the Spanish cross, Georgius tertius Rex Annis 1767, 69, 73, 74 & 77, as a counterpoint to Christus Vincit Carolus III imperat 1774 on the front. On 23 Aug., Cook sailed for Matavai Bay, where he met Tu, his father Teu, his mother Tetupaia, his brothers Ari ipaea and Vaetua, and his sisters Ari ipaea-vahine, Tetua-te-ahamai, and Auo. Cook also observed a human sacrifice, taata tapu, at the Utu-ai-mahurau marae, and 49 skulls from previous victims.
On 29 Sept. 1777, Cook sailed for Papetoai Bay on Moorea. Cook met Mahine in an act of friendship on 3 Oct., though he was an enemy of Tu. When a goat kid was stolen on 6 Oct., Cook in a rampage, ordered the burning of houses and canoes until it was returned. Cook sailed for Huahine on 11 Oct., Raiatea on 2 Nov., and Borabora on 7 Dec.
On 26 October 1788, HMS Bounty, under the command of Captain William Bligh, landed in Tahiti with the mission of carrying Tahitian breadfruit trees (Tahitian: uru) to the Caribbean. Sir Joseph Banks, the botanist from James Cooks first expedition, had concluded that this plant would be ideal to feed the African slaves working in the Caribbean plantations at very little cost. The crew remained in Tahiti for about five months, the time needed to transplant the seedlings of the trees. Three weeks after leaving Tahiti, on 28 April 1789, the crew mutinied on the initiative of Fletcher Christian. The mutineers seized the ship and set the captain and most of those members of the crew who remained loyal to him adrift in a ships boat. A group of mutineers then went back to settle in Tahiti.
Although various explorers had refused to get involved in tribal conflicts, the mutineers from the Bounty offered their services as mercenaries and furnished arms to the family which became the Pōmare Dynasty. The chief Tū knew how to use their presence in the harbours favoured by sailors to his advantage. As a result of his alliance with the mutineers, he succeeded in considerably increasing his supremacy over the island of Tahiti.

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Cession de lisle D otahiti au Capitaine Wallis par la Reine Oberea (Surrender of the Island of Taahiti to Capt Wallis by Queen Obera)
• Size: 14in x 10in (365mm x 255mm)
• Ref #:  25925
• Date : 1774
• Condition: (A) Very Good Condition

Description:
This fine original copper-plate engraved antique print of Captain Samuel Wallis - the first European to visit Tahiti in 1767 - accepting surrender from Queen Purea (Oberea) of Tahiti, after the battle in Matavia Bay in 1767, was engraved by Robert Benard and was published in the 1774 French edition of John Hawkesworths An Account of the Voyages Undertaken by the Order of His Present Majesty for Making Discoveries in the Southern Hemisphere and Successively Performed by Commodore Byron, Captain Wallis, Captain Carteret, and Captain Cook, in the Dolphin, the Swallow, and the Endeavor, Drawn Up from the Journals Which Were Kept by the Several Commanders, and from the Papers of Joseph Banks, Esq. Paris 1774

From the log of Samuel Wallis, Captain of The Dolphin 1767.......
At two in the morning, it being very clear, we made sail again; at day-break we saw the land, at about five leagues distance, and steered directly for it; but at eight o’clock, when we were close under it, the fog obliged us again to lie to, and when it cleared away, we were much surprised to find ourselves surrounded by some hundreds of canoes…. When they came within pistol shot of the ship, they lay by, gazing at us with great astonishment, and by turns conferring with each other. In the mean time we showed them trinkets of various kinds, and invited them on board. Soon after, they drew together, and held a kind of council, to determine what should be done: then they all paddled around the ship, making signs of friendship, and one of them holding up a branch of the plantain tree, made a speech that lasted near a quarter of an hour, and then threw it into the sea. Soon after, as we continued to make signs of invitation, a fine, stout, lively young man ventured on board: he came up by the mizzen chains, and jumped out of the shrouds on top of the awning. We made signs to him to come down upon the quarter-deck, and handed up some trinkets to him: he looked pleased, but would accept of nothing till some of the Indians came alongside, and after much talk, threw a few branches of plantain tree on board the ship. He then accepted our presents, and several others very soon came on board.
As we had no anchorage here, we stood along the shore, sending the boats at the same time to sound at a less distance…. About three o’clock in the afternoon, we brought to, abreast of a large bay, where there was an appearance of anchorage. The boats were immediately sent to sound it, and while they were thus employed, I observed a great number of canoes gather round them. I suspected that the Indians had a design to attack them, and as I was very desirous to prevent mischief, I made the signal for the boats to come aboard, and at the same time, to intimidate the Indians, I fired a nine-pounder over their heads. As soon as the cutter began to stand towards the ship, the Indians in their canoes, though they had been startled by the thunder of our nine-pounder, endeavoured to cut her off. The boat, however, sailing faster than the canoes could paddle, soon got clear of those that were about her; but some others, that were full of men, waylaid her in her course, and threw several stones into her, which wounded some of the people. Upon this, the officer on board fired a musquet, loaded with buck-shot, at the man who threw the first stone, and wounded him in the shoulder. The rest of the people in the canoes, as soon as they perceived their companion wounded, leapt in to the sea, and the other canoes paddled away, in great terror and confusion.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -  
Colors used: -  
General color appearance: -  
Paper size: - 14in x 10in (365mm x 255mm)
Plate size: - 14in x 10in (365mm x 255mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - Folds as issued
Verso: - None

Background: 
Samuel Wallis 1728 – 1795
was a British naval officer and explorer of the Pacific Ocean.
Wallis was born near Camelford, Cornwall. He served under John Byron, and in 1766 was promoted to captain and was given the command of HMS Dolphin (1751) as part of an expedition led by Philip Carteret in the Swallow with an assignment to circumnavigate the globe. The two ships were parted by a storm shortly after sailing through the Strait of Magellan, Wallis continuing to Tahiti, which he named King George the Thirds Island in honour of the King (June 1767). Wallis himself was ill and remained in his cabin: lieutenant Tobias Furneaux was the first to set foot, hoisting a pennant and turning a turf, taking possession in the name of His Majesty. Dolphin stayed in Matavai Bay in Tahiti for over a month. Wallis went on to name or rename five more islands in the Society Islands and six atolls in the Tuamotu Islands, as well as confirming the locations of Rongerik and Rongelap in the Marshall Islands. He renamed the Polynesian island of Uvea as Wallis after himself, before reaching Tinian in the Mariana Islands. He continued to Batavia, where many of the crew died from dysentery, then via the Cape of Good Hope to England, arriving in May 1768. He was able to pass on useful information to James Cook who was due to depart shortly for the Pacific, and some of the crew from the Dolphin sailed with Cook. In 1780 Wallis was appointed Commissioner of the Admiralty.

Tahiti previously also known as Otaheite is the largest island in the Windward group of French Polynesia. The island is located in the archipelago of the Society Islands in the central Southern Pacific Ocean.
The first European to have visited Tahiti according to existing records was lieutenant Samuel Wallis, who was circumnavigating the globe in HMS Dolphin, sighting the island on 18 June 1767, and eventually harboring in Matavai Bay. This bay was situated on the territory of the chiefdom of Pare-Arue, governed by Tu (Tu-nui-e-a a-i-te-Atua) and his regent Tutaha, and the chiefdom of Ha apape, governed by Amo and his wife Oberea (Purea). Wallis named the island King Georges Island. The first contacts were difficult, since on the 24 and 26 June 1767, Tahitian warriors in canoes showed aggression towards the British, hurling stones from their slings. In retaliation, the British sailors opened fire on the warriors in the canoes and on the hills. In reaction to this powerful counter-attack, the Tahitians laid down peace offerings for the British. Following this episode, Samuel Wallis was able to establish cordial relations with the female chieftain “Oberea “ (Purea) and remained on the island until 27 July 1767.
In July 1768, Captain James Cook was commissioned by the Royal Society and on orders from the Lords Commissioners of the Admiralty to observe the transit of Venus across the sun, a phenomenon that would be visible from Tahiti on 3 June 1769. He arrived in Tahitis Matavai Bay, commanding the HMS Endeavour on 12 April 1769. On 14 April, Cook met with Tutaha and Tepau. On 15 April, Cook picked the site for a fortified camp at Point Venus along with Banks, Parkinson, Daniel Solander, to protect Charles Greens observatory. The length of stay enabled them to undertake for the first time real ethnographic and scientific observations of the island. Assisted by the botanist Joseph Banks, and by the artist Sydney Parkinson, Cook gathered valuable information on the fauna and flora, as well as the native society, language and customs, including the proper name of the island, Otaheite. On 28 April, Cook met Purea and Tupaia, and Tupaia befriended Banks following the transit. On 21 June, Amo visited Cook, and then on 25 June, Pohuetea visited, signifying another chief seeking to ally himself with the British.
Cook and Banks circumnavigated the island from 26 June to 1 July. On the exploration, they met Ahio, chief of Ha apaiano o or Papenoo, Rita, chief of Hitia a, Pahairro, chief of Pueu, Vehiatua, chief of Tautra, Matahiapo, chief of Teahupo o, Tutea, chief of Vaira o, and Moe, chief of Afa Ahiti. In Papara, guided by Tupaia, they investigated the ruins of Mahaiatea marae, an impressive structure containing a stone pyramid or ahu, measuring 44 feet high, 267 feet long and 87 feet wide. Cook and the Endeavour departed Tahiti on 13 July 1769, taking Raiatean navigator Tupaia along for his geographic knowledge of the islands.
Cook returned to Tahiti between 15 August and 1 September 1773, greeted by the chiefs Tai and Puhi, besides the youg ari i Vehiatua II and his stepfather Ti itorea. Cook anchored in Vaitepiha Bay before returning to Point Venus where he met Tu, the paramount chief. Cook picked up two passengers from Tahiti during this trip, Porea and Mai, with Hitihiti later replacing Porea when Cook stopped at Raiatea. Cook took Hitihiti to Tahiti on 22 April, during his return leg. Then, Cook departed Tahiti on 14 May 1774.
During his final visit, Cook returned Mai to Tahiti on 12 Aug. 1777, after Mais long visit in England. Cook also brought two Maori from Queen Charlotte Sound, Te Weherua and Koa. Cook first harbored in Vaitepiha Bay, where he visited Vehiatua II s funeral bier and the prefabricated Spanish mission house. Cook also met Vehiatua III, and inscribed on the back of the Spanish cross, Georgius tertius Rex Annis 1767, 69, 73, 74 & 77, as a counterpoint to Christus Vincit Carolus III imperat 1774 on the front. On 23 Aug., Cook sailed for Matavai Bay, where he met Tu, his father Teu, his mother Tetupaia, his brothers Ari ipaea and Vaetua, and his sisters Ari ipaea-vahine, Tetua-te-ahamai, and Auo. Cook also observed a human sacrifice, taata tapu, at the Utu-ai-mahurau marae, and 49 skulls from previous victims.
On 29 Sept. 1777, Cook sailed for Papetoai Bay on Moorea. Cook met Mahine in an act of friendship on 3 Oct., though he was an enemy of Tu. When a goat kid was stolen on 6 Oct., Cook in a rampage, ordered the burning of houses and canoes until it was returned. Cook sailed for Huahine on 11 Oct., Raiatea on 2 Nov., and Borabora on 7 Dec.
On 26 October 1788, HMS Bounty, under the command of Captain William Bligh, landed in Tahiti with the mission of carrying Tahitian breadfruit trees (Tahitian: uru) to the Caribbean. Sir Joseph Banks, the botanist from James Cooks first expedition, had concluded that this plant would be ideal to feed the African slaves working in the Caribbean plantations at very little cost. The crew remained in Tahiti for about five months, the time needed to transplant the seedlings of the trees. Three weeks after leaving Tahiti, on 28 April 1789, the crew mutinied on the initiative of Fletcher Christian. The mutineers seized the ship and set the captain and most of those members of the crew who remained loyal to him adrift in a ships boat. A group of mutineers then went back to settle in Tahiti.
Although various explorers had refused to get involved in tribal conflicts, the mutineers from the Bounty offered their services as mercenaries and furnished arms to the family which became the Pōmare Dynasty. The chief Tū knew how to use their presence in the harbours favoured by sailors to his advantage. As a result of his alliance with the mutineers, he succeeded in considerably increasing his supremacy over the island of Tahiti.

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Cession de lisle D otahiti au Capitaine Wallis par la Reine Oberea (Surrender of the Island of Taahiti to Capt Wallis by Queen Obera)
• Size: 14in x 10in (365mm x 255mm)
• Ref #:  16089-1
• Date : 1774
• Condition: (A) Very Good Condition

Description:
This fine original copper-plate engraved antique print of Captain Samuel Wallis - the first European to visit Tahiti in 1767 - accepting surrender from Queen Purea (Oberea) of Tahiti, after the battle in Matavia Bay in 1767, was engraved by Robert Benard and was published in the 1774 French edition of John Hawkesworths An Account of the Voyages Undertaken by the Order of His Present Majesty for Making Discoveries in the Southern Hemisphere and Successively Performed by Commodore Byron, Captain Wallis, Captain Carteret, and Captain Cook, in the Dolphin, the Swallow, and the Endeavor, Drawn Up from the Journals Which Were Kept by the Several Commanders, and from the Papers of Joseph Banks, Esq. Paris 1774

From the log of Samuel Wallis, Captain of The Dolphin 1767.......
At two in the morning, it being very clear, we made sail again; at day-break we saw the land, at about five leagues distance, and steered directly for it; but at eight o’clock, when we were close under it, the fog obliged us again to lie to, and when it cleared away, we were much surprised to find ourselves surrounded by some hundreds of canoes…. When they came within pistol shot of the ship, they lay by, gazing at us with great astonishment, and by turns conferring with each other. In the mean time we showed them trinkets of various kinds, and invited them on board. Soon after, they drew together, and held a kind of council, to determine what should be done: then they all paddled around the ship, making signs of friendship, and one of them holding up a branch of the plantain tree, made a speech that lasted near a quarter of an hour, and then threw it into the sea. Soon after, as we continued to make signs of invitation, a fine, stout, lively young man ventured on board: he came up by the mizzen chains, and jumped out of the shrouds on top of the awning. We made signs to him to come down upon the quarter-deck, and handed up some trinkets to him: he looked pleased, but would accept of nothing till some of the Indians came alongside, and after much talk, threw a few branches of plantain tree on board the ship. He then accepted our presents, and several others very soon came on board.
As we had no anchorage here, we stood along the shore, sending the boats at the same time to sound at a less distance…. About three o’clock in the afternoon, we brought to, abreast of a large bay, where there was an appearance of anchorage. The boats were immediately sent to sound it, and while they were thus employed, I observed a great number of canoes gather round them. I suspected that the Indians had a design to attack them, and as I was very desirous to prevent mischief, I made the signal for the boats to come aboard, and at the same time, to intimidate the Indians, I fired a nine-pounder over their heads. As soon as the cutter began to stand towards the ship, the Indians in their canoes, though they had been startled by the thunder of our nine-pounder, endeavoured to cut her off. The boat, however, sailing faster than the canoes could paddle, soon got clear of those that were about her; but some others, that were full of men, waylaid her in her course, and threw several stones into her, which wounded some of the people. Upon this, the officer on board fired a musquet, loaded with buck-shot, at the man who threw the first stone, and wounded him in the shoulder. The rest of the people in the canoes, as soon as they perceived their companion wounded, leapt in to the sea, and the other canoes paddled away, in great terror and confusion.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -  
Colors used: -  
General color appearance: -  
Paper size: - 14in x 10in (365mm x 255mm)
Plate size: - 14in x 10in (365mm x 255mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - Folds as issued
Verso: - None

Background: 
Samuel Wallis 1728 – 1795
was a British naval officer and explorer of the Pacific Ocean.
Wallis was born near Camelford, Cornwall. He served under John Byron, and in 1766 was promoted to captain and was given the command of HMS Dolphin (1751) as part of an expedition led by Philip Carteret in the Swallow with an assignment to circumnavigate the globe. The two ships were parted by a storm shortly after sailing through the Strait of Magellan, Wallis continuing to Tahiti, which he named King George the Thirds Island in honour of the King (June 1767). Wallis himself was ill and remained in his cabin: lieutenant Tobias Furneaux was the first to set foot, hoisting a pennant and turning a turf, taking possession in the name of His Majesty. Dolphin stayed in Matavai Bay in Tahiti for over a month. Wallis went on to name or rename five more islands in the Society Islands and six atolls in the Tuamotu Islands, as well as confirming the locations of Rongerik and Rongelap in the Marshall Islands. He renamed the Polynesian island of Uvea as Wallis after himself, before reaching Tinian in the Mariana Islands. He continued to Batavia, where many of the crew died from dysentery, then via the Cape of Good Hope to England, arriving in May 1768. He was able to pass on useful information to James Cook who was due to depart shortly for the Pacific, and some of the crew from the Dolphin sailed with Cook. In 1780 Wallis was appointed Commissioner of the Admiralty.

Tahiti previously also known as Otaheite is the largest island in the Windward group of French Polynesia. The island is located in the archipelago of the Society Islands in the central Southern Pacific Ocean.
The first European to have visited Tahiti according to existing records was lieutenant Samuel Wallis, who was circumnavigating the globe in HMS Dolphin, sighting the island on 18 June 1767, and eventually harboring in Matavai Bay. This bay was situated on the territory of the chiefdom of Pare-Arue, governed by Tu (Tu-nui-e-a a-i-te-Atua) and his regent Tutaha, and the chiefdom of Ha apape, governed by Amo and his wife Oberea (Purea). Wallis named the island King Georges Island. The first contacts were difficult, since on the 24 and 26 June 1767, Tahitian warriors in canoes showed aggression towards the British, hurling stones from their slings. In retaliation, the British sailors opened fire on the warriors in the canoes and on the hills. In reaction to this powerful counter-attack, the Tahitians laid down peace offerings for the British. Following this episode, Samuel Wallis was able to establish cordial relations with the female chieftain “Oberea “ (Purea) and remained on the island until 27 July 1767.
In July 1768, Captain James Cook was commissioned by the Royal Society and on orders from the Lords Commissioners of the Admiralty to observe the transit of Venus across the sun, a phenomenon that would be visible from Tahiti on 3 June 1769. He arrived in Tahitis Matavai Bay, commanding the HMS Endeavour on 12 April 1769. On 14 April, Cook met with Tutaha and Tepau. On 15 April, Cook picked the site for a fortified camp at Point Venus along with Banks, Parkinson, Daniel Solander, to protect Charles Greens observatory. The length of stay enabled them to undertake for the first time real ethnographic and scientific observations of the island. Assisted by the botanist Joseph Banks, and by the artist Sydney Parkinson, Cook gathered valuable information on the fauna and flora, as well as the native society, language and customs, including the proper name of the island, Otaheite. On 28 April, Cook met Purea and Tupaia, and Tupaia befriended Banks following the transit. On 21 June, Amo visited Cook, and then on 25 June, Pohuetea visited, signifying another chief seeking to ally himself with the British.
Cook and Banks circumnavigated the island from 26 June to 1 July. On the exploration, they met Ahio, chief of Ha apaiano o or Papenoo, Rita, chief of Hitia a, Pahairro, chief of Pueu, Vehiatua, chief of Tautra, Matahiapo, chief of Teahupo o, Tutea, chief of Vaira o, and Moe, chief of Afa Ahiti. In Papara, guided by Tupaia, they investigated the ruins of Mahaiatea marae, an impressive structure containing a stone pyramid or ahu, measuring 44 feet high, 267 feet long and 87 feet wide. Cook and the Endeavour departed Tahiti on 13 July 1769, taking Raiatean navigator Tupaia along for his geographic knowledge of the islands.
Cook returned to Tahiti between 15 August and 1 September 1773, greeted by the chiefs Tai and Puhi, besides the youg ari i Vehiatua II and his stepfather Ti itorea. Cook anchored in Vaitepiha Bay before returning to Point Venus where he met Tu, the paramount chief. Cook picked up two passengers from Tahiti during this trip, Porea and Mai, with Hitihiti later replacing Porea when Cook stopped at Raiatea. Cook took Hitihiti to Tahiti on 22 April, during his return leg. Then, Cook departed Tahiti on 14 May 1774.
During his final visit, Cook returned Mai to Tahiti on 12 Aug. 1777, after Mais long visit in England. Cook also brought two Maori from Queen Charlotte Sound, Te Weherua and Koa. Cook first harbored in Vaitepiha Bay, where he visited Vehiatua II s funeral bier and the prefabricated Spanish mission house. Cook also met Vehiatua III, and inscribed on the back of the Spanish cross, Georgius tertius Rex Annis 1767, 69, 73, 74 & 77, as a counterpoint to Christus Vincit Carolus III imperat 1774 on the front. On 23 Aug., Cook sailed for Matavai Bay, where he met Tu, his father Teu, his mother Tetupaia, his brothers Ari ipaea and Vaetua, and his sisters Ari ipaea-vahine, Tetua-te-ahamai, and Auo. Cook also observed a human sacrifice, taata tapu, at the Utu-ai-mahurau marae, and 49 skulls from previous victims.
On 29 Sept. 1777, Cook sailed for Papetoai Bay on Moorea. Cook met Mahine in an act of friendship on 3 Oct., though he was an enemy of Tu. When a goat kid was stolen on 6 Oct., Cook in a rampage, ordered the burning of houses and canoes until it was returned. Cook sailed for Huahine on 11 Oct., Raiatea on 2 Nov., and Borabora on 7 Dec.
On 26 October 1788, HMS Bounty, under the command of Captain William Bligh, landed in Tahiti with the mission of carrying Tahitian breadfruit trees (Tahitian: uru) to the Caribbean. Sir Joseph Banks, the botanist from James Cooks first expedition, had concluded that this plant would be ideal to feed the African slaves working in the Caribbean plantations at very little cost. The crew remained in Tahiti for about five months, the time needed to transplant the seedlings of the trees. Three weeks after leaving Tahiti, on 28 April 1789, the crew mutinied on the initiative of Fletcher Christian. The mutineers seized the ship and set the captain and most of those members of the crew who remained loyal to him adrift in a ships boat. A group of mutineers then went back to settle in Tahiti.
Although various explorers had refused to get involved in tribal conflicts, the mutineers from the Bounty offered their services as mercenaries and furnished arms to the family which became the Pōmare Dynasty. The chief Tū knew how to use their presence in the harbours favoured by sailors to his advantage. As a result of his alliance with the mutineers, he succeeded in considerably increasing his supremacy over the island of Tahiti.

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Cession de lisle D otahiti au Capitaine Wallis par la Reine Oberea (Surrender of the Island of Taahiti to Capt Wallis by Queen Obera)
• Size: 14in x 10in (365mm x 255mm)
• Ref #:  25925
• Date : 1774
• Condition: (A) Very Good Condition

Description:
This fine original copper-plate engraved antique print of Captain Samuel Wallis - the first European to visit Tahiti in 1767 - accepting surrender from Queen Purea (Oberea) of Tahiti, after the battle in Matavia Bay in 1767, was engraved by Robert Benard and was published in the 1774 French edition of John Hawkesworths An Account of the Voyages Undertaken by the Order of His Present Majesty for Making Discoveries in the Southern Hemisphere and Successively Performed by Commodore Byron, Captain Wallis, Captain Carteret, and Captain Cook, in the Dolphin, the Swallow, and the Endeavor, Drawn Up from the Journals Which Were Kept by the Several Commanders, and from the Papers of Joseph Banks, Esq. Paris 1774

From the log of Samuel Wallis, Captain of The Dolphin 1767.......
At two in the morning, it being very clear, we made sail again; at day-break we saw the land, at about five leagues distance, and steered directly for it; but at eight o’clock, when we were close under it, the fog obliged us again to lie to, and when it cleared away, we were much surprised to find ourselves surrounded by some hundreds of canoes…. When they came within pistol shot of the ship, they lay by, gazing at us with great astonishment, and by turns conferring with each other. In the mean time we showed them trinkets of various kinds, and invited them on board. Soon after, they drew together, and held a kind of council, to determine what should be done: then they all paddled around the ship, making signs of friendship, and one of them holding up a branch of the plantain tree, made a speech that lasted near a quarter of an hour, and then threw it into the sea. Soon after, as we continued to make signs of invitation, a fine, stout, lively young man ventured on board: he came up by the mizzen chains, and jumped out of the shrouds on top of the awning. We made signs to him to come down upon the quarter-deck, and handed up some trinkets to him: he looked pleased, but would accept of nothing till some of the Indians came alongside, and after much talk, threw a few branches of plantain tree on board the ship. He then accepted our presents, and several others very soon came on board.
As we had no anchorage here, we stood along the shore, sending the boats at the same time to sound at a less distance…. About three o’clock in the afternoon, we brought to, abreast of a large bay, where there was an appearance of anchorage. The boats were immediately sent to sound it, and while they were thus employed, I observed a great number of canoes gather round them. I suspected that the Indians had a design to attack them, and as I was very desirous to prevent mischief, I made the signal for the boats to come aboard, and at the same time, to intimidate the Indians, I fired a nine-pounder over their heads. As soon as the cutter began to stand towards the ship, the Indians in their canoes, though they had been startled by the thunder of our nine-pounder, endeavoured to cut her off. The boat, however, sailing faster than the canoes could paddle, soon got clear of those that were about her; but some others, that were full of men, waylaid her in her course, and threw several stones into her, which wounded some of the people. Upon this, the officer on board fired a musquet, loaded with buck-shot, at the man who threw the first stone, and wounded him in the shoulder. The rest of the people in the canoes, as soon as they perceived their companion wounded, leapt in to the sea, and the other canoes paddled away, in great terror and confusion.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -  
Colors used: -  
General color appearance: -  
Paper size: - 14in x 10in (365mm x 255mm)
Plate size: - 14in x 10in (365mm x 255mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - Folds as issued
Verso: - None

Background: 
Samuel Wallis 1728 – 1795
was a British naval officer and explorer of the Pacific Ocean.
Wallis was born near Camelford, Cornwall. He served under John Byron, and in 1766 was promoted to captain and was given the command of HMS Dolphin (1751) as part of an expedition led by Philip Carteret in the Swallow with an assignment to circumnavigate the globe. The two ships were parted by a storm shortly after sailing through the Strait of Magellan, Wallis continuing to Tahiti, which he named King George the Thirds Island in honour of the King (June 1767). Wallis himself was ill and remained in his cabin: lieutenant Tobias Furneaux was the first to set foot, hoisting a pennant and turning a turf, taking possession in the name of His Majesty. Dolphin stayed in Matavai Bay in Tahiti for over a month. Wallis went on to name or rename five more islands in the Society Islands and six atolls in the Tuamotu Islands, as well as confirming the locations of Rongerik and Rongelap in the Marshall Islands. He renamed the Polynesian island of Uvea as Wallis after himself, before reaching Tinian in the Mariana Islands. He continued to Batavia, where many of the crew died from dysentery, then via the Cape of Good Hope to England, arriving in May 1768. He was able to pass on useful information to James Cook who was due to depart shortly for the Pacific, and some of the crew from the Dolphin sailed with Cook. In 1780 Wallis was appointed Commissioner of the Admiralty.

Tahiti previously also known as Otaheite is the largest island in the Windward group of French Polynesia. The island is located in the archipelago of the Society Islands in the central Southern Pacific Ocean.
The first European to have visited Tahiti according to existing records was lieutenant Samuel Wallis, who was circumnavigating the globe in HMS Dolphin, sighting the island on 18 June 1767, and eventually harboring in Matavai Bay. This bay was situated on the territory of the chiefdom of Pare-Arue, governed by Tu (Tu-nui-e-a a-i-te-Atua) and his regent Tutaha, and the chiefdom of Ha apape, governed by Amo and his wife Oberea (Purea). Wallis named the island King Georges Island. The first contacts were difficult, since on the 24 and 26 June 1767, Tahitian warriors in canoes showed aggression towards the British, hurling stones from their slings. In retaliation, the British sailors opened fire on the warriors in the canoes and on the hills. In reaction to this powerful counter-attack, the Tahitians laid down peace offerings for the British. Following this episode, Samuel Wallis was able to establish cordial relations with the female chieftain “Oberea “ (Purea) and remained on the island until 27 July 1767.
In July 1768, Captain James Cook was commissioned by the Royal Society and on orders from the Lords Commissioners of the Admiralty to observe the transit of Venus across the sun, a phenomenon that would be visible from Tahiti on 3 June 1769. He arrived in Tahitis Matavai Bay, commanding the HMS Endeavour on 12 April 1769. On 14 April, Cook met with Tutaha and Tepau. On 15 April, Cook picked the site for a fortified camp at Point Venus along with Banks, Parkinson, Daniel Solander, to protect Charles Greens observatory. The length of stay enabled them to undertake for the first time real ethnographic and scientific observations of the island. Assisted by the botanist Joseph Banks, and by the artist Sydney Parkinson, Cook gathered valuable information on the fauna and flora, as well as the native society, language and customs, including the proper name of the island, Otaheite. On 28 April, Cook met Purea and Tupaia, and Tupaia befriended Banks following the transit. On 21 June, Amo visited Cook, and then on 25 June, Pohuetea visited, signifying another chief seeking to ally himself with the British.
Cook and Banks circumnavigated the island from 26 June to 1 July. On the exploration, they met Ahio, chief of Ha apaiano o or Papenoo, Rita, chief of Hitia a, Pahairro, chief of Pueu, Vehiatua, chief of Tautra, Matahiapo, chief of Teahupo o, Tutea, chief of Vaira o, and Moe, chief of Afa Ahiti. In Papara, guided by Tupaia, they investigated the ruins of Mahaiatea marae, an impressive structure containing a stone pyramid or ahu, measuring 44 feet high, 267 feet long and 87 feet wide. Cook and the Endeavour departed Tahiti on 13 July 1769, taking Raiatean navigator Tupaia along for his geographic knowledge of the islands.
Cook returned to Tahiti between 15 August and 1 September 1773, greeted by the chiefs Tai and Puhi, besides the youg ari i Vehiatua II and his stepfather Ti itorea. Cook anchored in Vaitepiha Bay before returning to Point Venus where he met Tu, the paramount chief. Cook picked up two passengers from Tahiti during this trip, Porea and Mai, with Hitihiti later replacing Porea when Cook stopped at Raiatea. Cook took Hitihiti to Tahiti on 22 April, during his return leg. Then, Cook departed Tahiti on 14 May 1774.
During his final visit, Cook returned Mai to Tahiti on 12 Aug. 1777, after Mais long visit in England. Cook also brought two Maori from Queen Charlotte Sound, Te Weherua and Koa. Cook first harbored in Vaitepiha Bay, where he visited Vehiatua II s funeral bier and the prefabricated Spanish mission house. Cook also met Vehiatua III, and inscribed on the back of the Spanish cross, Georgius tertius Rex Annis 1767, 69, 73, 74 & 77, as a counterpoint to Christus Vincit Carolus III imperat 1774 on the front. On 23 Aug., Cook sailed for Matavai Bay, where he met Tu, his father Teu, his mother Tetupaia, his brothers Ari ipaea and Vaetua, and his sisters Ari ipaea-vahine, Tetua-te-ahamai, and Auo. Cook also observed a human sacrifice, taata tapu, at the Utu-ai-mahurau marae, and 49 skulls from previous victims.
On 29 Sept. 1777, Cook sailed for Papetoai Bay on Moorea. Cook met Mahine in an act of friendship on 3 Oct., though he was an enemy of Tu. When a goat kid was stolen on 6 Oct., Cook in a rampage, ordered the burning of houses and canoes until it was returned. Cook sailed for Huahine on 11 Oct., Raiatea on 2 Nov., and Borabora on 7 Dec.
On 26 October 1788, HMS Bounty, under the command of Captain William Bligh, landed in Tahiti with the mission of carrying Tahitian breadfruit trees (Tahitian: uru) to the Caribbean. Sir Joseph Banks, the botanist from James Cooks first expedition, had concluded that this plant would be ideal to feed the African slaves working in the Caribbean plantations at very little cost. The crew remained in Tahiti for about five months, the time needed to transplant the seedlings of the trees. Three weeks after leaving Tahiti, on 28 April 1789, the crew mutinied on the initiative of Fletcher Christian. The mutineers seized the ship and set the captain and most of those members of the crew who remained loyal to him adrift in a ships boat. A group of mutineers then went back to settle in Tahiti.
Although various explorers had refused to get involved in tribal conflicts, the mutineers from the Bounty offered their services as mercenaries and furnished arms to the family which became the Pōmare Dynasty. The chief Tū knew how to use their presence in the harbours favoured by sailors to his advantage. As a result of his alliance with the mutineers, he succeeded in considerably increasing his supremacy over the island of Tahiti.

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Ornemens et Armes de la Nouvelle Caledonie
• Size: 14 1/2in x 9 1/2in (370mm x 240mm)
• Ref #:  21617
• Date : 1778
• Condition: (A) Very Good Condition

Description:
This large original copper-plate engraved antique print of various weapons, farming tools and ornaments from the New Caledonia Islands visited by Captain James Cook in September 1774, in HMS Resolution & Adventure, during his 2nd Voyage of Discovery to the South Seas, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778.

The items illustrated are;
1. Lanee - Lance
2. Partie ornee de la Lance sur une plus grande Echelle - Larger scale of Lance handle
3. Chapeau de plumes &c. - Hat with feathers
4. Peigne - Comb
5. Piece de Corde dont ils se servent pour jetter leurs lances - Cord used to launch a spear
6 & 7. Differentes Massues - Two different types of club
8. Pioche pour Cultiver la Terre - Wooden farming hoe
9. Hache - Axe

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 14 1/2in x 9 1/2in (370mm x 240mm)
Plate size: - 14 1/2in x 9 1/2in (370mm x 240mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
New Caledonia is a special collective of France in the southwest Pacific Ocean, 1,210 km east of Australia and 20,000 km from Metropolitan France. The archipelago, part of the Melanesia sub-region, includes the main island of Grande Terre, the Loyalty Islands, the Chesterfield Islands, the Belep archipelago, the Isle of Pines, and a few remote islets. The Chesterfield Islands are in the Coral Sea. Locals refer to Grande Terre as Le Caillou (the pebble)
British explorer Captain James Cook was the first European to sight New Caledonia, on 4 September 1774, during his second voyage. He named it New Caledonia, as the northeast of the island reminded him of Scotland. The west coast of Grande Terre was approached by Jean-François de Galaup, comte de Lapérouse in 1788, shortly before his disappearance, and the Loyalty Islands were first visited between 1793 and 1796 when Mare, Lifou, Tiga, and Ouvea were mapped by William Raven. The American whaler encountered the island named then Britania, and today known as Mar (Loyalty Is.) in November 1793. From 1796 until 1840, only a few sporadic contacts with the archipelago were recorded. About fifty American whalers (identified by Robert Langsom from their log books) have been recorded in the region (Grande Terre, Loyalty Is., Walpole and Hunter) between 1793 and 1887. Contacts became more frequent after 1840, because of the interest in sandalwood

William Hodges RA 1744 – 1797 was an English painter. He was a member of James Cooks second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.
Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expeditions artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cooks journals from the voyage.
Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.
Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition..

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Ornemens et Armes de la Nouvelle Caledonie
• Size: 15in x 10in (380mm x 255mm)
• Ref #:  16362
• Date : 1778
• Condition: (A) Very Good Condition

Description:
This large original copper-plate engraved antique print of various weapons, farming tools and ornaments from the New Caledonia Islands visited by Captain James Cook in September 1774, in HMS Resolution & Adventure, during his 2nd Voyage of Discovery to the South Seas, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778.

The items illustrated are;
1. Lanee - Lance
2. Partie ornee de la Lance sur une plus grande Echelle - Larger scale of Lance handle
3. Chapeau de plumes &c. - Hat with feathers
4. Peigne - Comb
5. Piece de Corde dont ils se servent pour jetter leurs lances - Cord used to launch a spear
6 & 7. Differentes Massues - Two different types of club
8. Pioche pour Cultiver la Terre - Wooden farming hoe
9. Hache - Axe

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Early
Colors used: - Yellow
General color appearance: - Authentic
Paper size: - 15in x 10in (380mm x 255mm)
Plate size: - 14 1/2in x 9 1/2in (370mm x 240mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Brown spotting to top of image
Plate area: - None
Verso: - None

Background: 
New Caledonia is a special collective of France in the southwest Pacific Ocean, 1,210 km east of Australia and 20,000 km from Metropolitan France. The archipelago, part of the Melanesia sub-region, includes the main island of Grande Terre, the Loyalty Islands, the Chesterfield Islands, the Belep archipelago, the Isle of Pines, and a few remote islets. The Chesterfield Islands are in the Coral Sea. Locals refer to Grande Terre as Le Caillou (the pebble)
British explorer Captain James Cook was the first European to sight New Caledonia, on 4 September 1774, during his second voyage. He named it New Caledonia, as the northeast of the island reminded him of Scotland. The west coast of Grande Terre was approached by Jean-François de Galaup, comte de Lapérouse in 1788, shortly before his disappearance, and the Loyalty Islands were first visited between 1793 and 1796 when Mare, Lifou, Tiga, and Ouvea were mapped by William Raven. The American whaler encountered the island named then Britania, and today known as Mar (Loyalty Is.) in November 1793. From 1796 until 1840, only a few sporadic contacts with the archipelago were recorded. About fifty American whalers (identified by Robert Langsom from their log books) have been recorded in the region (Grande Terre, Loyalty Is., Walpole and Hunter) between 1793 and 1887. Contacts became more frequent after 1840, because of the interest in sandalwood

William Hodges RA 1744 – 1797 was an English painter. He was a member of James Cooks second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.
Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expeditions artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cooks journals from the voyage.
Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.
Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition..

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Armes de Mallicolo et de Tanna
• Ref  :  91211
• Size: 10in x 8in (255mm x 205mm)
• Date : 1778
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print of 6 different types of arms and musical instruments, from the Islands of Malakula (Mallicolo) & Tanna in the Vanuatu group of Islands in the South Pacific, visited by Captain James Cook during his 2nd Voyage of Discovery in the South Seas in September 1774, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778

The six objects engraved are;
1. Arc - Bow
2. Pierres qui seportent dans le nes - Stone used as a support
3. Syrinx ou roseaux quiserment un instrument - Multi tune flute
4. Massue - Club with rope attachment
5. peinte d un parl - Arrow head
6. Dart enier - Spear

Cook Journal July, 1774
Arrival at The New Hebrides
On 17th Cook saw land bearing SW and later on decided this was the Australia Del Espiritu Santo of Quiros or what M. D. Bougainville calls the Great Cyclades. The island was Maewo. The next day its northern end was rounded in a gale and the ship sailed south between it and the island called by Bougainville the Isle of Lepers - Omba.
On 20th they crossed Patteson Passage with a view of geting to the South to explore the lands which lies there, and sailed down the west coast of Pentecost Isle (Raga). To the south they saw the island of Ambrin and behind it Paama and Epi. On 22nd, approaching Mallicollo (Malekula) we perceived a creek which had the appearence of a good harbour. Cook sent Lieutt [Richard] Pickersgill and the Master [Joseph Gilbert] in two Armd boats to Sound and look for Anchorage. The following day a good many [natives] came round us, some came in Canoes and others swam off\\\'... four I took into the Cabbin and made them various presents. Later, after some misunder-standing some natives began to Shoot Arrows... a Musquet discharged in the air and a four pounder over their heads sent them all off in the utmost confusion; those in the Cabbin leaped out of the Windows... About 9 o\\\'Clock we landed in the face of about 4 or 500 Men who were assembled on the Shore, armd with Bows and Arrows, clubs and Spears, but they made not the least opposission, on the contrary one Man gave his Arms to a nother and Met us in the water with a green branch in his hand, which [he] exchanged for the one I held in my hand. Just before departing Cook remarked they have not so much as a name for a Dog, consequently can have none, for which reason we left them a Dog and a Bitch.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 10in x 8in (255mm x 205mm)
Plate size: - 9 1/2in x 7 1/4in (240mm x 185mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling in margins
Plate area: - None
Verso: - None

Background: 
Malakula Island also spelled Malekula, is the second-largest island in the nation of Vanuatu, in the Pacific Ocean region of Melanesia.
Discovered by the Spanish expedition of Pedro Fernández de Quirós in 1606 and visited by Captain Cook in 1774.

Vanuatu officially the Republic of Vanuatu is a Pacific island nation located in the South Pacific Ocean. The archipelago, which is of volcanic origin, is 1,750 kilometres east of northern Australia, 540 kilometres northeast of New Caledonia, east of New Guinea, southeast of the Solomon Islands, and west of Fiji.
Vanuatu was first inhabited by Melanesian people. The first Europeans to visit the islands were a Spanish expedition led by Portuguese navigator Fernandes de Queirós, who arrived on the largest island in 1606. Since the Portuguese and Spanish monarchies had been unified under the king of Spain in 1580 (following the vacancy of the Portuguese throne, which lasted for sixty years, until 1640, when the Portuguese monarchy was restored), Queirós claimed the archipelago for Spain, as part of the colonial Spanish East Indies, and named it La Austrialia del Espiritu Santo.
The Vanuatu group of islands first had contact with Europeans in 1606, when the Portuguese explorer Pedro Fernandes de Queiros, sailing for the Spanish Crown, arrived on the largest island and called the group of islands La Austrialia del Espiritu Santo or The Southern Land of the Holy Spirit, believing he had arrived in Terra Australis or Australia. The Spanish established a short-lived settlement at Big Bay on the north side of the island. The name Espiritu Santo remains to this day.
Europeans did not return until 1768, when Louis Antoine de Bougainville rediscovered the islands on 22 May, naming them the Great Cyclades. In 1774, Captain Cook named the islands the New Hebrides, a name that would last until independence in 1980.

William Hodges RA 1744 – 1797 was an English painter. He was a member of James Cooks second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.
Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expeditions artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cooks journals from the voyage.
Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.
Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition..

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Ornemens et Armes de L isle des Marquises
• Ref  :  16364
• Size: 10in x 8in (255mm x 205mm)
• Date : 1778
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print of 5 decorative objects from the Marquesas Islands in the South Pacific, visited by Captain James Cook during his 2nd Voyage of Discovery in the South Seas in 1774, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778

The five objects engraved are;
1. Parure de Tete - Headdress of feathers, shells & fibre
2. Foentail - Woven Fan
3. Massue - Oranamental Club
4. Haussecol orne de Pois rouges - Neck dress with red seeds
5. Ornement de Tete - Headdress of woven fibre

Cook Diary (1774)
Apr. 7 Thu. Sights Hood’s Island (Fatu Huku), St. Pedro (Motare). La Dominica (Hiva Oa), St. Christina (Tahuata).
Apr 8 Fri. Sails along southern coast of Hiva Oa looking for anchorage. Anchors in Resolution (formerly Madre de Dios) Bay (Vaitahu Bay). Canoes arrive, gifts are exchanged. Natives killed after an iron stanchion is stolen.
Apr 9 Sat. Goes ashore, gifts exchanged, food obtained.
Apr 10 Sun. Goes ashore to south end of Bay and visits house of dead man. Gifts exchanged.
Apr 11 Mon. Goes ashore to south, again. Finds trade becoming expensive because of lavish gifts by his “gentlemen”.
Apr 12 Tue. Sails towards St. Dominica. No anchorage visible. Heads SW away from islands.
Apr 13 Wed. Sights last of the five main islands, Magdalena (Fatu Hiva).

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 10in x 8in (255mm x 205mm)
Plate size: - 9 1/2in x 7 1/4in (240mm x 185mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling in margins
Plate area: - None
Verso: - None

Background: 
The Marquesas Islands are a group of volcanic islands in French Polynesia, an overseas collective of France in the southern Pacific Ocean.
The first Europeans to reach the Marquesas may have been the crew of San Lesmes, a Spanish vessel which disappeared in a storm in June 1526; it was part of an expedition headed by García Jofre de Loaísa. The Spanish explorer Álvaro de Mendaña reached them seventy years later on 21 July 1595. He named them after his patron, García Hurtado de Mendoza, 5th Marquis of Cañete (Spanish: Marqués de Cañete), who served as Viceroy of Peru from 1590 to 1596. |Mendaña visited first Fatu Hiva and then Tahuata before continuing on to the Solomon Islands. His expedition charted the four southernmost Marquesas as Magdalena (Fatu Hiva), Dominica (Hiva ʻOa), San Pedro (Moho Tani), and Santa Cristina (Tahuata).
In the late 16th century European explorers estimated the population at more than 100,000. Europeans and Americans were impressed with how easy life appeared to be in the islands, which had a rich habitat and environment. In 1791 the American maritime fur trader Joseph Ingraham first visited the northern Marquesas while commanding the brig Hope. He named them the Washington Islands. In 1813 Commodore David Porter claimed Nuku Hiva for the United States, but the United States Congress never ratified that claim.
In 1842 France conducted a successful military operation on behalf of the native chief Iotete, who claimed he was king of the whole island of Tahuata. The government laid claim to the whole group and established a settlement on Nuku Hiva. That settlement was abandoned in 1857, but France re-established control over the group in 1870. It later incorporated the Marquesas into French Polynesia.

William Hodges RA 1744 – 1797 was an English painter. He was a member of James Cooks second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.
Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expeditions artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cooks journals from the voyage.
Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.
Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition..

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Ornemens et Armes de L isle des Marquises
• Ref  :  21321
• Size: 10in x 8in (255mm x 205mm)
• Date : 1778
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print of 5 decorative objects from the Marquesas Islands in the South Pacific, visited by Captain James Cook during his 2nd Voyage of Discovery in the South Seas in 1774, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778

The five objects engraved are;
1. Parure de Tete - Headdress of feathers, shells & fibre
2. Foentail - Woven Fan
3. Massue - Oranamental Club
4. Haussecol orne de Pois rouges - Neck dress with red seeds
5. Ornement de Tete - Headdress of woven fibre

Cook Diary (1774)
Apr. 7 Thu. Sights Hood’s Island (Fatu Huku), St. Pedro (Motare). La Dominica (Hiva Oa), St. Christina (Tahuata).
Apr 8 Fri. Sails along southern coast of Hiva Oa looking for anchorage. Anchors in Resolution (formerly Madre de Dios) Bay (Vaitahu Bay). Canoes arrive, gifts are exchanged. Natives killed after an iron stanchion is stolen.
Apr 9 Sat. Goes ashore, gifts exchanged, food obtained.
Apr 10 Sun. Goes ashore to south end of Bay and visits house of dead man. Gifts exchanged.
Apr 11 Mon. Goes ashore to south, again. Finds trade becoming expensive because of lavish gifts by his “gentlemen”.
Apr 12 Tue. Sails towards St. Dominica. No anchorage visible. Heads SW away from islands.
Apr 13 Wed. Sights last of the five main islands, Magdalena (Fatu Hiva).

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 10in x 8in (255mm x 205mm)
Plate size: - 9 1/2in x 7 1/4in (240mm x 185mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling in margins
Plate area: - None
Verso: - None

Background: 
The Marquesas Islands are a group of volcanic islands in French Polynesia, an overseas collective of France in the southern Pacific Ocean.
The first Europeans to reach the Marquesas may have been the crew of San Lesmes, a Spanish vessel which disappeared in a storm in June 1526; it was part of an expedition headed by García Jofre de Loaísa. The Spanish explorer Álvaro de Mendaña reached them seventy years later on 21 July 1595. He named them after his patron, García Hurtado de Mendoza, 5th Marquis of Cañete (Spanish: Marqués de Cañete), who served as Viceroy of Peru from 1590 to 1596. |Mendaña visited first Fatu Hiva and then Tahuata before continuing on to the Solomon Islands. His expedition charted the four southernmost Marquesas as Magdalena (Fatu Hiva), Dominica (Hiva ʻOa), San Pedro (Moho Tani), and Santa Cristina (Tahuata).
In the late 16th century European explorers estimated the population at more than 100,000. Europeans and Americans were impressed with how easy life appeared to be in the islands, which had a rich habitat and environment. In 1791 the American maritime fur trader Joseph Ingraham first visited the northern Marquesas while commanding the brig Hope. He named them the Washington Islands. In 1813 Commodore David Porter claimed Nuku Hiva for the United States, but the United States Congress never ratified that claim.
In 1842 France conducted a successful military operation on behalf of the native chief Iotete, who claimed he was king of the whole island of Tahuata. The government laid claim to the whole group and established a settlement on Nuku Hiva. That settlement was abandoned in 1857, but France re-established control over the group in 1870. It later incorporated the Marquesas into French Polynesia.

William Hodges RA 1744 – 1797 was an English painter. He was a member of James Cooks second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.
Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expeditions artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cooks journals from the voyage.
Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.
Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition..

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Homme du Canal de Noel Dans La Terre De Feu
• Ref  :  31813
• Size: 10in x 8in (255mm x 205mm)
• Date : 1778
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print, portrait of a Man of Christmas Sound on the S.W. Coast of Terra del Fuego Chile, visited by Captain James Cook during his 2nd Voyage of Discovery to the South Seas in December 1774, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778

Cook Journal
.......followed the coast of Tierra del Fuego (Chile) at the end of December 1774 making for Cape Horn. The coast comprised of hundreds of small islands, some of which were charted and named but many were not. The Resolution was kept at a safe distance from the shore and soon passed the Grafton Islands, Noir Island, Tower Rocks and the Gilbert Islands (named after the Master). On the 19th they passed a large inlet, which is now called Cook Bay. Cook needed provisions and to check the state of the Resolution,so he found an inlet suitable for this purpose on the 20th. They stayed there for eight days over Christmas, which earned the inlet the name Christmas Sound..........

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 10in x 8in (255mm x 205mm)
Plate size: - 9 1/2in x 7 1/4in (240mm x 185mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling in margins
Plate area: - None
Verso: - None

Background: 
Tierra del Fuego Spanish for Land of Fire is an archipelago off the southernmost tip of the South American mainland, across the Strait of Magellan. The archipelago consists of the main island, Isla Grande de Tierra del Fuego, with an area of 48,100 km2 and a group of many islands, including Cape Horn and Diego Ramírez Islands. Tierra del Fuego is divided between Chile and Argentina, with the latter controlling the eastern half of the main island and the former the western half plus the islands south of Beagle Channel.
The name Tierra del Fuego derives from the Portuguese explorer Ferdinand Magellan sailing for the Spanish Crown, in 1520 he was the first European to visit these lands. He believed he was seeing the many fires (fuego in Spanish) of the Yaghan, which were visible from the sea, and that the Indians were waiting in the forests to ambush his armada.
In 1525 Francisco de Hoces was the first to speculate that Tierra del Fuego was one or more islands rather than part of what was then called Terra Australis. Francis Drake in 1578 and a Dutch VOC expedition in 1616 learned more about the geography. The latter expedition named Cape Horn.

William Hodges RA 1744 – 1797 was an English painter. He was a member of James Cooks second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.
Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expeditions artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cooks journals from the voyage.
Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.
Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition..

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Homme du Canal de Noel Dans La Terre De Feu
• Ref  :  16354
• Size: 10in x 8in (255mm x 205mm)
• Date : 1778
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print, portrait of a Man of Christmas Sound on the S.W. Coast of Terra del Fuego Chile, visited by Captain James Cook during his 2nd Voyage of Discovery to the South Seas in December 1774, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778

Cook Journal
.......followed the coast of Tierra del Fuego (Chile) at the end of December 1774 making for Cape Horn. The coast comprised of hundreds of small islands, some of which were charted and named but many were not. The Resolution was kept at a safe distance from the shore and soon passed the Grafton Islands, Noir Island, Tower Rocks and the Gilbert Islands (named after the Master). On the 19th they passed a large inlet, which is now called Cook Bay. Cook needed provisions and to check the state of the Resolution,so he found an inlet suitable for this purpose on the 20th. They stayed there for eight days over Christmas, which earned the inlet the name Christmas Sound..........

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 10in x 8in (255mm x 205mm)
Plate size: - 9 1/2in x 7 1/4in (240mm x 185mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling in margins
Plate area: - None
Verso: - None

Background: 
Tierra del Fuego Spanish for Land of Fire is an archipelago off the southernmost tip of the South American mainland, across the Strait of Magellan. The archipelago consists of the main island, Isla Grande de Tierra del Fuego, with an area of 48,100 km2 and a group of many islands, including Cape Horn and Diego Ramírez Islands. Tierra del Fuego is divided between Chile and Argentina, with the latter controlling the eastern half of the main island and the former the western half plus the islands south of Beagle Channel.
The name Tierra del Fuego derives from the Portuguese explorer Ferdinand Magellan sailing for the Spanish Crown, in 1520 he was the first European to visit these lands. He believed he was seeing the many fires (fuego in Spanish) of the Yaghan, which were visible from the sea, and that the Indians were waiting in the forests to ambush his armada.
In 1525 Francisco de Hoces was the first to speculate that Tierra del Fuego was one or more islands rather than part of what was then called Terra Australis. Francis Drake in 1578 and a Dutch VOC expedition in 1616 learned more about the geography. The latter expedition named Cape Horn.

William Hodges RA 1744 – 1797 was an English painter. He was a member of James Cooks second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.
Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expeditions artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cooks journals from the voyage.
Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.
Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition..

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Homme de L Isle de Mallicolo
• Ref  :  31831
• Size: 10in x 8in (255mm x 205mm)
• Date : 1778
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print, portrait of a Man of the Island of Malakula (Mallicolo) in the Vanuatu group of Islands in the South Pacific, visited by Captain James Cook during his 2nd Voyage of Discovery in the South Seas in September 1774, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778

Cook Journal July, 1774
Arrival at The New Hebrides
On 17th Cook saw land bearing SW and later on decided this was the Australia Del Espiritu Santo of Quiros or what M. D. Bougainville calls the Great Cyclades. The island was Maewo. The next day its northern end was rounded in a gale and the ship sailed south between it and the island called by Bougainville the Isle of Lepers - Omba.
On 20th they crossed Patteson Passage with a view of geting to the South to explore the lands which lies there, and sailed down the west coast of Pentecost Isle (Raga). To the south they saw the island of Ambrin and behind it Paama and Epi. On 22nd, approaching Mallicollo (Malekula) we perceived a creek which had the appearence of a good harbour. Cook sent Lieutt [Richard] Pickersgill and the Master [Joseph Gilbert] in two Armd boats to Sound and look for Anchorage. The following day a good many [natives] came round us, some came in Canoes and others swam off\'... four I took into the Cabbin and made them various presents. Later, after some misunder-standing some natives began to Shoot Arrows... a Musquet discharged in the air and a four pounder over their heads sent them all off in the utmost confusion; those in the Cabbin leaped out of the Windows... About 9 o\'Clock we landed in the face of about 4 or 500 Men who were assembled on the Shore, armd with Bows and Arrows, clubs and Spears, but they made not the least opposission, on the contrary one Man gave his Arms to a nother and Met us in the water with a green branch in his hand, which [he] exchanged for the one I held in my hand. Just before departing Cook remarked they have not so much as a name for a Dog, consequently can have none, for which reason we left them a Dog and a Bitch.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 10in x 8in (255mm x 205mm)
Plate size: - 9 1/2in x 7 1/4in (240mm x 185mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling in margins
Plate area: - None
Verso: - None

Background: 
Malakula Island also spelled Malekula, is the second-largest island in the nation of Vanuatu, in the Pacific Ocean region of Melanesia.
Discovered by the Spanish expedition of Pedro Fernández de Quirós in 1606 and visited by Captain Cook in 1774.

Vanuatu officially the Republic of Vanuatu is a Pacific island nation located in the South Pacific Ocean. The archipelago, which is of volcanic origin, is 1,750 kilometres east of northern Australia, 540 kilometres northeast of New Caledonia, east of New Guinea, southeast of the Solomon Islands, and west of Fiji.
Vanuatu was first inhabited by Melanesian people. The first Europeans to visit the islands were a Spanish expedition led by Portuguese navigator Fernandes de Queirós, who arrived on the largest island in 1606. Since the Portuguese and Spanish monarchies had been unified under the king of Spain in 1580 (following the vacancy of the Portuguese throne, which lasted for sixty years, until 1640, when the Portuguese monarchy was restored), Queirós claimed the archipelago for Spain, as part of the colonial Spanish East Indies, and named it La Austrialia del Espiritu Santo.
The Vanuatu group of islands first had contact with Europeans in 1606, when the Portuguese explorer Pedro Fernandes de Queiros, sailing for the Spanish Crown, arrived on the largest island and called the group of islands La Austrialia del Espiritu Santo or The Southern Land of the Holy Spirit, believing he had arrived in Terra Australis or Australia. The Spanish established a short-lived settlement at Big Bay on the north side of the island. The name Espiritu Santo remains to this day.
Europeans did not return until 1768, when Louis Antoine de Bougainville rediscovered the islands on 22 May, naming them the Great Cyclades. In 1774, Captain Cook named the islands the New Hebrides, a name that would last until independence in 1980.

William Hodges RA 1744 – 1797 was an English painter. He was a member of James Cooks second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.
Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expeditions artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cooks journals from the voyage.
Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.
Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition..

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Homme de L Isle de Mallicolo
• Ref  :  21347
• Size: 10in x 8in (255mm x 205mm)
• Date : 1778
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print, portrait of a Man of the Island of Malakula (Mallicolo) in the Vanuatu group of Islands in the South Pacific, visited by Captain James Cook during his 2nd Voyage of Discovery in the South Seas in September 1774, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778

Cook Journal July, 1774
Arrival at The New Hebrides
On 17th Cook saw land bearing SW and later on decided this was the Australia Del Espiritu Santo of Quiros or what M. D. Bougainville calls the Great Cyclades. The island was Maewo. The next day its northern end was rounded in a gale and the ship sailed south between it and the island called by Bougainville the Isle of Lepers - Omba.
On 20th they crossed Patteson Passage with a view of geting to the South to explore the lands which lies there, and sailed down the west coast of Pentecost Isle (Raga). To the south they saw the island of Ambrin and behind it Paama and Epi. On 22nd, approaching Mallicollo (Malekula) we perceived a creek which had the appearence of a good harbour. Cook sent Lieutt [Richard] Pickersgill and the Master [Joseph Gilbert] in two Armd boats to Sound and look for Anchorage. The following day a good many [natives] came round us, some came in Canoes and others swam off\'... four I took into the Cabbin and made them various presents. Later, after some misunder-standing some natives began to Shoot Arrows... a Musquet discharged in the air and a four pounder over their heads sent them all off in the utmost confusion; those in the Cabbin leaped out of the Windows... About 9 o\'Clock we landed in the face of about 4 or 500 Men who were assembled on the Shore, armd with Bows and Arrows, clubs and Spears, but they made not the least opposission, on the contrary one Man gave his Arms to a nother and Met us in the water with a green branch in his hand, which [he] exchanged for the one I held in my hand. Just before departing Cook remarked they have not so much as a name for a Dog, consequently can have none, for which reason we left them a Dog and a Bitch.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 10in x 8in (255mm x 205mm)
Plate size: - 9 1/2in x 7 1/4in (240mm x 185mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling in margins
Plate area: - None
Verso: - None

Background: 
Malakula Island also spelled Malekula, is the second-largest island in the nation of Vanuatu, in the Pacific Ocean region of Melanesia.
Discovered by the Spanish expedition of Pedro Fernández de Quirós in 1606 and visited by Captain Cook in 1774.

Vanuatu officially the Republic of Vanuatu is a Pacific island nation located in the South Pacific Ocean. The archipelago, which is of volcanic origin, is 1,750 kilometres east of northern Australia, 540 kilometres northeast of New Caledonia, east of New Guinea, southeast of the Solomon Islands, and west of Fiji.
Vanuatu was first inhabited by Melanesian people. The first Europeans to visit the islands were a Spanish expedition led by Portuguese navigator Fernandes de Queirós, who arrived on the largest island in 1606. Since the Portuguese and Spanish monarchies had been unified under the king of Spain in 1580 (following the vacancy of the Portuguese throne, which lasted for sixty years, until 1640, when the Portuguese monarchy was restored), Queirós claimed the archipelago for Spain, as part of the colonial Spanish East Indies, and named it La Austrialia del Espiritu Santo.
The Vanuatu group of islands first had contact with Europeans in 1606, when the Portuguese explorer Pedro Fernandes de Queiros, sailing for the Spanish Crown, arrived on the largest island and called the group of islands La Austrialia del Espiritu Santo or The Southern Land of the Holy Spirit, believing he had arrived in Terra Australis or Australia. The Spanish established a short-lived settlement at Big Bay on the north side of the island. The name Espiritu Santo remains to this day.
Europeans did not return until 1768, when Louis Antoine de Bougainville rediscovered the islands on 22 May, naming them the Great Cyclades. In 1774, Captain Cook named the islands the New Hebrides, a name that would last until independence in 1980.

William Hodges RA 1744 – 1797 was an English painter. He was a member of James Cooks second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.
Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expeditions artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cooks journals from the voyage.
Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.
Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition..

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.

• Title : Homme de L Isle de Mallicolo
• Ref  :  31773
• Size: 10in x 8in (255mm x 205mm)
• Date : 1778
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print, portrait of a Man of the Island of Malakula (Mallicolo) in the Vanuatu group of Islands in the South Pacific, visited by Captain James Cook during his 2nd Voyage of Discovery in the South Seas in September 1774, was engraved by Robert Benard - after William Hodges - and was published in the 1778 French edition of Capt. James Cooks 2nd Voyage of Discovery to the South Seas A voyage towards the South Pole, and round the World. Performed in His Majestys ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775..... Paris : Hotel de Thou ......1778

Cook Journal July, 1774
Arrival at The New Hebrides
On 17th Cook saw land bearing SW and later on decided this was the Australia Del Espiritu Santo of Quiros or what M. D. Bougainville calls the Great Cyclades. The island was Maewo. The next day its northern end was rounded in a gale and the ship sailed south between it and the island called by Bougainville the Isle of Lepers - Omba.
On 20th they crossed Patteson Passage with a view of geting to the South to explore the lands which lies there, and sailed down the west coast of Pentecost Isle (Raga). To the south they saw the island of Ambrin and behind it Paama and Epi. On 22nd, approaching Mallicollo (Malekula) we perceived a creek which had the appearence of a good harbour. Cook sent Lieutt [Richard] Pickersgill and the Master [Joseph Gilbert] in two Armd boats to Sound and look for Anchorage. The following day a good many [natives] came round us, some came in Canoes and others swam off\'... four I took into the Cabbin and made them various presents. Later, after some misunder-standing some natives began to Shoot Arrows... a Musquet discharged in the air and a four pounder over their heads sent them all off in the utmost confusion; those in the Cabbin leaped out of the Windows... About 9 o\'Clock we landed in the face of about 4 or 500 Men who were assembled on the Shore, armd with Bows and Arrows, clubs and Spears, but they made not the least opposission, on the contrary one Man gave his Arms to a nother and Met us in the water with a green branch in his hand, which [he] exchanged for the one I held in my hand. Just before departing Cook remarked they have not so much as a name for a Dog, consequently can have none, for which reason we left them a Dog and a Bitch.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 10in x 8in (255mm x 205mm)
Plate size: - 9 1/2in x 7 1/4in (240mm x 185mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling in margins
Plate area: - None
Verso: - None

Background: 
Malakula Island also spelled Malekula, is the second-largest island in the nation of Vanuatu, in the Pacific Ocean region of Melanesia.
Discovered by the Spanish expedition of Pedro Fernández de Quirós in 1606 and visited by Captain Cook in 1774.

Vanuatu officially the Republic of Vanuatu is a Pacific island nation located in the South Pacific Ocean. The archipelago, which is of volcanic origin, is 1,750 kilometres east of northern Australia, 540 kilometres northeast of New Caledonia, east of New Guinea, southeast of the Solomon Islands, and west of Fiji.
Vanuatu was first inhabited by Melanesian people. The first Europeans to visit the islands were a Spanish expedition led by Portuguese navigator Fernandes de Queirós, who arrived on the largest island in 1606. Since the Portuguese and Spanish monarchies had been unified under the king of Spain in 1580 (following the vacancy of the Portuguese throne, which lasted for sixty years, until 1640, when the Portuguese monarchy was restored), Queirós claimed the archipelago for Spain, as part of the colonial Spanish East Indies, and named it La Austrialia del Espiritu Santo.
The Vanuatu group of islands first had contact with Europeans in 1606, when the Portuguese explorer Pedro Fernandes de Queiros, sailing for the Spanish Crown, arrived on the largest island and called the group of islands La Austrialia del Espiritu Santo or The Southern Land of the Holy Spirit, believing he had arrived in Terra Australis or Australia. The Spanish established a short-lived settlement at Big Bay on the north side of the island. The name Espiritu Santo remains to this day.
Europeans did not return until 1768, when Louis Antoine de Bougainville rediscovered the islands on 22 May, naming them the Great Cyclades. In 1774, Captain Cook named the islands the New Hebrides, a name that would last until independence in 1980.

William Hodges RA 1744 – 1797 was an English painter. He was a member of James Cooks second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.
Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expeditions artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cooks journals from the voyage.
Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.
Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition..

Robert Bénard 1734 – 1777 was an 18th-century French engraver.
Specialized in the technique of engraving, Robert Ménard is mainly famous for having supplied a significant amount of plates (at least 1,800) to the Encyclopédie by Diderot & d\'Alembert from 1751.
Later, publisher Charles-Joseph Panckoucke reused many of his productions to illustrate the works of his catalog.