• Title : No 13
• Ref  :  35514
• Size: 11 1/2in x 8 1/2in (290mm x 230mm)
• Date : 1773
• Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print of a tattooed New Zealand Maori Warrior - drawn by Sydney Parkinson during Captain Cooks 1st Voyage of Discovery in 1769 - was engraved by John James Barralet, after Sydney Parkinson - and was published in the 1773 1st edition of John Hawkesworth\'s An Account of the Voyages Undertaken by the Order of His Present Majesty for Making Discoveries in the Southern Hemisphere and Successively Performed by Commodore Byron, Captain Wallis, Captain Carteret, and Captain Cook, in the Dolphin, the Swallow, and the Endeavor, Drawn Up from the Journals Which Were Kept by the Several Commanders, and from the Papers of Joseph Banks, Esq. 3 vols. 1st ed. London, 1773. 

Below is an excerpt from Hawkesworth publication from Cooks journals regarding this and other Maori prints by Parkinson.
.....the bodies of both sexes are marked with black stains called Amoco, by the same method that is used at Otaheite, and called Tattowing; but the men are more marked, and the women less. . . . [T]he men, on the contrary, seem to add something every year to the ornaments of the last, so that some of them, who appeared to be of an advanced age, were almost covered from head to foot. Besides the Amoco, the have marks impressed by a method unknown to us, of a very extraordinary kind: they are furrows of about a line deep, and a line broad, such as appear on the bark of a tree which has been cut through . . . and being perfectly black, they make a most frightful appearance. . . . [W]e could not but admire the dexterity and art with which they were impressed. The marks upon the face in general are spirals, which are drawn with great nicety, and even elegance, those on one side exactly corresponding with those on the other. . . . [N]o two were, upon a close examination, found to be alike. [vol. 3, pp. 452–53]

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - 
Colors used: - 
General color appearance: - 
Paper size: - 11 1/2in x 8 1/2in (290mm x 230mm)
Plate size: - 9in x 7 1/2in (225mm x 190mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Sydney Parkinson 1745 – 71 was draughtsman to the botanist Sir Joseph Banks on James Cook’s first voyage to the Pacific in 1768. He died of dysentery in 1771, on the homeward voyage.
Parkinson was the first European artist to create drawings of Indigenous Australian, Maori & South Sea peoples, as well as landscapes, from direct observation. Hundreds of his original drawings survive in the British Museum. He is particularly remembered for his plant illustrations which were later used to create the lavish plates for Joseph Banks’ Florilegium. 
When the Endeavour returned to England in 1772, a dispute arose between Joseph Banks and Sydney’s brother, Stanfield Parkinson. As his employer, Banks claimed rights to Sydney’s drawings, papers and collections made on the voyage. Stanfield claimed that Sydney had willed them to his family. Banks lent the Parkinson family Sydney’s journal and drawings with instructions that they were not to be published, however Stanfield disregarded this and arranged for A Journal of a voyage to the South Seas to be printed from Sydney’s account of the voyage. 
Banks managed to suppress Stanfield’s publication until the official account of the voyage, edited by John Hawkesworth, appeared. In return for Parkinson’s papers, Banks paid Stanfield Parkinson 500 pounds for balance of wages due to Sydney, but the dispute did not end there. Stanfield further accused Banks of retaining items collected by Sydney which were intended for his relatives. Stanfield Parkinson was declared insane soon after the publication of Sydney Parkinson’s Journal and died in an asylum.

John Hawkesworth An English writer and journalist, Hawkesworth was commissioned by the British Admiralty to edit for publication the narratives of its officers’ circumnavigations. He was given full access to the journals of the commanders and the freedom to adapt and re-tell them in the first person. Cook was already on his way back from his second Pacific voyage, temporarily docked at Cape Town (South Africa), when he first saw the published volumes: he was mortified and furious to find that Hawkesworth claimed in the introduction that Cook had seen and blessed (with slight corrections) the resulting manuscript. (In his defense, Hawkesworth also had been a victim of misunderstanding.) Cook had trouble recognizing himself. Moreover, the work was full of errors and commentary introduced by Hawkesworth and, in Cook’s view, too full of Banks, who had promoted himself and the publication. Still, the work was popular; the first edition sold out in several months.

John James Barralet 1747 - 1815 was an Irish artist who spent the later part of his career in the United States. Of French descent, Barralet was born in Dublin, Ireland. In early life he was a drawing-master in Dublin, but he later went to London and practised water-colour painting. He exhibited three landscapes at the Royal Academy in 1770, and occasionally exhibited in succeeding years. He was employed in illustrating books on Irish Antiquities. In 1795 he emigrated to America, settling in Philadelphia, where he died in 1815. His brother, J. Melchior Barralet, was a teacher in the Royal Academy School, and occasionally, between the years 1775 and 1789, sent tinted drawings to the Academy Exhibitions