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• Title : Dutch Book of Hours Illuminated Manuscript Leaf
• Date : 1450-90
  
• Size: 3 1/2in x 3in (90mm x 75mm)
• Condition: (A+) Fine Condition
• Ref:  93357-1

Description:
This is an original, superbly hand coloured & scribed antique Illuminated Manuscript Vellum Leaf, from a 1450 - 1490 Dutch Book of Hours, is absolutely superb. (Ref Tooley M&B)

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 3 1/2in x 3in (90mm x 75mm)
Plate size: - 3 1/2in x 3in (90mm x 75mm)
Margins: -

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
The book of hours is a Christian devotional book used to pray the canonical hours. The use of a book of hours was especially popular in the Middle Ages and as a result, they are the most common type of surviving medieval illuminated manuscript. Like every manuscript, each manuscript book of hours is unique in one way or another, but most contain a similar collection of texts, prayers and psalms, often with appropriate decorations, for Christian devotion. Illumination or decoration is minimal in many examples, often restricted to decorated capital letters at the start of psalms and other prayers, but books made for wealthy patrons may be extremely lavish, with full-page miniatures. These illustrations would combine picturesque scenes of country life with sacred images. 46  Books of hours were usually written in Latin (the Latin name for them is horae), although there are many entirely or partially written in vernacular European languages, especially Dutch. The closely related primer is occasionally considered synonymous with books of hours, but their contents and purposes could deviate significantly from the simple recitation of the canonical hours. Tens of thousands of books of hours have survived to the present day, in libraries and private collections throughout the world.
The typical book of hours is an abbreviated form of the breviary, which contains the Divine Office recited in monasteries. It was developed for lay people who wished to incorporate elements of monasticism into their devotional life. Reciting the hours typically centered upon the reading of a number of psalms and other prayers.
A typical book of hours contains the Calendar of Church feasts, extracts from the Four Gospels, the Mass readings for major feasts, the Little Office of the Blessed Virgin Mary, the fifteen Psalms of Degrees, the seven Penitential Psalms, a Litany of Saints, an Office for the Dead and the Hours of the Cross.[4] Most 15th-century books of hours have these basic contents. The Marian prayers Obsecro te (I beseech thee) and O Intemerata (O undefiled one) were frequently added, as were devotions for use at Mass, and meditations on the Passion of Christ, among other optional texts. Such books of hours continue to be used by many Christians today, such as the Catholic Key of Heaven prayer books, the Agpeya of Coptic Christianity or The Brotherhood Prayer Book of Lutheranism.
The book of hours has its ultimate origin in the Psalter, which monks and nuns were required to recite. By the 12th century this had developed into the breviary, with weekly cycles of psalms, prayers, hymns, antiphons, and readings which changed with the liturgical season.[7] Eventually a selection of texts was produced in much shorter volumes and came to be called a book of hours.[8] During the latter part of the thirteenth century the Book of Hours became popular as a personal prayer book for men and women who led secular lives. It consisted of a selection of prayers, psalms, hymns and lessons based on the liturgy of the clergy. Each book was unique in its content though all included the Hours of the Virgin Mary, devotions to be made during the eight canonical hours of the day, the reasoning behind the name Book of Hours
Many books of hours were made for women. There is some evidence that they were sometimes given as a wedding present from a husband to his bride.[8] Frequently they were passed down through the family, as recorded in wills.[8] Until about the 15th century paper was rare and most books of hours consisted of parchment sheets made from animal skins.
Although the most heavily illuminated books of hours were enormously expensive, a small book with little or no illumination was affordable much more widely,[6] and increasingly so during the 15th century. The earliest surviving English example was apparently written for a laywoman living in or near Oxford in about 1240. It is smaller than a modern paperback but heavily illuminated with major initials, but no full-page miniatures. By the 15th century, there are also examples of servants owning their own Books of Hours. In a court case from 1500, a pauper woman is accused of stealing a domestic servants prayerbook.
Very rarely the books included prayers specifically composed for their owners, but more often the texts are adapted to their tastes or gender, including the inclusion of their names in prayers. Some include images depicting their owners, and some their coats of arms. These, together with the choice of saints commemorated in the calendar and suffrages, are the main clues for the identity of the first owner. Eamon Duffy explains how these books reflected the person who commissioned them. He claims that the personal character of these books was often signaled by the inclusion of prayers specially composed or adapted for their owners. Furthermore, he states that as many as half the surviving manuscript Books of Hours have annotations, marginalia or additions of some sort. Such additions might amount to no more than the insertion of some regional or personal patron saint in the standardized calendar, but they often include devotional material added by the owner. Owners could write in specific dates important to them, notes on the months where things happened that they wished to remember, and even the images found within these books would be personalized to the owners—such as localized saints and local festivities.
By at least the 15th century, the Netherlands and Paris workshops were producing books of hours for stock or distribution, rather than waiting for individual commissions. These were sometimes with spaces left for the addition of personalized elements such as local feasts or heraldry.
The style and layout for traditional books of hours became increasingly standardized around the middle of the thirteenth century. The new style can be seen in the books produced by the Oxford illuminator William de Brailes who ran a commercial workshop (he was in minor orders). His books included various aspects of the Churchs breviary and other liturgical aspects for use by the laity. He incorporated a perpetual calendar, Gospels, prayers to the Virgin Mary, the Stations of the Cross, prayers to the Holy Spirit, Penitential psalms, litanies, prayers for the dead, and suffrages to the Saints. The books goal was to help his devout patroness to structure her daily spiritual life in accordance with the eight canonical hours, Matins to Compline, observed by all devout members of the Church. The text, augmented by rubrication, gilding, miniatures, and beautiful illuminations, sought to inspire meditation on the mysteries of faith, the sacrifice made by Christ for man, and the horrors of hell, and to especially highlight devotion to the Virgin Mary whose popularity was at a zenith during the 13th century.[10] This arrangement was maintained over the years as many aristocrats commissioned the production of their own books.
By the end of the 15th century, the advent of printing made books more affordable and much of the emerging middle-class could afford to buy a printed book of hours, and new manuscripts were only commissioned by the very wealthy. The Kitab salat al-sawai (1514), widely considered the first book in Arabic printed using moveable type, is a book of hours intended for Arabic-speaking Christians and presumably commissioned by Pope Julius II.
As many books of hours are richly illuminated, they form an important record of life in the 15th and 16th centuries as well as the iconography of medieval Christianity. Some of them were also decorated with jewelled covers, portraits, and heraldic emblems. Some were bound as girdle books for easy carrying, though few of these or other medieval bindings have survived. Luxury books, like the Talbot Hours of John Talbot, 1st Earl of Shrewsbury, may include a portrait of the owner, and in this case his wife, kneeling in adoration of the Virgin and Child as a form of donor portrait. In expensive books, miniature cycles showed the Life of the Virgin or the Passion of Christ in eight scenes decorating the eight Hours of the Virgin, and the Labours of the Months and signs of the zodiac decorating the calendar. Secular scenes of calendar cycles include many of the best known images from books of hours, and played an important role in the early history of landscape painting.

From the 14th century decorated borders round the edges of at least important pages were common in heavily illuminated books, including books of hours. At the beginning of the 15th century these were still usually based on foliage designs, and painted on a plain background, but by the second half of the century coloured or patterned backgrounds with images of all sorts of objects, were used in luxury books.
Second-hand books of hours were often modified for new owners, even among royalty. After defeating Richard III, Henry VII gave Richards book of hours to his mother, who modified it to include her name. Heraldry was usually erased or over-painted by new owners. Many have handwritten annotations, personal additions and marginal notes but some new owners also commissioned new craftsmen to include more illustrations or texts. Sir Thomas Lewkenor of Trotton hired an illustrator to add details to what is now known as the Lewkenor Hours. Flyleaves of some surviving books include notes of household accounting or records of births and deaths, in the manner of later family bibles. Some owners had also collected autographs of notable visitors to their house. Books of hours were often the only book in a house, and were commonly used to teach children to read, sometimes having a page with the alphabet to assist this.
Towards the end of the 15th century, printers produced books of hours with woodcut illustrations, and the book of hours was one of the main works decorated in the related metalcut technique.
In the 14th century the book of hours overtook the psalter as the most common vehicle for lavish illumination. This partly reflected the increasing dominance of illumination both commissioned and executed by laymen rather than monastic clergy. From the late 14th century a number of bibliophile royal figures began to collect luxury illuminated manuscripts for their decorations, a fashion that spread across Europe from the Valois courts of France and the Burgundy, as well as Prague under Charles IV, Holy Roman Emperor and later Wenceslaus. A generation later, Duke Philip the Good of Burgundy was the most important collector of manuscripts, with several of his circle also collecting.[12]: 8–9  It was during this period that the Flemish cities overtook Paris as the leading force in illumination, a position they retained until the terminal decline of the illuminated manuscript in the early 16th century.
The most famous collector of all, the French prince John, Duke of Berry (1340–1416) owned several books of hours, some of which survive, including the most celebrated of all, the Très Riches Heures du Duc de Berry. This was begun around 1410 by the Limbourg brothers, although left incomplete by them, and decoration continued over several decades by other artists and owners. The same was true of the Turin-Milan Hours, which also passed through Berrys ownership.
By the mid-15th century, a much wider group of nobility and rich businesspeople were able to commission highly decorated, often small, books of hours. With the arrival of printing, the market contracted sharply, and by 1500 the finest quality books were once again being produced only for royal or very grand collectors. One of the last major illuminated book of hours was the Farnese Hours completed for the Roman Cardinal Alessandro Farnese in 1546 by Giulio Clovio, who was also the last major manuscript illuminator.

• Title : Nona Asiae Tabula
• Ref #:  92609
• Size: 22 1/4in x 16 1/2in (565mm x 420mm)
• Date : 1478
• Condition: (A+) Fine Condition

Description:
The first printed book, with maps, was published in Bologna, Italy in 1477. The maps were engraved by Taddeo Crivelli (active 1451 - 1479) after the text of the famous 1st century Alexandrian cartographer Claude Ptolemy. Only 26 editions of this atlas were printed with all remaining editions, today, in institutional hands.
In the following year 1478, the second atlas was printed, again after Ptolemy, in Rome by Konrad Sweynheym & completed by Arnold Buckink. These maps are considered far superior in detail and quality to the 1477 1st edition and are the earliest maps available to the modern day collector.

This map of what is today Pakistan, Afghanistan and parts of India, the 9th in the Asian series of Ptolems 27 maps, was published by Arnold Buckinck in Claudii Ptolemaei Alexandrini philosophi Geographiam Romae after the death of his predecessor Conrad Sweynheym.
Considering this is one of the earliest books ever published the typeface and characteristics of these maps and text are extraordinary. Of the engraved editions of Ptolemys Geographia the maps in the Rome edition are some of the finest and only beaten a 100 years later by Gerard Mercator in his 1578 edition of Geographia.
This large map is in fine condition, on strong sturdy and stable paper the printing is heavy and clear. The colour is original, clear and bright. There is some light discolouration to the paper, along with some light soiling two thirds down the center of the map with some show-through on the verso. Overall in fantastic condition and a unique addition to any collection.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 22 1/4in x 16 1/2in (565mm x 420mm)
Plate size: - 22 1/4in x 16 1/2in (565mm x 420mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling, age toning, old neutralised tape mark bottom right
Plate area: - Neutralised tape mark bottom right
Verso: - Soiling, age toning, old neutralised tape mark

Background:
The first published edition of Ptolemys Geographia with maps, engraved by Taddeo Crivelli, in Bologna, 1477. Unusually, this edition contained 26 maps, with one of the Asia maps divided up among three neighbouring sheets. With the exception of Palestine, these are the first regional maps of any of these various countries.
Unfortunately for the publishers, this atlas was not a commercial success, and today only twenty-six examples of the atlas are recorded.
One explanation of the failure, is that the publishers do not seem to have been fully mastered the intricacies and problems of engraving, and printing from, copper-plates, an art, which, after all, was very new and experimental. These problems were more successfully addressed by a German printer, Conrad Sweynheym, who was working on an edition of Ptolemy in Rome in the same period. Unfortunately, he did not live to see the volume appear, but his successor, Arnold Buckinck, saw the atlas through the press, in 1478.
The Rome Ptolemy contained 27 maps, with the same geographical coverage as the 1477 Ptolemy. Of the engraved editions of Ptolemys Cosmographia the maps in the Rome edition are the finest fifteenth century examples, and second only to Mercators maps, from his 1578 edition. One explanation for this was the use of individual punches to stamp letters onto the printing plates, rather than engraving them. This allowed much greater uniformity than lettering-engravers were able to achieve, and gives a very pleasing overall effect. The atlas proved popular, and three successive editions (to 1508) followed, although only about forty examples of the first edition are recorded today.

Ptolemy, Claudius 90 A.D.-168 A.D.
Claude Ptolemy was a celebrated astronomer, mathematician, and geographer who lived in Alexandria in the 2nd century AD. Although his thinking influenced contemporary Arab geographers, little was known of his work in the West until manuscripts from Constantinople reached Italy in about 1400. These manuscripts were written in Greek and contained the names of every city, island, mountain and river known to the many travellers interviewed by Ptolemy. In addition, the latitude and longitude of each of the resulting eight thousand locations were also recorded. They were translated into Latin by 1401 and appeared in print by 1475. The earliest Byzantine manuscript maps, drawn by analysing the Ptolemy figures, date from the twelfth century. A number of hand-drawn copies were made in Italy throughout the early fifteenth century to accompany Ptolemys text.
Ptolemy stressed the importance of accurate observations in order to calculate latitude and longitude, and laid down the principals of systematic cartography that remain to this day. Obviously there are many errors in Ptolemys maps, due to the limited extent of basic geographic information at that time and the lack of a method of determining accurate longitudes. Judged by modern standards, the basic shortcoming of the Ptolemy world map is the small area it portrays. The Mediterranean is fairly well depicted, but is greatly exaggerated in length (Longitudinally). The effect of this, combined with Ptolemys disregard for Eratosthenes extremely accurate estimate of the earths circumference (c. 200 B.C.) and the use of a Posidonius much smaller flawed estimate (c.50 B.C.) implied a much shorter distance across that part of the unknown earths surface not drawn on the map. Columbus and his contemporaries based their exploratory ventures on Ptolemys calculations and, like him, had no idea of the vast New World to the west, interposed between Europe and Asia.
Work on the first printed atlas from the text of Ptolemy was started in 1473 and finally published in 1478. A crude copy of this atlas was produced and published by some dissident workers in 1477 in order to be first. However, the plates for the 1478 were done prior to the pirated issue and thus the 1478 atlas holds the title of the first Atlas of the world. There are very few surviving examples of this atlas and individual maps.

Ptolemys Geographia The first published edition of Ptolemys Geographia with maps, engraved by Taddeo Crivelli, was issued in Bologna in 1477. Unusually, this edition contained 26 maps, with one of the Asia maps divided up among three neighbouring sheets. With the exception of Palestine, these are the first regional maps of any of these various countries.
Unfortunately for the undertakers, this atlas seems not to have been a commercial success, and today only twenty-six examples of the atlas are recorded, with all but one in institutional libraries.
One explanation of the failure is that the publishers do not seem to have been fully mastered the intricacies and problems of engraving, and printing from, copper-plates, an art, which, after all, was very new and experimental. These problems were more successfully addressed by a German printer, Conrad Sweynheym, who was working on an edition of Ptolemy in Rome in the same period. Unfortunately, he did not live to see the volume appear, but his successor, Arnold Buckinck, saw the atlas through the press, in 1478.
The Rome Ptolemy contained 27 maps, with the same geographical coverage as the 1477 Ptolemy. Of the engraved editions of Ptolemy Cosmographia the maps in the Rome edition are the finest fifteenth century examples, and second only to Mercators maps, from his 1578 edition. One explanation for this was the use of individual punches to stamp letters onto the printing plates, rather than engraving them. This allowed much greater uniformity than lettering-engravers were able to achieve, and gives a very pleasing overall effect. The atlas proved popular, and three successive editions (to 1508) followed, although only about forty examples of the first edition are recorded today.

Konrad Sweynheim & Arnold Pannartz were two printers of the 15th century.
Pannartz died about 1476, Sweynheym in 1477. Pannartz was, perhaps, a native of Prague, and Sweynheym of Eltville near Mainz. Gottfried Zedler believed (Gutenberg-Forschungen, 1901) that Sweynheym worked at Eltville with Gutenberg in 1461-1464. Whether Pannartz had been connected with Sweynheym in Germany is not known. It is certain that the two brought Gutenbergs invention to Italy.
The Benedictine abbey of Subiaco was the cradle of Italian printing. Probably Cardinal Giovanni of Turrecremata, who was Abbot in commendam of Subiaco, summoned the two printers there. They came in 1464. The first book that they printed at Subiaco was a Donatus; it has not, however, been preserved. The first book printed in Italy that is extant was a Cicero, De oratore (now in the Buchgewerbehaus at Leipzig), issued in September, 1465. It was followed by Lactantius, De divinis institutionibus, in October, 1465, and Augustines De civitate Dei (1467). These four impressions from Subiaco are of particular importance, because they abandon the Blackletter of the early German books. In Italy, Roman characters were demanded. Pannartz and Sweynheym, however, did not produce a pure but only a half Roman type with Blackletter-like characteristics.
In 1467, the two printers left Subiaco and settled at Rome, where the brothers Pietro and Francesco Massimo placed a house at their disposal. The same year, they published an edition of Ciceros letters that gave its name to the cicero, the Continental equivalent of the pica. Their proof and manuscript reader was Giovan de Bussi, since 1469 Bishop of Aleria in Corsica.
The works they printed are given in two lists of their publications, issued in 1470 and 1472. Up to 1472, they had published twenty-eight theological and classical volumes, namely, the Bible, Lactantius, Cyprian, Augustine, Jerome, Leo the Great, Thomas Aquinas, Cicero, Apuleius, Gellius, Virgil, Livy, Strabo, Pliny, Quintilian, Suetonius, Ovid, etc., in editions varying from 275 to 300 copies each, in all 12,475 volumes. But the printers shared the fate of their master, Gutenberg; they could not sell their books, and fell into want.
In 1472, they applied to Pope Sixtus IV for Church benefices. From this we know that both were ecclesiastics: Pannartz of Cologne and Sweynheym of Mainz. The pope had a reversion drawn up for them, a proof of his great interest in printing. In 1474, Sweynheym was made a canon at St. Victor at Mainz. It is not known whether Pannartz also obtained benefice. Perhaps the pope also aided them; at any rate, they printed eighteen more works in 1472 and 1473. After this they separated. Pannartz printed by himself thirteen further volumes. Sweynheym took up engraving on metal and executed the fine maps for the Cosmography of Ptolemy, the first work of this kind, but died before he had finished his task.

Please note all items auctioned are genuine, we do not sell reproductions. A Certificate of Authenticity (COA) can be issued on request.

• Title : Prima Europe Tabula
• Date : 1486
  
• Size: 20 1/2in x 15 1/2in (552mm x 397mm)
• Condition: (A+) Fine Condition
• Ref:  92669

This original hand coloured wood-block engraved very early, rare antique map of Great Britain & Ireland was published in the 1486 Ulm edition & translation of Claudius Ptolemys (87-150) text, published in the 2nd edition of Lienhart Holles & by Johann Reger  atlas Claudii Ptolomei .... Cosmographie ... Opus Donni Nicolai Germani Secvndvm Ptolomevm Finit, Ulm, Germany. (Shirley 5)

This is a unique & very rare map and only the 4th map of the British Isles printed, published only 47 years after Johannes Gutenbergs invention of the moveable type printing press in 1439.
The two edition of Lienhart Holles atlases were published in 1482 & 1486. The 1482 Ulm edition of Ptolemys Geographia was the first edition printed north of the Alps  and the first to appear in color, applied by the publisher.
The 1482 Ulm edition was one of the most important cartographic texts of the early Renaissance and the first edition of the work to be printed outside Italy. The text for this edition was based upon a manuscript translated into Latin by Jacobus Angeli and edited by Nicolaus Germanus that had been brought to Ulm from Rome in 1468. The Ulm Ptolemy was published in 1482 by Lienhart Holle, the same year as Berlingheris Florence edition. Ashley Baynton Williams notes:.........Working independently of Berlinghieri, but apparently using the same or similar models, Holle also added modern maps of Spain, France, Italy and Palestine, but also the first printed map of Scandinavia, composed by Cornelius Clavus, circa 1425-7 . Holles maps were printed from woodcuts, and are characterised by heavy wash colouring for the sea areas, typically a rich blue for the 1482 edition, and an ochre for the 1486 edition. These bright colours, and the greater sense of age that woodcuts convey, make this series the most visually appealing of the Ptolemeic maps.........
Holle went bankrupt shortly after the original publication and the work was taken over by Johann Reger, who issued a second edition in 1486.

This large map is in fine condition on strong sturdy paper, the printing impression is heavy and clear. The colour is original and beautifully applied. There has been professional restoration to the L&R bottom corners. No loss of original paper and restrengthened on the verso. The centerfold has been re-strengthened, on the verso, with some light creasing and rippling.

General Condition:
Paper thickness and quality: - Heavy and stable
Paper color: - off white
Age of map color: - Original
Colors used: - Yellow, green, red, brown.
General color appearance: - Authentic and fresh
Paper size: - 20 1/2in x 15 1/2in (552mm x 397mm)
Image size: -14 1/2in x 14 1/2in x 20 1/4in (369mm x 369mm (upper margin) 511 mm (lower margin)
Margins: - Min 1/4in (6mm)

Imperfections:
Margins: - Light discolouration & soiling.
Plate area: - Bottom L&R corners restored, no loss. Light creasing and rippling
Verso: - Re-enforced along center-fold and L&R bottom corners

Background: The first editions of Ptolemys Geographia Atlas was published in Italy in 1477 and republished in 1478 & 1482. The next atlas to be published was north of the Alps by Lienhart Holle, in Ulm, Germany in 1482. Holles maps were printed from woodcuts, and are distinct with their heavy wash colouring for the sea areas, typically a rich blue for the 1482 edition, and an ochre for the 1486 edition. These bright colours, and the greater sense of age that woodcuts convey, make this series of maps one of the most visually attractive.

Claudius Ptolemy:  (87-150) was an Egyptian astronomer and geographer living and studying in Alexandria. Alexandria was not only the home of the greatest library of any period, but was also one of the most important trade centres between west and east - here Ptolemy could not only study ancient authorities, but could also consult contemporary travellers and merchants. From this wealth of accumulated knowledge, Ptolemy composed his <i>Geographia</i>, a work of considerable genius, which dominated the whole of the Christian and Moslem world for 1,500 years (Tooley).
It was Ptolemy who introduced the concept of latitude and longitude to form a grid to cover the whole world, so that it would be possible to plot the position of principal land-marks on the map by observations, and then fill in other information from other sources, including the notes and Itinerary of Marinus of Tyre, perhaps the most accurate source available.
Unfortunately Ptolemy was hampered by the paucity of observations - as a result he exaggerated the length of the Mediterranean by over 20 degrees -and by lack of information which was often circumvented by invention. Despite these errors, which persisted for nearly 1,500 years, the work was of fundamental importance at a time when little was being done in the way of modern mapping. As a result of this work, which was so far in advance of anything before or anything produced in the next 1,500 years, Ptolemy has earned the reputation and accolade, the father of geography (Tooley).

Re-discovery of the Ptolemy Texts:  Following the fall of the Roman Empire, Ptolemys text was lost to western geographers. The earliest extant manuscript version of the Geographia is Arabic, and probably dates from the 12th Century.  Subsequently, the text was translated into Greek, and circulated through the Greek World. In about 1400 a Greek manuscript came into the hands of the Byzantine scholar, Emanuel Chrysolaras, who was working in Italy.  Chrysolaras undertook a translation of the text into Latin, and completed by his pupil Jacopo dAngelo, in 1406. The Greek manuscript that Angelo translated was apparently lacking maps, but the data in the text contained the information to construct a set of maps, and numbers of scholars set about such work.  Of them, the most influential, was Donnus Nicolaus Germanus, a German cartographer, active in Italy from the 1460s to 1480s.  He was a prolific editor of the text and maps, and his work formed the basis for three of the four sets of Ptolemaic maps printed in the fifteenth Century, with the fourth, accompanying Berlinghieris Geographia, strongly influenced by him .

The first printed versions of Ptolemys Text:  The first published edition of the Geographia with maps, which were probably engraved by Taddeo Crivelli, was issued in Bologna in 1477. Conrad Sweynheym was also working on an edition of Ptolemy in Rome in the same period.  After his death, Arnold Buckinck, saw the atlas through the press, in 1478.  Of the engraved editions of Ptolemys Cosmographia the maps in the Rome edition are the finest fifteenth century examples, and second only to Mercators maps, from his 1578 edition. The atlas proved popular, and three successive editions (to 1508) followed. In 1482, Nicolas Laurentii published a set of Ptolemaic maps to illustrate Francesco Berlinghieri Geographia.
The first edition of Ptolemys Geographia printed outside Italy was published by Lienhart Holle, in Ulm, also in 1482. Holles maps were printed from woodcuts, and are characterised by heavy wash colouring for the sea areas, typically a rich blue for the 1482 edition, and an ochre for the 1486 edition. These bright colours, and the greater sense of age that woodcuts convey, make this series the most visually appealing of these various sets of maps.

Later Editions of Ptolemy:  Next in chronological sequence, and the most unusual of the editions of Ptolemy, was that  published by Jacobus Pentius de Leucho in Venice in 1511, edited by Bernardus Sylvanus. Martin Waldseemullers edition of Ptolemy, first published in 1513, is the most important of the sixteenth century editions.  Waldseemullers edition was reprinted in 1520, and then the maps were re-drawn by Lorenz Fries on a smaller format, for editions published in 1522, 1525, 1535 and 1541. The next to produce an edition of Ptolemy was Sebastian Munster, who worked in Basle.  Munster was one of the leading geographers and cartographers of his period, and he diligently set about revising and improving the maps. Giacomo Gastaldi, one of the leading cartographers of the sixteenth century, composed a set of maps for an edition of the Geographia, published in Venice in 1548.  Of all the editions of Ptolemy, that prepared by Gerard Mercator, and published in 1578, is technically the finest, with the World map being a particularly fine engraving. This atlas is, also, noteworthy for its longevity, the original printing plates were still in use in 1730, over one hundred and fifty years after they were first engraved. (Ref: Shirley 5; Stevenson; Tooley; M&B; MapForum)

• Title : Engelland; Von Hyspania
• Date : 1493
• Size: 16 1/2in x 11in (420mm x 280mm)
• Ref #:  50653
• Condition: (B) Good Condition

Description: 
This beautifully hand coloured original antique decorative incunable* folio leaf with views a representation of England & Spain on both sides by Hartmann Schedel was published the famous Liber chronicarum or Nuremberg Chronicle, German edition 1493, the year that Columbus returned to Europe after discovering America. Page number CCLXXXIIII. One of only two views from Liber chronicarum related to the British Isles.
The woodblock cutter was Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90. Since the young Dürer was active in Wohlgemut's printer shop during the time the woodblock for the Nuremberg Chronicle have produced, he may also have collaborated, since some of the cuts bear a remarkably close resemblance to his Apocalypse illustrations.
*An incunable, or sometimes incunabulum (plural incunables or incunabula, respectively), is a book, pamphlet, or broadside (such as the Almanach cracoviense ad annum 1474) that was printed—not handwritten—before the year 1501 in Europe. "Incunable" is the anglicised singular form of "incunabula", Latin for "swaddling clothes" or "cradle",which can refer to "the earliest stages or first traces in the development of anything." A former term for "incunable" is "fifteener", referring to the 15th century.

Background: The Nuremberg Chronicle is an illustrated biblical paraphrase and world history that follows the story of human history related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German, translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books—an incunabulum—and one of the first to successfully integrate illustrations and text.
Latin scholars refer to it as Liber Chronicarum (Book of Chronicles) as this phrase appears in the index introduction of the Latin edition. English-speakers have long referred to it as the Nuremberg Chronicle after the city in which it was published. German-speakers refer to it as Die Schedelsche Weltchronik (Schedel's World History) in honour of its author.
Two Nuremberg merchants, Sebald Schreyer (1446–1503) and his son-in-law, Sebastian Kammermeister (1446–1520), commissioned the Latin version of the chronicle. They also commissioned George Alt (1450–1510), a scribe at the Nuremberg treasury, to translate the work into German. Both Latin and German editions were printed by Anton Koberger, in Nuremberg. The contracts were recorded by scribes, bound into volumes, and deposited in the Nuremberg City Archives. The first contract, from December, 1491, established the relationship between the illustrators and the patrons. Wolgemut and Pleydenwurff, the painters, were to provide the layout of the chronicle, to oversee the production of the woodcuts, and to guard the designs against piracy. The patrons agreed to advance 1000 gulden for paper, printing costs, and the distribution and sale of the book. A second contract, between the patrons and the printer, was executed in March, 1492. It stipulated conditions for acquiring the paper and managing the printing. The blocks and the archetype were to be returned to the patrons once the printing was completed.
The author of the text, Hartmann Schedel, was a medical doctor, humanist and book collector. He earned a doctorate in medicine in Padua in 1466, then settled in Nuremberg to practice medicine and collect books. According to an inventory done in 1498, Schedel's personal library contained 370 manuscripts and 670 printed books. The author used passages from the classical and medieval works in this collection to compose the text of Chronicle. He borrowed most frequently from another humanist chronicle, Supplementum Chronicarum, by Jacob Philip Foresti of Bergamo. It has been estimated that about 90% of the text is pieced together from works on humanities, science, philosophy, and theology, while about 10% of the chronicle is Schedel's original composition.
Nuremberg was one of the largest cities in the Holy Roman Empire in the 1490s, with a population of between 45,000 and 50,000. Thirty-five patrician families comprised the City Council. The Council controlled all aspects of printing and craft activities, including the size of each profession and the quality, quantity and type of goods produced. Although dominated by a conservative aristocracy, Nuremberg was a center of northern humanism. Anton Koberger, printer of the Nuremberg Chronicle, printed the first humanist book in Nuremberg in 1472. Sebald Shreyer, one of the patrons of the chronicle, commissioned paintings from classical mythology for the grand salon of his house. Hartmann Schedel, author of the chronicle, was an avid collector of both Italian Renaissance and German humanist works. Hieronymus Münzer, who assisted Schedel in writing the chronicle's chapter on geography, was among this group, as were Albrecht Dürer and Johann and Willibald Pirckheimer.
The Chronicle was first published in Latin on 12 July 1493 in the city of Nuremberg. This was quickly followed by a German translation on 23 December 1493. An estimated 1400 to 1500 Latin and 700 to 1000 German copies were published. A document from 1509 records that 539 Latin versions and 60 German versions had not been sold. Approximately 400 Latin and 300 German copies survived into the twenty-first century. The larger illustrations were also sold separately as prints, often hand-coloured in watercolour. Many copies of the book are also coloured, with varying degrees of skill; there were specialist shops for this. The colouring on some examples has been added much later, and some copies have been broken up for sale as decorative prints.
The publisher and printer was Anton Koberger, the godfather of Albrecht Dürer, who in the year of Dürer's birth in 1471 ceased goldsmithing to become a printer and publisher. He quickly became the most successful publisher in Germany, eventually owning 24 printing presses and having many offices in Germany and abroad, from Lyon to Buda. (Ref Tooley M&B)

General Description:
Paper thickness and quality: - Heavy and stable
Paper color: - White
Age of map color: - Early
Colors used: - Red, green, blue, brown
General color appearance: - Authentic
Paper size: - 16 1/2in x 11in (420mm x 280mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Soiling, restoration of left margin, not affecting the imag
Plate area: - Several small worm holes, soiling
Verso: - Soiling

• Title : Neapolis
• Ref #:  17032
• Size: 17 1/2in x 12in (450mm x 300mm)
• Date : 1493
• Condition: (A+) Fine Condition

Description:
This magnificent hand coloured original wood block engraved antique view of Naples, Italy - which is believed to be one of the earliest published views of Naples - and a pictorial representation of the The Lineage of Christ on the verso, was published in the 1493 edition of Liber Chronicarum or Nuremberg Chronicle by Hartmann Schedel.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Early
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 17 1/2in x 12in (450mm x 300mm)
Plate size: - 9in x 7 1/2in (230mm x 190mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
The Nuremberg Chronicles were published only 40 years after first moveable type publication which revolutionised the modern world.
On the verso is a depiction of part of the family tree of the Kings of Israel: included are Kings Solomon, David and the Queen of Saba (Sheba).
The woodblock engravers were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations.
The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe.
The following is a translation of the Latin Text below the Wood-Cut.

Please note all items auctioned are genuine, we do not sell reproductions. A Certificate of Authenticity (COA) can be issued on request.

• Title : Anglie Provincia
• Date : 1493
• Condition: (A+) Fine Condition
• Ref:  35012
• Size: 23 1/2in x 19 1/2in (600mm x 495mm) 

Description: 
This magnificent fine wood block engraved original antique view of Anglia - England - which is believed to be an early representation of London - the earliest known published view of an English Town or City - was published in one of the earliest publications the 1493 edition of Liber Chronicarum or Nuremberg Chronicle by Hartmann Schedel. The Nuremberg Chronicles were published only 40 years after first moveable type publication which revolutionised the modern world.

On the verso is a depiction of part of the family tree of the Kings of Israel: included are Kings Solomon, David and the Queen of Saba (Sheba).
The woodblock engravers were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations.
The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe.

The following is a translation of the Latin Text below the Wood-Cut.

Anglie Provincia
The island of England was originally called Albion after certain white mountains which were seen by those steering towards it; but was then named Britain perpetuating the name of a fierce son (Brutus) of Silvius, the last king of the Latins, who overcame the giants inhabiting the island. It was called 'Greater' (Great) Britain to distinguish it from the lesser Britain (Brittany) of France which adjoins it. Its present-day name of England is taken from a certain 'Anglus' who was a powerful king. England forms a triangle between North and West and is separated from the continent at all points, beginning near Germany in the North and extending alongside France and Spain towards the West. Solinus regarded the French shore as the limit of this world and the island of Britain almost as belonging to another. And Virgil thought of it as separated from the rest of the globe. But Brutus having decided to settle in England, immediately founded on the banks of the River Thames a city so well fortified that it recalled in all its forces the memory of ancient Troy. This Brutus is said to have had three sons; Locrinus, Albanetus and Camber and they divided the island amonst themselves. To Locrinus, the first horn, fell all of the centre of the kingdom, which later became known as Lochria after him, and his city of London is still greatly celebrated for its merchants and traders. And many say that the Kings and Princes of England and the Parliament of the people meet to this day with the merchants there. To the second son Albanetus fell another part of the island and this was called 'Albania', but nowadays Scocia (Scotland). This Scotland occupies the higher part of the island, which lies towards the North winds and is separated from England by some smallish rivers and a certain mountain range. The third son inherited Cambria, now called Thule, the districts to the North and West which were the last to be explored by the Romans and where, during the summer solstice, the sun passes only from the star of Cancer and there is thus no night; while during the winter there is no day. The greater part of the Island is fertile. It is surrounded by many other islands of some dimensions, the largest of them Hibemia (Ireland) which is divided from Britain by a narrow channel, and some smaller ones called the Orchades (Orkneys). The blessed Pope Gregory, second of this name, sent to Britain the monks Augustine of Miletus and John with other men of outstanding character and they first converted the English. Since then many of their kings have shone forth for their miracles. The dimensions of Britain are given by Pythies and Ysidore as 38,075 [square] miles, and in it are many fine rivers, besides large and varied supplies of metals. Its history is to be found best described in Bede. (Ref: Shirley; M&B; Tooley)

General Description:
Paper thickness and quality: - Heavy and stable
Paper color: - White
Age of map color: - 
Colors used: - 
General color appearance: - 
Paper size: - 18in x 12in (460mm x 305mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

• Title : Libyae Interioris Pars....Tabula III Aphricae
• Ref #:  93378
• Size: 22 1/2in x 16 1/2in (565mm x 420mm)
• Date : 1525
• Condition: (A+) Fine Condition

Description:
This rare very early original wood-block engraved antique Ptolemaic map of North East Africa from The Red Sea, Egypt, The Nile Delta & Libya by Laurent Fries was published by in the 1525 Strasbourg edition of Ptolemys Geographia

Striking early map of North Africa and Egypt, from the Red Sea, the Nile and Egypt to the Gulf of Libya. Extends up rivers along the Nile to Aden.
Latin text and elaborate decorations on the verso. A nice example, from the 1525 edition of Fries Atlas. First published in Strasbourg by Johannes Gruninger in 1522, Fries map is based upon Waldseemullers map of 1513.
Lorenz (Laurent) Fries was born in Alsace in about 1490. He studied medicine, apparently spending time at the universities of Pavia, Piacenza, Montpellier and Vienna. After completing his education, Fries worked as a physician in several places, before settling in Strassburg, in about 1519. While n Strassburg, Fries met the Strasbourg printer and publisher Johann Grüninger, an associate of the St. Die group of scholars formed by, among others, Walter Lud, Martin Ringmann and Martin Waldseemuller.
From 1520 to 1525, Fries worked with Gruninger as a cartographic editor, exploiting the corpus of material that Waldseemuller had created. Fries first venture into mapmaking was in 1520, when he executed a reduction of Martin Waldseemullers wall-map of the World, published in 1507. While it would appear that Fries was the editor of the map, credit is actually given in the title to Peter Apian. The map, Tipus Orbis Universalis Iuxta Ptolomei Cosmographi Traditionem Et America Vespucii Aliorque Lustrationes A Petro Apiano Leysnico Elucubrat. An.o Dni MDXX, and was issued in Caius Julius Solinus Enarrationes, edited by Camers, and published in Vienna in 1520.
Fries next project that Fries was a new edition of the Geographia of Claudius Ptolemy, which was published by Johann Koberger in 1522. Fries evidently edited the maps, in most cases simply producing a reduction of the equivalent map from Waldseemullers 1513 edition of the Geographie Opus Novissima, printed by Johann Schott. Fries also prepare three new maps for the Geographie: maps of South-East Asia and the East Indies, China and the World, but the geography of these derives from Waldseemullers world map of 1507.
The 1522 edition of Fries work is very rare, suggesting that the work was not commercially successful. In 1525, an improved edition was issued, with a re-edit of the text by Wilibald Pirkheimer, from the notes of Johannes Regiomontanus. After Grüningers death in 1531, the business was continued by his son Christoph, who seems to have sold the materials for the Ptolemy to two Lyon publishers, the brothers Melchior and Gaspar Trechsel, who published a joint edition in 1535, before Gaspar Trechsel published an edition in his own right in 1541.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 22 1/2in x 16 1/2in (565mm x 420mm)
Plate size: - 18 1/2in x 12 1/2in (475mm x 320mm)
Margins: - Min 1 1/2in (20mm)

Imperfections:
Margins: - None
Plate area: - Light soiling along centerfold
Verso: - None

Background:
Claude Ptolemy - a Greek mathematician, astronomer and geographer, living in Alexandria, assembled and codified his predecessors\' cartographic theories including those of Strabo & Marinus of Tyre (c. AD 120) to whom he was especially indebted. In about AD 150 he published his Geographia, a work in 8 volumes, supposedly illustrated with a world map, 26 regional maps and a profusion of smaller maps. Although the text of the Geographia survived, no maps older than about the twelfth century have come down to us and, in consequence, we have no means of knowing whether the \'Ptolemy\' maps on which we set so much store were, in fact, drawn by him or were the interpretations of later map makers using his text as a basis.

In Europe the initial awakening of interest in geography arose from the revival of knowledge of Ptolemy\'s Geographia soon after the year 1400. Greek manuscript copies made in the twelfth to fourteenth centuries were brought by scholars to Italy from Constantinople and were subsequently translated into Latin and widely studied. This work coincided with, and was much influenced by, the development of printing techniques, particularly, of course, by the invention of movable-type printing by Gutenberg about 1450, which made possible for the first time the production of printed books in quantity. Apart from this factor, other more far-reaching influences were compelling the peoples of Western Europe to look beyond the horizon they had known for so many centuries. With the conquest of Constantinople in 1453 the Turks effectively closed Europe\'s trade routes to the East and shut off access to traditional sources of luxuries and precious metals from Asia and, above all, denied the supply of the spices which had become so important in the lives of ordinary people. Other factors often based on long-believed myths and legends added to the urge to break out into the unknown world.
The interpretation of Ptolemy\'s text began mainly with the Italians Angelus, Beroaldus & Vadius in 1477 and was re-interpreted and re-issued by many over the next century by the likes Waldseemuller 1513, Gastaldi 1548, Mercator 1578 & Magini 1596. (Ref: Tooley; M&B; Dover)

• Title : Tabula Tertia Asiae complectitur Colchidem, Iberiam, Alberiam & Armeniam maiorem
• Date : 1541
• Condition: (A+) Fine Condition
• Ref:  92814
• Size: 20 1/2in x 15in (520mm x 380mm)

Description:
This beautifully hand coloured original antique Ptolemaic map by Laurent Fries of the Caucasus region of central Asia - straddling the Black & Caspian Seas (what is today part of the Russian Federation and includes the countries of Georgia, Armenia, Azerbaijan, north-western Iran & north-eastern Turkey) - was published by in the 1541 Vienna edition of Ptolemy's Geographia

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Early
Colors used: - Yellow, green, red, blue.
General color appearance: - Authentic
Paper size: - 20 1/2in x 15in (520mm x 380mm)
Plate size: - 20 1/2in x 15in (520mm x 380mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Claude Ptolemy - a Greek mathematician, astronomer and geographer, living in Alexandria, assembled and codified his predecessors' cartographic theories including those of Strabo & Marinus of Tyre (c. AD 120) to whom he was especially indebted. In about AD 150 he published his Geographia, a work in 8 volumes, supposedly illustrated with a world map, 26 regional maps and a profusion of smaller maps. Although the text of the Geographia survived, no maps older than about the twelfth century have come down to us and, in consequence, we have no means of knowing whether the 'Ptolemy' maps on which we set so much store were, in fact, drawn by him or were the interpretations of later map makers using his text as a basis.

In Europe the initial awakening of interest in geography arose from the revival of knowledge of Ptolemy's Geographia soon after the year 1400. Greek manuscript copies made in the twelfth to fourteenth centuries were brought by scholars to Italy from Constantinople and were subsequently translated into Latin and widely studied. This work coincided with, and was much influenced by, the development of printing techniques, particularly, of course, by the invention of movable-type printing by Gutenberg about 1450, which made possible for the first time the production of printed books in quantity. Apart from this factor, other more far-reaching influences were compelling the peoples of Western Europe to look beyond the horizon they had known for so many centuries. With the conquest of Constantinople in 1453 the Turks effectively closed Europe's trade routes to the East and shut off access to traditional sources of luxuries and precious metals from Asia and, above all, denied the supply of the spices which had become so important in the lives of ordinary people. Other factors often based on long-believed myths and legends added to the urge to break out into the unknown world.
The interpretation of Ptolemy's text began mainly with the Italians Angelus, Beroaldus & Vadius in 1477 and was re-interpreted and re-issued by many over the next century by the likes Waldseemuller 1513, Gastaldi 1548, Mercator 1578 & Magini 1596. (Ref: Tooley; M&B; Dover)

• Title : Tabula noua Helvetiae
• Ref #:  17008
• Size: 18 1/2in x 15in (475mm x 380mm)
• Date : 1541
• Condition: (A+) Fine Condition

Description:
This rare, very early original hand coloured wood-block engraved antique Ptolemaic map of Switzerland by Laurent Fries was published by Trechsel, Gaspar; Vienne, Dauphine in the 1541 Lyon edition of Ptolemys Geographia, Claudii Ptolemaei Alexandrini Geographicae Enarrationis, Libri Octo

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Early
Colors used: - Yellow, orange
General color appearance: - Authentic
Paper size: - 18 1/2in x 15in (475mm x 380mm)
Plate size: - 18 1/2in x 15in (475mm x 380mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Small repair to top margin in title
Plate area: - None
Verso: - None

Background:
The first printed map of Switzerland was published in Martin Waldseemuller's edition of Ptolemy in Strasbourg in 1513, but the manuscript map by Konrad Turst (1497) drawn to scale was a splendid first achievement for its time. Also the research of Vadianus at St Gallen University produced notable work, and along with the Germanic influence in Basle, which became part of the Swiss Confederation in 1501, and the highly developed wood engraving skills there, were important factors in European map publishing.
The almost endless editions of Sebastian Munster's Cosmographia were published in Basle from 1540 for nearly a century and Zurich can claim to have published the first national atlas produced anywhere -that of Johann Stumpf in 1548-52.
By comparison with her larger neighbours, Germany and Italy, Switzerland is considered not to have made a major contribution to Cartographic history. But over the years this has been contradicted, especially starting in the sixteenth century. In the second half of the sixteenth century many maps of the Swiss Cantons, in manuscript or woodcuts appeared, but the mountainous nature of the country produced its own mapping problems and imposed a need for large-scale surveys as well as practical and effective methods of showing land surfaces in relief. Early in the seventeenth century Hans Gyger perfected new ways of doing this but although he published a wide range of very large-scale maps of the cantons and of Switzerland as a whole his techniques did not receive the credit they deserved. On the other hand, his countrymen followed his example of compiling large-scale maps for which they have always been noted for up until the present day. (Ref: Koeman; M&B)

• Title : Description Novvelle Des Gaules
• Ref #:  50676
• Size: 16in x 12 1/2in (405mm x 320mm)
• Date : 1545
• Condition: (A+) Fine Condition

Description:
This fine beautifully hand coloured original antique map of modern contemporary France in the mid 16th century was published by Sebastian Munster in the 1545 edition of Ptolemy's Geographia, with 54 maps based on text by the Greek Mathematician Claude Ptolemy.

Munster's Geographia (first published in 1540) and his later Cosmographia were cartographic landmarks. The Geographia included not only Ptolemaic maps, but also a number of landmark modern maps, including the first separate maps of the 4 continents, the first map of England and the earliest obtainable map of Scandinavia.  TheCosmographia (first published in 1544) was the earliest German description of the world and a major work in the revival of geographic thought in 16th-century Europe. Altogether, about 40 editions of the Cosmographia appeared between 1544 and 1628.   
Munster dominated cartographic publication during the mid-16th Century and is generally regarded as one of the important map makers of the 16th Century.  

Geographia: contained a total of 54 woodcut maps, first published in 1540 and re-issued until 1552. Munsters "contemporary" maps were a result of data sent to him by German and European scholars of description of the villages, towns trades etc in their regions. The response was so great that over a 12 year period Munster was able to compile the first of many up-to-date, if not accurate, maps in both his two major publications, Geographia and Cosmographia. The result was one of the first comprehensive cartographical publications of regions of Europe and other parts of the world. Also as was the case with many cartographical publications of the time ancient maps interpreted from the text of the scholar Ptolemy were included along side the "modern" ones.

Claude Ptolemy: a Greek mathematician, astronomer and geographer, living in Alexandria, assembled and codified his predecessors' cartographic theories including those of Strabo & Marinus of Tyre (c. AD 120) to whom he was especially indebted. In about AD 150 he published his Geographia, a work in 8 volumes, supposedly illustrated with a world map, 26 regional maps and a profusion of smaller maps. Although the text of the Geographia survived, no maps older than about the twelfth century have come down to us and, in consequence, we have no means of knowing whether the 'Ptolemy' maps on which we set so much store were, in fact, drawn by him or were the interpretations of later map makers using his text as a basis.
In Europe the initial awakening of interest in geography arose from the revival of knowledge of Ptolemy's Geographia soon after the year 1400. Greek manuscript copies made in the twelfth to fourteenth centuries were brought by scholars to Italy from Constantinople and were subsequently translated into Latin and widely studied. This work coincided with, and was much influenced by, the development of printing techniques, particularly, of course, by the invention of movable-type printing by Gutenberg about 1450, which made possible for the first time the production of printed books in quantity. Apart from this factor, other more far-reaching influences were compelling the peoples of Western Europe to look beyond the horizon they had known for so many centuries. With the conquest of Constantinople in 1453 the Turks effectively closed Europe's trade routes to the East and shut off access to traditional sources of luxuries and precious metals from Asia and, above all, denied the supply of the spices which had become so important in the lives of ordinary people. Other factors often based on long-believed myths and legends added to the urge to break out into the unknown world.
The interpretation of Ptolemy's text began mainly with the Italians Angelus, Beroaldus & Vadius in 1477 and was re-interpreted and re-issued by many over the next century by the likes Waldseemuller 1513, Gastaldi 1548, Mercator 1578 & Magini 1596.

Sebastian Münster (1488-1552) was a German cartographer, cosmographer, and Hebrew scholar whose work Cosmographia (1544; "Cosmography") was the earliest German description of the world and a major work in the revival of geographic thought in 16th-century Europe. It had numerous editions in different languages including Latin, French, Italian, English, and even Czech. Altogether, about 40 editions of the Cosmographia appeared between 1544 and 1628 and was one of the most successful and popular books of the 16th century.Münster was a major influence in popular thinking in Europe for the next 200 years.
This success was due not only to the level of descriptive detail but also to the fascinating full page maps & views as well as smaller woodcuts that were included in the text. Many of the woodcuts were executed by famous engravers of the time including Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel. 
Aside from the well-known maps present in the Cosmographia, the text is thickly sprinkled with vigorous views: portraits of kings and princes, costumes and occupations, habits and customs, flora and fauna, monsters, wonders, and horrors about the known -- and unknown -- world, and was undoubtedly one of the most widely read books of its time.
Münster acquired the material for his book in three ways. Firstly he researched all available literary sources across Germany, Switzerland and other parts of Europe. Secondly he obtained original manuscript material from locals all over Europe for description of the countryside, cities, villages, towns, rivers and local history. Finally, he obtained further material first hand on his travels (primarily in south-west Germany, Switzerland, and Alsace). 

In 1588 Sebastian Petri re-released Cosomgraphia and re-issued many of Munsters maps and views in the "copperplate style". The maps in this release were more sophisticated than with earlier publications of Cosomgraphia and were based on the 1570 release of Abraham Ortelius monumental workTheatrum Orbis Terrarum. (Ref: Shirley; Tooley; M&B)

General Description:
Paper thickness and quality: - Heavy and stable
Paper color: - White
Age of map color: - Early
Colors used: - Brown, yellow, orange, blue
General color appearance: - Authentic
Paper size: - 16in x 12 1/2in (405mm x 320mm)
Plate size: - 16in x 12 1/2in (405mm x 320mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - Verso backed in transparent archival Japanese tissue

• Title : Italia XIX Nova Tabula
• Date : 1545
• Condition: (A+) Fine Condition
• Ref:  50659
• Size: 17in x 13in (430mm x 330mm)

Description: 

This fine beautifully hand coloured original antique map of contemporary Italy - with Sicily, Sardinia, Corsica, Coastal Dalmatia and southern Grance - in the mid 16th century was published by Sebastian Munster in the 1545 edition of Geographia

Geographia contained a total of 54 woodcut maps, first published in 1540 and re-issued until 1552. Munsters contemporary maps were a result of data sent to him by German and European scholars of descriptions of the villages, towns trades etc in their regions. The response was so great that over a 12 year period Munster was able to compile the first of many up-to-date, if not accurate, maps in both his two major publications, Geographia and Cosmographia. The result was one of the first comprehensive cartographical publications of regions of Europe and other parts of the world. Also as was the case with many cartographical publications of the time ancient maps interpreted from the text of the scholar Ptolemy were included along side the \"modern\" ones.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 17in x 13in (430mm x 330mm)
Plate size: - 17in x 13in (430mm x 330mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Since classical times the countries bordering the enclosed waters of the Mediterranean had been well versed in the use of maps and sea charts and in Italy, more than anywhere else, the traditional knowledge was kept alive during the many hundreds of years following the collapse of the Roman Empire. By the thirteenth and fourteenth centuries the seamen of Venice, Genoa and Amalfi traded to far countries, from the Black Sea ports and the coasts of Palestine and Egypt in the East to Flanders and the southern coasts of England and Ireland in the West, their voyages guided by portulan charts and the use of the newly invented compass. For a time Italian supremacy in cartography passed to Aragon and the Catalan map makers based on Majorca, but by the year 1400 the power and wealth of the city states of Venice, Genoa, Florence and Milan surpassed any in Europe. Florence, especially, under the rule of the Medici family, became not only a great trading and financial centre but also the focal point of the rediscovery of the arts and learning of the ancient world. In this milieu a number of manuscript world maps were produced, of which one by Fra Mauro (c. 1459) is the most notable, but the event of the greatest importance in the history of cartography occurred in the year 1400 when a Florentine, Palla Strozzi, brought from Constantinople a Greek manuscript copy of Claudius Ptolemy\'s Geographia, which, 1,250 years after its compilation, came as a revelation to scholars in Western Europe. In the following fifty years or so manuscript copies, translated into Latin and other languages, became available in limited numbers but the invention of movable-type printing transformed the scene: the first copy without maps being printed in 1475 followed by many with copper-engraved maps, at Bologna in 1477, Rome 1478, 1490, 1507 and 1508, and Florence 1482.
About the year 1485 the first book of sea charts, compiled by Bartolommeo dalli Sonetti, was printed in Venice and in the first part of the sixteenth century a number of world maps were published, among them one compiled in 1506 by Giovanni Contarini, engraved by Francesco Rosselli, which was the first printed map to show the discoveries in the New World. In the following years there were many attractive and unusual maps of Islands (Isolano) by Bordone, Camocio and Porcacchi, but more important was the work of Giacomo (Jacopo) Gastaldi, a native of Piedmont who started life as an engineer in the service of the Venetian Republic before turning to cartography as a profession. His maps, produced in great variety and quantity, were beautifully drawn copperplate engravings and his style and techniques were widely copied by his contemporaries. From about 1550 to 1580 many of Gastaldi\'s maps appeared in the collections of maps known as Lafreri \'atlases\', a term applied to groups of maps by different cartographers brought together in one binding. As the contents of such collections varied considerably they were no doubt assembled at the special request of wealthy patrons and are now very rare indeed.
About this time, for a variety of historical and commercial reasons, Italy\'s position as the leading trading and financial nation rapidly declined and with it her superiority in cartography was lost to the vigorous new states in the Low Countries. That is not to say, of course, that Italian skills as map makers were lost entirely for it was not until 1620 that the first printed maps of Italy by an Italian, Giovanni Magini, appeared, and much later in the century there were fine maps by Giacomo de Rossi and Vincenzo Coronelli, the latter leading a revival of interest in cartography at the end of the century. Coronelli was also famous for the construction of magnificent large-size globes and for the foundation in Venice in 1680 of the first geographical society.
In the eighteenth century the best-known names are Antonio Zatta, Rizzi-Zannoni and Giovanni Cassini.
We ought to mention the work of Baptista Boazio who drew a series of maps in A Summarie and True Discourse of Sir Francis Drake\'s West Indian Voyage, published in 1588-89, and who is especially noted for a very fine map of Ireland printed in 1599 which was incorporated in the later editions of the Ortelius atlases. It is perhaps appropriate also to refer to two English map makers who spent many years in exile in Italy: the first, George Lily, famous for the splendid map of the British Isles issued in Rome in 1546, and the second, Robert Dudley, who exactly one hundred years later was responsible for the finest sea atlas of the day, Dell\' Arcano del Mare, published in Florence. Both of these are described in greater detail elsewhere in this handbook. (Ref: Tooley, Koeman)

• Title : Typus Orbis Universalis
• Ref #:  61146
• Size: 15 3/4in x 12 1/2in (400mm x 310mm)
• Date : 1550
• Condition: (A+) Fine Condition

Description:
This fine wood-block engraved original antique World Map was engraved by David Kandel, initials engraved bottom left "DK" and was published in the 1550 edition of Cosmographia by Sebastian Munster.
One of the most recognizable maps of the 16th century considered the first map to identify the Pacific Ocean, as here, 'Mare Pacificum.' This is the world of the educated 16th century European, divided into Asia, Europe, India, Africa and America. The southern latitudes are inhabited by a variety of sea monsters and sailing ships.
American continent is nearly unrecognizable, only a scant 58 years after European discovery by Christopher Columbus. North America is defined as Terra Florida showing an enormous inlet extending towards the eastern seaboard in the vicinity of modern day North Carolina named Verrazano's Sea. Apparently Verrazano, coasting the Outer Banks, observed the Pamlico Sound and assumed that beyond the narrow coastal banks, an open sea gave direct access to the pacific - wishful thinking at best. Verrazano's Sea appears so dramatically on few maps, but persisted in lesser forms for nearly a century. 
South America with tentacle like protrusions in all directions, is largely amorphous, but the Rio de la Plata and the Strait of Magellan are clear. Tierra del Fuego is enormous, with no mention of greater Terra Australias, an interesting omission by Munster. 
Europe is vaguely recognizable and connected, via an arctic peninsula, to Greenland and North America. 
Asia/Pacific extends eastward far enough to reappear just north of America. Ceylon is not present, but a landmass bearing roughly the shape and position of Sumatra is identified as Tapobrana (a term more commonly associated with Ceylon). Japan appears as Zipangri. 
Unlike many other world maps of the time, Munster has left out the concept of a 'Terra Australis Incognita' altogether choosing to show ocean instead.
Africa follows the Ptolemaic model with the Nile finding its source in a mountain range and two associated lakes. 
The whole is surrounded by twelve named and prominent wind heads - one for each direction.

Background: This wood-cut engraved World map was prepared for the 1550 edition of Sebastian Münster's Cosmographia to replace the earlier World map by Sebasian Munster which had appeared in the editions of the Geographia and Cosmographia from 1540 onwards. The publisher, from 1552, was Heinrich Petri, Münster's son-in-law. 
This "new world" map is on an oval projection, similar in many respects to the previous Munster world map, but with the woodcutter's initials "DK" added, identified as those of the engraver David Kandel, in the lower left-hand corner.
The titles of the wind-heads are now in banners and the east and west winds, unlike the 1540 version, do not protrude inside the oval circumference. North America still retains its unusual shape almost bisected by water but the earlier note indicating a route to the Moluccas has been omitted...."
The map was first issued in the 1550 edition of Cosmographia, and appeared in all subsequent editions through to 1578, with the title varying according to the language of the edition. On the verso the wood block is the title and text, in Latin.

Sebastian Münster (1488-1552) was a German cartographer, cosmographer, and Hebrew scholar whose work Cosmographia (1544; "Cosmography") was the earliest German description of the world and a major work in the revival of geographic thought in 16th-century Europe. It had numerous editions in different languages including Latin, French, Italian, English, and even Czech. Altogether, about 40 editions of the Cosmographia appeared between 1544 and 1628 and was one of the most successful and popular books of the 16th century. Münster was a major influence in popular thinking in Europe for the next 200 years.
This success was due not only to the level of descriptive detail but also to the fascinating full page maps & views as well as smaller woodcuts that were included in the text. Many of the woodcuts were executed by famous engravers of the time including Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel. 
Aside from the well-known maps present in the Cosmographia, the text is thickly sprinkled with vigorous views: portraits of kings and princes, costumes and occupations, habits and customs, flora and fauna, monsters, wonders, and horrors about the known -- and unknown -- world, and was undoubtedly one of the most widely read books of its time.
Münster acquired the material for his book in three ways. Firstly he researched all available literary sources across Germany, Switzerland and other parts of Europe. Secondly he obtained original manuscript material from locals all over Europe for description of the countryside, cities, villages, towns, rivers and local history. Finally, he obtained further material first hand on his travels (primarily in south-west Germany, Switzerland, and Alsace). 

In 1588 Sebastian Petri re-released Cosomgraphia and re-issued many of Munsters maps and views in the "copperplate style". The maps in this release were more sophisticated than with earlier publications of Cosomgraphia and were based on the 1570 release of Abraham Ortelius monumental work Theatrum Orbis Terrarum. (Ref: Shirley; Tooley; M&B)

General Description:
Paper thickness and quality: - Heavy and stable
Paper color: - White
Age of map color: -  
Colors used: -  
General color appearance: -  
Paper size: - 15 3/4in x 12 1/2in (400mm x 310mm)
Plate size: - 15 3/4in x 12 1/2in (400mm x 310mm)
Margins: - Min 1/2in (10mm)

Imperfections:
Margins: - L&R margins extended, not affecting borders or image
Plate area: - None
Verso: - None

• Title : Misena Hermundurorum Urbs
• Ref #:  20222
• Size: 17in x 15in (435mm x 380mm)
• Date : 1558
• Condition: (A+) Fine Condition

Description:
This fine wood-blocked engraved hand coloured original antique print a view of the German city of Meissen in Saxonia, Germany(with a view of the city of Dresden on the verso) was engraved in 1558 - date is engraved at the bottom of the image - byHiob Magdeburg and was published in the 1588 edition of Sebastian MunstersCosmographia published by Sebastian Petri, Basle.

Sebastian Petri re-release of Cosomgraphiain 1588 produced some fine woodcut maps in the "copperplate style". The maps in this release were more  sophisticated than with earlier publications of Cosomgraphia and were based on the 1570 release of Abraham Ortelius monumental work Theatrum Orbis Terrarum.

Hiob Magdeburg (1518 - 1595) was a German theologian, educator, cartographer and humanist of the Reformation period. Magdeburg important legacy is not of a theological or educational nature, but cartographic specifically of the region of Saxony, including Meissen.

Background: For a variety of reasons town plans were comparatively latecomers in the long history of cartography. Few cities in Europe in the middle ages had more than 20,00 inhabitants and even London in the late Elizabethan period had only 100-150,000 people which in itself was probably 10 times that of any other English city. The Nuremberg Chronicle in 1493 included one of the first town views of Jerusalem, thereafter, for most of the sixteenth century, German cartographers led the way in producing town plans in a modern sense. In 1544 Sebastian Munster issued in Basle his Cosmographia containing roughly sixty-six plans and views, some in the plan form, but many in the old panorama or birds eye view. (Ref: Tooley; M&B)

General Description:
Paper thickness and quality: - Light and stable
Paper color: - White
Age of map color: - Later
Colors used: - Blue, green, red, brown
General color appearance: - Authentic
Paper size: - 17in x 15in (435mm x 380mm)
Margins: - Min ½in (12mm)

Imperfections:
Margins: - 9cm repair to left and right margins of image, no loss
Plate area: - 9cm repair to left and right of image, no loss
Verso: - 9cm repair to left and right of verso, no loss

• Title : Africa / Libya / Mörenlandt / mit allen Königreichen / so zu unsern zeiten darin gefunden werden
• Ref #:  93414
• Size: 15 1/2in x 12in (395mm x 305mm)
• Date : 1560
• Condition: (A+) Fine Condition

Description:
A great example of the first map of the whole continent of Africa published in the 1560 edition of Sebastian Munsters Cosmographia.
This original wood block engraved antique map is instantly recognisable, first published in 1540, by its illustrations of the Monoculi (a one-eyed man), an impressive sailing ship, and a large elephant in southern Africa.
In The Mapping Of Africa Richard Betz identifies 15 variant states of this map. With German text and the images to the verso, this example most closely resembles Betzs variant 15.

General Definitions:
Paper thickness and quality: - Light and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 15 1/2in x 12in (395mm x 305mm)
Plate size: - 15 1/2in x 12in (395mm x 305mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Thumb marks bottom right margin
Plate area: - Light age toning
Verso: - Light soiling

Background:
The first separately printed map of Africa (as with the other known continents) appeared in Munsters Geographia from 1540 onwards and the first atlas devoted to Africa only was published in 1588 in Venice by Livio Sanuto, but the finest individual map of the century was that engraved on 8 sheets by Gastaldi, published in Venice in 1564. Apart from maps in sixteenth-century atlases generally there were also magnificent marine maps of 1596 by Jan van Linschoten (engraved by van Langrens) of the southern half of the continent with highly imaginative and decorative detail in the interior. In the next century there were many attractive maps including those of Mercator/Hondius (1606), Speed (1627), Blaeu (1 630), Visscher (1636), de Wit (c. 1670), all embellished with vignettes of harbours and principal towns and bordered with elaborate and colourful figures of their inhabitants, but the interior remained uncharted with the exception of that part of the continent known as Ethiopia, the name which was applied to a wide area including present-day Abyssinia. Here the legends of Prester John lingered on and, as so often happened in other remote parts of the world, the only certain knowledge of the region was provided by Jesuit missionaries. Among these was Father Geronimo Lobo (1595-1678), whose work A Voyage to Abyssinia was used as the basis for a remarkably accurate map published by a German scholar, Hiob Ludolf in 1683. Despite the formidable problems which faced them, the French cartographers G. Delisle (c. 1700-22), J. B. B. dAnville (1727-49) and N. Bellin (1754) greatly improved the standards of mapping of the continent, improvements which were usually, although not always, maintained by Homann, Seutter, de Ia Rochette, Bowen, Faden and many others in the later years of the century.
Sebastian Petri re-release of Cosomgraphia in 1588 produced some fine woodcut maps in the copperplate style. The maps in this release were more sophisticated than with earlier publications of Cosomgraphia and were based on the 1570 release of Abraham Ortelius monumental work Theatrum Orbis Terrarum. (Ref: M&B;Tooley)

• Title : Das Kunigreich Engellandt mit dem Anstossenden Reich Schottlandt so vor Zeiten Albion und Britannia haben Geheissen
• Ref #:  93415
• Size: 15 1/2in x 12in (395mm x 305mm)
• Date : 1560
• Condition: (A) Very Good Condition

Description:
A great example of the first map of England, Wales & parts of Scotland and Ireland was published in the 1560 edition of Sebastian Munsters Cosmographey oder beschreibung aller Länder
This original wood block engraved antique map is instantly recognisable, first published in 1540.

General Definitions:
Paper thickness and quality: - Light and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 15 1/2in x 12in (395mm x 305mm)
Plate size: - 15 1/2in x 12in (395mm x 305mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Thumb marks bottom right margin, small holes in bottom margin centerfold
Plate area: - Page rejoined bottom left side, no loss
Verso: - Light soiling

Background:
The first edition of Munsters first printed separate map of England and Wales, with Scotland as far north as Edinburgh, the east coast of Ireland and north coast of France. North oriented to the left. The map primarily identifies Cathedral towns. A key in the upper left corner shows the English and Latin names for 17 major place names in England. The flags of both England and Scotland are shown.

• Title : Africa Lybia Morenlandt mit Allen Konigreichen so zu Unsern Zeiten darin Gefunden Werden
• Date : 1560
• Condition: (A+) Fine Condition
• Ref:  50660
• Size: 15in x 11 1/2in (385mm x 290mm)

Description: 
A great example of the first map of the whole continent of Africa published in the 1560 edition of Sebastian Munster'sCosmographia.
This woodblock map is instantly recognisable, first published in 1540, by its illustrations of the 'Monoculi' (a one-eyed man), an impressive sailing ship, and a large elephant in southern Africa.
In The Mapping Of Africa Richard Betz identifies 15 variant states of this map. With German text and the image of a Phoenix rising from the sun to the verso, this example most closely resembles Betz's variant 15. However, our example has only "IOPIA" present in the word Aethiopia in the centre of the continent, not corresponding to any listed in Betz, and appears therefore to be a previously unrecorded variant of this early and important map.
Sales data: There have been 9 recorded sales of this map since 1985 cumulating in a top price of $1897US achieved in 2010 for this scarce edition. (Ref AMPR)

Background: 
The first separately printed map of Africa (as with the other known continents) appeared in Munster's Geographia from 1540 onwards and the first atlas devoted to Africa only was published in 1588 in Venice by Livio Sanuto, but the finest individual map of the century was that engraved on 8 sheets by Gastaldi, published in Venice in 1564. Apart from maps in sixteenth-century atlases generally there were also magnificent marine maps of 1596 by Jan van Linschoten (engraved by van Langrens) of the southern half of the continent with highly imaginative and decorative detail in the interior. In the next century there were many attractive maps including those of Mercator/Hondius (1606), Speed (1627), Blaeu (1 630), Visscher (1636), de Wit (c. 1670), all embellished with vignettes of harbours and principal towns and bordered with elaborate and colourful figures of their inhabitants, but the interior remained uncharted with the exception of that part of the continent known as Ethiopia, the name which was applied to a wide area including present-day Abyssinia. Here the legends of Prester John lingered on and, as so often happened in other remote parts of the world, the only certain knowledge of the region was provided by Jesuit missionaries. Among these was Father Geronimo Lobo (1595-1678), whose work A Voyage to Abyssinia was used as the basis for a remarkably accurate map published by a German scholar, Hiob Ludolf in 1683. Despite the formidable problems which faced them, the French cartographers G. Delisle(c. 1700-22), J. B. B. d'Anville (1727-49) and N. Bellin (1754) greatly improved the standards of mapping of the continent, improvements which were usually, although not always, maintained by Homann, Seutter, de Ia Rochette, Bowen, Faden and many others in the later years of the century.
Sebastian Petri re-release of Cosomgraphia in 1588 produced some fine woodcut maps in the "copperplate style". The maps in this release were more sophisticated than with earlier publications of Cosomgraphia and were based on the 1570 release of Abraham Ortelius monumental work Theatrum Orbis Terrarum. (Ref: M&B;Tooley)

General Description:
Paper thickness and quality: - Light and stable
Paper color: - off white
Age of map color: - 
Colors used: - 
General color appearance: - 
Paper size: - 15in x 11 1/2in (385mm x 290mm)
Plate size: - 15in x 11 1/2in (385mm x 290mm)
Margins: - 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - 4 small worm holes repaired adjacent to centerfold
Verso: - None

• Title : Antri Sibillae, Lacus Agnianus
• Ref #:  35013
• Size: 20 3/4in x 16in (525mm x 405mm)
• Date : 1572
• Condition: (A+) Fine Condition

Description:
This beautifully hand coloured original antique print, a birds eye view of the Italian Volcanic Lake Agnano and the Grotta del cane or Fontana - Cave of the Dogs - located in Pozzuoli, north of Naples, Italy was published by Georg Braun & Frans Hogenberg for the 1572 atlas of town plans Civiates Orbis Terrarum intended as a companion to Abraham Ortelius's master Atlas Theatrum Orbis Terrarum published in 1570.
The top view of Lake Agnano shows friends Abraham Ortelius & Georg Hoffnagel meeting at the Lake in a way to impress upon the reader the real importance of Nature. These are beautifully engraved with wonderful hand colouring on strong, sturdy paper.

General Description:
Paper thickness and quality: - Heavy and stable
Paper color: - off white
Age of map color: - Early
Colors used: - Green, blue, red, yellow
General color appearance: - Authentic
Paper size: - 20 3/4in x 16in (525mm x 405mm)
Plate size: - 18 1/2in x 13in (470mm x 330mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - Colour show-through

The Cave of Dogs is a small cave on the eastern side of the Phlegraean Fields near Pozzuoli, Naples. Inside the cave is a fumarole that releases carbon dioxide of volcanic origin. It was a famous if gruesome tourist attraction for travellers on the Grand Tour. The CO₂ gas, being denser than air, tends to accumulate in the deeper parts of the cave. Local guides, for a fee, would suspend small animals inside it—usually dogs—until they became unconscious. Because humans inhaled air from a higher level they were not affected. The dogs might be revived by submerging them in the cold waters of the nearby Lake Agnano. Famous tourists who came to see this attraction included Goethe, Alexandre Dumas père, and Mark Twain. The lake became polluted and it was drained in 1870; the spectacle fell into desuetude and the cave was closed. However the area is now being restored by volunteers.

Lago di Agnano or Lake Agnano was a circular lake, some 6½ km in circumference, which occupied the crater of the extinct volcano of Agnano 8 km west of Naples, Italy. It was apparently not formed until the Middle Ages, as it is not mentioned by ancient writers; it was drained in 1870.
On the south bank are the Stufe di San Germano, natural sulphureous vapour baths, and close by is the Grotta del Cane. From the floor of this cave warm carbonic acid gas constantly rises to a height of 18 inches (46 cm): the fumes render a dog insensible in a few seconds. It is mentioned by Pliny the Elder. Remains of an extensive Roman building and some statues have been discovered close by.(Ref: Tooley; M&B)

• Title : Antri Sibillae, Lacus Agnianus
• Ref #:  35013
• Size: 20 3/4in x 16in (525mm x 405mm)
• Date : 1572
• Condition: (A+) Fine Condition

Description:
This beautifully hand coloured original antique print, a birds eye view of the Italian Volcanic Lake Agnano and the Grotta del cane or Fontana - Cave of the Dogs - located in Pozzuoli, north of Naples, Italy was published by Georg Braun & Frans Hogenberg for the 1572 atlas of town plans Civiates Orbis Terrarum intended as a companion to Abraham Ortelius's master Atlas Theatrum Orbis Terrarum published in 1570.
The top view of Lake Agnano shows friends Abraham Ortelius & Georg Hoffnagel meeting at the Lake in a way to impress upon the reader the real importance of Nature. These are beautifully engraved with wonderful hand colouring on strong, sturdy paper.

General Description:
Paper thickness and quality: - Heavy and stable
Paper color: - off white
Age of map color: - Early
Colors used: - Green, blue, red, yellow
General color appearance: - Authentic
Paper size: - 20 3/4in x 16in (525mm x 405mm)
Plate size: - 18 1/2in x 13in (470mm x 330mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - Colour show-through

The Cave of Dogs is a small cave on the eastern side of the Phlegraean Fields near Pozzuoli, Naples. Inside the cave is a fumarole that releases carbon dioxide of volcanic origin. It was a famous if gruesome tourist attraction for travellers on the Grand Tour. The CO₂ gas, being denser than air, tends to accumulate in the deeper parts of the cave. Local guides, for a fee, would suspend small animals inside it—usually dogs—until they became unconscious. Because humans inhaled air from a higher level they were not affected. The dogs might be revived by submerging them in the cold waters of the nearby Lake Agnano. Famous tourists who came to see this attraction included Goethe, Alexandre Dumas père, and Mark Twain. The lake became polluted and it was drained in 1870; the spectacle fell into desuetude and the cave was closed. However the area is now being restored by volunteers.

Lago di Agnano or Lake Agnano was a circular lake, some 6½ km in circumference, which occupied the crater of the extinct volcano of Agnano 8 km west of Naples, Italy. It was apparently not formed until the Middle Ages, as it is not mentioned by ancient writers; it was drained in 1870.
On the south bank are the Stufe di San Germano, natural sulphureous vapour baths, and close by is the Grotta del Cane. From the floor of this cave warm carbonic acid gas constantly rises to a height of 18 inches (46 cm): the fumes render a dog insensible in a few seconds. It is mentioned by Pliny the Elder. Remains of an extensive Roman building and some statues have been discovered close by.(Ref: Tooley; M&B)

• Title : Cypri Insulae Nova Descript 1573
• Date : 1573
• Size: 20 3/4in x 15in (525mm x 382mm)
• Ref #:  70794
• Condition: (A+) Fine Condition

Description:
This extremely handsome and much sort after original antique map of the Island of Cyprus was published by Abraham Ortelius in 1573. There were a total of 6275 of these maps published between 1573 and 1641, with approx. 10% surviving to this day.
This actual map is a true first edition or state (1573IG39A), of 3 states, with German text & page number 39A on the verso.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 20 3/4in x 15in (525mm x 382mm)
Plate size: - 19 3/4in x 14in (500mm x 355mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
A milestone in the history of the cartography of Cyprus, based on a 1570 map by Giacomo Franco. The map is embellished by sailing ships and a sea monster, bearing a map of the Greek Island of Lemnos in an inset mp at bottom right, based on the written account by Pierre Belon in 1555. Signed in the plate by the Dutch engraver Joannes van Doetecum

Cyprus is an island country in the Eastern Mediterranean and the third largest and third most populous island in the Mediterranean. It is located south of Turkey, west of Syria and Lebanon, northwest of Israel, north of Egypt, and southeast of Greece.
The earliest known human activity on the island dates to around the 10th millennium BC. Archaeological remains from this period include the well-preserved Neolithic village of Khirokitia, and Cyprus is home to some of the oldest water wells in the world. Cyprus was settled by Mycenaean Greeksin two waves in the 2nd millennium BC. As a strategic location in the Middle East, it was subsequently occupied by several major powers, including the empires of the Assyrians, Egyptians and Persians, from whom the island was seized in 333 BC by Alexander the Great. Subsequent rule by Ptolemaic Egypt, the Classical and Eastern Roman Empire, Arabcaliphates for a short period, the French Lusignan dynasty and the Venetians, was followed by over three centuries of Ottoman rule between 1571 and 1878.

• Title : Theatrum Orbis Terrarum
• Size: 15 3/4in x 10 3/4in (400mm x 270mm)
• Condition: (A+) Fine Condition
• Date : 1574
• Ref #:  32019

Description:
These original copper-plate engraved antique 1st edition Title Page was published in the 1574 edition of Abraham Ortelius Atlas Theatrum Orbis Terrarum.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 15 3/4in x 10 3/4in (400mm x 270mm)
Plate size: - 15 3/4in x 10 3/4in (400mm x 270mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling
Plate area: - Light soiling
Verso: - Light soiling

Background: 
The title page has on the verso the Epigram of 16 lines. First edition of the first atlas of the world. From Koeman: The unique position held by Ortelius Theatrum in the history of cartography is to be attributed primarily to its qualification as the worlds first regularly produced atlas. Its great commercial success enabled it to make so great a contribution to geographical culture throughout Europe in the later 16th century. (Skelton). Shape and contents set the standards for later atlases, when the centre of the map-trade moved from Antwerp to Amsterdam. The characteristic feature of the Theatrum is, that it consists of two elements, forming a unitary whole: text and maps. This concept for a Theatre of the world was followed through the 17th century. Before Ortelius, no one and done this and thus, the chorus of praise which arose as a result of this - and the excellent text - was far from slight... Another important aspect of the Theatrum is that it was the first undertaking of its kind to reduce the best available maps to a uniform format. To that end, maps of various formats and styles had to be generalized just like the modern atlas-publisher of today would do. In selecting maps for his compilation, Ortelius was guided by his critical spirit and his encyclopaedic knowledge of maps. But Ortelius did more that the atlas-makers of today: he mentioned the names of the authors of the original maps and added a great many names of other cartographers and geographers to it... Abraham Ortelius drew all his maps in manuscript before passing them to the engravers... Ortelius stated that nearly all the plates were cut by Frans Hogenberg and his assistants. The Theatrum went through many editions in Latin, German, French, Dutch, Spanish, English, and Italian. Van der Krogt lists 37 editions, with the last edition published in 1641, long after Ortelius death in 1598

• Title : Regni Hispaniae Post Omnium Editiones Locvplessima Descriptio
• Ref #:  82078
• Size: 21 1/2in x 16in (545mm x 405mm)
• Date : 1574
• Condition: (A) Very Good Condition

Description:
This beautifully hand coloured original antique map of Spain & Portugal, 1st edition - based on the cartographic work of Charles de L Escluse - was published by Abraham Ortelius in the 1574 Latin edition of Theatrum Orbis Terrarum.
Ortelius published a total of 8175 of this map between 1570 to 1641 in 4 States. According to Marcel Van den Broecke there are estimated to be only 155 loose copies in circulation today.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Early
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 21 1/2in x 16in (545mm x 405mm)
Plate size: - 19 1/2in x 15in (495mm x 380mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Small repair to bottom margin
Plate area: - Small repair adjacent to bottom centerfold, no loss
Verso: - Centerfold re-enforced on verso

Background: 
Many of the original charts and maps drawn by the first Portuguese and Spanish navigators have survived for the very good reason that, on completion of their voyages, pilots were obliged to hand over their manuscript notes to the Casa da India (founded 1504) in Lisbon or to the equivalent Casa de Contrataci6n de las Indias (founded 1504) in Seville. The clear intention was to maintain secrecy over new discoveries and control over the distribution of cartographic material, not always successfully, as it happened; pilots and navigators seem to have changed allegiance with impunity and, in consequence, many of the earliest and most informative charts were compiled as far away as Genoa, Venice, Florence and Ancona, presumably from sources outside the Portuguese and Spanish \'Casas\'.It is apparent that few manuscripts reached the printing stage and, indeed, are so rare that any study of them must be regarded as a specialist subject. (Ref Tooley M&B)

• Title : Autricum, Prolemeo in Gallia Lugdunensis Urbs; vulgo, cum Villa nouano, Chartres / Chasteaudunum, Comitatus vulgo Dunoys in Gallia Oppidum primorium
• Size: 19in x 15 1/2in (490mm x 390mm)
• Condition: (A+) Fine Condition
• Date : 1574
• Ref #:  30267

Description:
This original copper-plate engarved antique print, a birds eye view of cities of Chartres and Chateaudu , in Loire, France was published by Georg Braun & Frans Hogenberg for the 1574 atlas of town plans Civiates Orbis Terrarumintended as a companion to Abraham Ortelius\'s master Atlas Theatrum Orbis Terrarum published in 1570.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 19in x 15 1/2in (490mm x 390mm)
Plate size: - 19in x 15 1/2in (490mm x 390mm)
Margins: - Min 1/4in (6mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Chartres is a commune and capital of the Eure-et-Loir department in France. It is located about 90 km (56 mi) southwest of Paris.
Chartres was in Gaul one of the principal towns of the Carnutes, a Celtic tribe. In the Gallo-Roman period, it was called Autricum, name derived from the river Autura (Eure), and afterwards civitas Carnutum, city of the Carnutes, from which Chartres got its name. The city was burned by the Normans in 858, and unsuccessfully besieged by them in 911.
During the Middle Ages, it was the most important town of the Beauce. It gave its name to a county which was held by the counts of Blois, and the counts of Champagne, and afterwards by the House of Châtillon, a member of which sold it to the Crown in 1286.
In 1417, during the Hundred Years War, Chartres fell into the hands of the English, from whom it was recovered in 1432.
In 1528, it was raised to the rank of a duchy by Francis I.
In 1568, during the Wars of Religion, Chartres was unsuccessfully besieged by the Huguenot leader, the Prince of Condé. It was finally taken by the royal troops of Henry IV on 19 April 1591. On Sunday, 27 February 1594, the cathedral of Chartres was the site of the coronation of Henry IV after he converted to the Catholic faith, the only king of France whose coronation ceremony was not performed in Reims.
In 1674, Louis XIV raised Chartres from a duchy to a duchy peerage in favor of his nephew, Duke Philippe II of Orléans. The title of Duke of Chartres was hereditary in the House of Orléans, and given to the eldest son of the Duke of Orléans.
In the 1870-1871 Franco-Prussian War, Chartres was seized by the Germans on 2 October 1870, and continued during the rest of the war to be an important centre of operations.

Chateaudun is located about 45 km northwest of Orléans, and about 50 km south-southwest of Chartres. It lies on the river Loir, a tributary of the Sarthe.

• Title : Tiena, Brabantiae Opp: ad amnem Geta, unde casei, qui inde nomen habent, magnus proventus, Estque hic templum S. Germani, Canonicorum Collegio, ornatum
• Size: 21in x 16in (545mm x 410mm)
• Condition: (A+) Fine Condition
• Date : 1574
• Ref #:  30256

Description:
This original copper-plate engraved antique map a birds eye city view of Tienen in Flemish Brabant was published by Georg Braun & Frans Hogenberg for the 1574 atlas of town plans Civiates Orbis Terrarum intended as a companion to Abraham Ortelius\\\'s master Atlas Theatrum Orbis Terrarum published in 1570.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 21in x 16in (545mm x 410mm)
Plate size: - 19in x 13 1/2in (480mm x 340mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Tienen or Thienen is a city and municipality in the province of Flemish Brabant, in Flanders, Belgium.
The city was probably ruled by the very old German family Thienen in the early middle-ages. This is likely a branch of the Jonckers dynasty. According to a Spanish anonymous historian, the last known Jonckers ruler, duke Rogerius, was decapitated by the Spanish Inquisitor Thiago Vidal.
In the late eighteenth century, under the French name Tirlemont, the city was the site of a small-scale battle during the French Revolutionary Wars. The French Republican army of General Charles François Dumouriez met and turned back the Austrian army of Prince Josias of Coburg on 16 March 1793. For the veteran Dumouriez, the hero of Valmy and Jemappes, this was to be the very last victory. Within a week his army suffered such catastrophic defeats that the victor of Tirlemont defected infamously to the royalists for the rest of his life.

• Title : Rotomagus Vulgo Roan Normandie Metropolis / Nemausus, Nismes, Civitas Narbonensis . . . / Civitatis Burdengalensis in Aquitanea, Genuina Descrip (Rouen, Nimes & Bordeaux)
• Size: 21in x 16in (545mm x 410mm)
• Condition: (A+) Fine Condition
• Date : 1574
• Ref #:  40168

Description:
This original copper-plate engraved antique of 3 x maps, birds eye city views of Rouen, Nime, and Bordeaux, France was published by Georg Braun & Frans Hogenberg for the 1574 atlas of town plans Civiates Orbis Terrarum intended as a companion to Abraham Ortelius\\\'s master Atlas Theatrum Orbis Terrarum published in 1570.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 21in x 16in (545mm x 410mm)
Plate size: - 19in x 13 1/2in (480mm x 340mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Rouen: The cities favourable position between the Seine to the south and the hills in the north is clearly illustrated in this view; which is seen from the east from an ideal hill and which also shows the intact city walls from the Roman era. The staffage emphasizes the course taken by the road from Paris leading into the city.

Nimes was a flourishing settlement even in Celtic times and due to its favourable location on the Via Domitia, a major transportation route linking Italy and Spain, was developed into the capital of Narbonensis province. Amongst other things, it was given a 7-km-long city wall and the dominant Tour Magne watchtower (top centre). Also stemming from Roman times is the imposing amphitheatre which could seat some 23,000 spectators and is used for performances even today. Its facade, comprising two storeys, each with 60 arches, is clearly recognizable, even in foreshortening. Above the cathedral and clock tower lies the Maison Carrée, a Roman temple built by Marcus Vipsanius Agrippa around 19 B.C. The 49-m-high Pont du Gard aqueduct, mentioned by Braun and visible top right, is an important work of Roman civil engineering.

Bordeaux: The fortifications were built by Charles VII of France only following the reconquest of Bordeaux in 1452. Shown on a smaller scale to the right of the château is the Gothic cathedral of Saint-André with its free-standing clock tower, the Tour Pey-Berland. Outside the city walls lie the ruins of the Roman amphitheatre.

• Title : Monacum (Munchen). Ingostadium (Ingolstadt). Frisingensis (Freising). Nordlinga (Nordligen). Ratispona (Regensburg). Stravbinga (Straubing)
• Size:  21in x 16in (545mm x 410mm)
• Condition: (A+) Fine Condition
• Date : 1574
• Ref #:  40871

Description:
This original copper-plate engraved antique of 6 x maps, birds eye city views of Munchen, Ingolstadt, . Freising, Nordligen, Regensburg, Straubing, Germany was published by Georg Braun & Frans Hogenberg for the 1574 atlas of town plans Civiates Orbis Terrarum intended as a companion to Abraham Ortelius\\\'s master Atlas Theatrum Orbis Terrarum published in 1570.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 21in x 16in (545mm x 410mm)
Plate size: - 19in x 13 1/2in (480mm x 340mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Below is the translations to the text on the verso, of each city.

Munich is a splendid city in Bavaria, situated on the Isar. It has a favourable location and possesses a magnificent palace, in which the Bavarian princes hold court in our own day.

Ingolstadt: In the beginning Ingolstadt was not exactly a large town, almost rectangular in shape, and within an area marked by the three ancient towers that still stand today: the Glockenturm in the cemetry of the minster of Our Lady, the Striegelturm beside the gaol and the Judenturm. The old castle is also a clear indication of this. Ingolstadt was first expanded in 1312, when it grew to about double the size and took on a shape resembling that of an egg, apart from a few bulges in the southern part of the town.

Freising, the episcopal city in Bavaria, [...] is said to have been founded at the time of Roman rule, which extended from the Danube to the Alps, on a favourable site by the Moosach, which flows into the Isar close by. Beatus Rhenanus records that in the library of St Corbinian\'s he found a very beautiful book containing the four Gospels in Frankish.

Nördlingen formerly lay on the Hohe Hart hill, above the present city, where the old parish church of St Emmeran can still be seen. This town burned down in 1238 and due to the lack of water many lost their lives. Afterwards it was rebuilt in the valley beside the Eger, and ever since then the waters of the river have run through it.

Regensburg is a magnificent and ancient city in Bavaria on the banks of the Danube, at a favourably situated point where four rivers converge. For the Laber and the Naab flow into the Danube above the city and the Regen below it. [...] Emperor Arnulf expanded the city and most importantly linked it to the settlement on the opposite bank by means of a sturdy stone bridge with many arches.

Straubing is a town in Bavaria that was founded by Duke Ludwig in 1218. The Danube runs near the town and thereby lends it importance.

• Title : Gorlitz
• Ref #:  93432
• Size: 22in x 16 1/2in (560mm x 420mm)
• Date : 1574
• Condition: (A+) Fine Condition

Description:
This original beautifully hand coloured copper plate engraved antique map, a birds eye view of the city of Gorlitz-Zgorzelec, in the state of Saxony, in the region of Lusatia, in far eastern Germany, on the border with Poland, was published in the 1574 edition of Braun & Hogenbergs atlas Civitates Orbis Terrarum

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 22in x 16 1/2in (560mm x 420mm)
Plate size: - 20in x 12 1/2in (510mm x 320mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
As a small Sorbian village named Gorelic in the Margraviate of Meissen, a frontier march of the Holy Roman Empire, Gorlitz was temporarily conquered and held by the Kingdom of Poland during Bolesław I Chrobrys invasion of Lusatia between 1002 and 1031, after which the region fell back to the Margraviate of Meissen. In 1075, the village was assigned to the Duchy of Bohemia. The date of the towns foundation is unknown. However, Goreliz was first mentioned in a document from the King of Germany, and later Holy Roman Emperor, Henry IV in 1071. This document granted Gorlitz to the Diocese of Meissen, then under Bishop Benno of Meissen. Currently, this document can be found in the Saxony State Archives in Dresden.[3] The origin of the name Gorlitz is derived from the Slavic word for burned land,[4] referring to the technique used to clear land for settlement. Zgorzelec and Czech Zhořelec have the same derivation. In the 13th century the village gradually became a town. Due to its location on the Via Regia, an ancient and medieval trade route, the settlement prospered.
In the following centuries Gorlitz was a wealthy member of the Lusatian League, which consisted of Bautzen, Gorlitz, Kamenz, Lauban, Löbau and Zittau. In 1352 during the reign of Casimir the Great, Lusatian German colonists from Gorlitz founded the town of Gorlice in southern Poland near Kraków.
The Protestant Reformation came to Gorlitz in the early 1520s and by the last half of the 16th century, it and the surrounding vicinity, became almost completely Lutheran.
After suffering for years in the Thirty Years War, the region of Upper Lusatia (including Gorlitz) was ceded to the Electorate of Saxony in 1635. After the Napoleonic Wars, the 1815 Congress of Vienna transferred the town from the Kingdom of Saxony to the Kingdom of Prussia. Gorlitz was subsequently administered within the Province of Silesia, and, after World War I, the Province of Lower Silesia, until 1945.
From 1815 until 1918, Gorlitz belonged to the Province of Silesia in the Kingdom of Prussia, and later to the Province of Lower Silesia in the Free State of Prussia. It is the largest town of the former Province of Lower Silesia that lies west of the Oder-Neisse line and hence remained in Germany after World War II. Today, Gorlitz lies opposite the Polish town of Zgorzelec, which was part of Gorlitz until 1945. Together they form the German-Polish Euro City of Gorlitz-Zgorzelec.

• Title : Gorlitz
• Ref #:  93431
• Size: 22in x 16 1/2in (560mm x 420mm)
• Date : 1574
• Condition: (A+) Fine Condition

Description:
This original beautifully hand coloured copper plate engraved antique map a birds eye view of the Gorlitz, in the state of Saxony, in the region of Lusatia, in far eastern Germany, on the border with Poland, was published in the 1574 edition of Braun & Hogenbergs atlas Civitates Orbis Terrarum

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 22in x 16 1/2in (560mm x 420mm)
Plate size: - 20in x 12 1/2in (510mm x 320mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Light soiling
Plate area: - None
Verso: - Light soiling

Background:
As a small Sorbian village named Gorelic in the Margraviate of Meissen, a frontier march of the Holy Roman Empire, Gorlitz was temporarily conquered and held by the Kingdom of Poland during Bolesław I Chrobrys invasion of Lusatia between 1002 and 1031, after which the region fell back to the Margraviate of Meissen. In 1075, the village was assigned to the Duchy of Bohemia. The date of the towns foundation is unknown. However, Goreliz was first mentioned in a document from the King of Germany, and later Holy Roman Emperor, Henry IV in 1071. This document granted Gorlitz to the Diocese of Meissen, then under Bishop Benno of Meissen. Currently, this document can be found in the Saxony State Archives in Dresden.[3] The origin of the name Gorlitz is derived from the Slavic word for burned land,[4] referring to the technique used to clear land for settlement. Zgorzelec and Czech Zhořelec have the same derivation. In the 13th century the village gradually became a town. Due to its location on the Via Regia, an ancient and medieval trade route, the settlement prospered.
In the following centuries Gorlitz was a wealthy member of the Lusatian League, which consisted of Bautzen, Gorlitz, Kamenz, Lauban, Löbau and Zittau. In 1352 during the reign of Casimir the Great, Lusatian German colonists from Gorlitz founded the town of Gorlice in southern Poland near Kraków.
The Protestant Reformation came to Gorlitz in the early 1520s and by the last half of the 16th century, it and the surrounding vicinity, became almost completely Lutheran.
After suffering for years in the Thirty Years War, the region of Upper Lusatia (including Gorlitz) was ceded to the Electorate of Saxony in 1635. After the Napoleonic Wars, the 1815 Congress of Vienna transferred the town from the Kingdom of Saxony to the Kingdom of Prussia. Gorlitz was subsequently administered within the Province of Silesia, and, after World War I, the Province of Lower Silesia, until 1945.
From 1815 until 1918, Gorlitz belonged to the Province of Silesia in the Kingdom of Prussia, and later to the Province of Lower Silesia in the Free State of Prussia. It is the largest town of the former Province of Lower Silesia that lies west of the Oder-Neisse line and hence remained in Germany after World War II. Today, Gorlitz lies opposite the Polish town of Zgorzelec, which was part of Gorlitz until 1945. Together they form the German-Polish Euro City of Gorlitz-Zgorzelec.

• Title : Hermannus Hammelman Wesalia in Ducatu Cliuensi
• Size:  21in x 16in (545mm x 410mm)
• Condition: (A+) Fine Condition
• Date : 1574
• Ref #:  81068-1

Description:
This original copper-plate engraved antique map, plan, a birds eye view of city of Wesel in North Rhine-Westphalia, in western Germany was published by Georg Braun & Frans Hogenberg for the 1574 atlas of town plans Civiates Orbis Terrarum intended as a companion to Abraham Ortelius master Atlas Theatrum Orbis Terrarum published in 1570.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 21in x 16in (545mm x 410mm)
Plate size: - 19in x 13 1/2in (480mm x 340mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Wesel is a city in North Rhine-Westphalia, Germany. It is the capital of the Wesel district.
The city originated from a Franconian manor that was first recorded in the 8th century. In the 12th century, the Duke of Clèves took possession of Wesel. The city became a member of the Hanseatic League during the 15th century. Wesel was second only to Cologne in the lower Rhine region as an entrepôt. It was an important commercial centre: a clearing station for the trans-shipment and trading of goods.
In 1590 the Spanish captured Wesel after a four-year siege. The city changed hands between the Dutch and Spanish several times during the Eighty Years War. In 1672 a French force under Louis II de Bourbon, Prince de Condé captured the city. Wesel was inherited by the Hohenzollerns of the Margraviate of Brandenburg in 1609 but they were unable to take control of Wesel until the Treaty of Nijmegen in 1678. Although the city had been heavily fortified the Prussians evacuated the city during the Seven Years War and it was occupied by the French. It was returned to Prussia at the end of the war. Friedrich Wilhelm von Dossow was the Prussian Governor of Wesel during the 18th century. Wesel was ceded to the French in 1805 under the treaty of Schönbrunn. The French heavily fortified the city constructing a rectangular fort called the Citadelle Napoleon at Büderich and the Citadelle Bonaparte on an island in the Rhine off Wesel. Though blockaded by the Allies in 1813 the city remained in French hands until after the Battle of Waterloo. After the Napoleonic Wars of the early 19th century, the city became part of the Prussian Rhine Province and the Citadelle Napoleon was renamed Fort Blücher.

• Title : Die Statt Landaw
• Ref #:  22668
• Size: 16in x 13in (410mm x 330mm)
• Date : 1574
• Condition: (A+) Fine Condition

Description: 
This large finely engraved original antique print a view of the Bavarian City of Landau  NE of Munich was engraved in 1547 - the date is engraved at the foot of the image - and was published by Sebastian Munster in the 1574 edition of Cosmographia.

Landau or Landau in der Pfalz (pop. 41,821) is an autonomous (kreisfrei) city surrounded by the Südliche Weinstraße ("Southern Wine Route") district of southern Rhineland-Palatinate, Germany. It is a university town (since 1990), a long-standing cultural centre, and a market and shopping town, surrounded by vineyards and wine-growing villages of the Palatinate wine region. Landau lies east of the Palatinate forest, Europe's largest contiguous forest, direct on the German Wine Route.

Background: For a variety of reasons town plans were comparatively latecomers in the long history of cartography. Few cities in Europe in the middle ages had more than 20,00 inhabitants and even London in the late Elizabethan period had only 100-150,000 people which in itself was probably 10 times that of any other English city. The Nuremberg Chronicle in 1493 included one of the first town views of Jerusalem, thereafter, for most of the sixteenth century, German cartographers led the way in producing town plans in a modern sense. In 1544 Sebastian Munster issued in Basle hisCosmographia containing roughly sixty-six plans and views, some in the plan form, but many in the old panorama or birds eye view.

Sebastian Münster (1488-1552) was a German cartographer, cosmographer, and Hebrew scholar whose work Cosmographia (1544; "Cosmography") was the earliest German description of the world and a major work in the revival of geographic thought in 16th-century Europe. It had numerous editions in different languages including Latin, French, Italian, English, and even Czech. Altogether, about 40 editions of the Cosmographiaappeared between 1544 and 1628 and was one of the most successful and popular books of the 16th century. Münster was a major influence in popular thinking in Europe for the next 200 years.
This success was due not only to the level of descriptive detail but also to the fascinating full page maps & views as well as smaller woodcuts that were included in the text. Many of the woodcuts were executed by famous engravers of the time including Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel. 
Aside from the well-known maps present in the Cosmographia, the text is thickly sprinkled with vigorous views: portraits of kings and princes, costumes and occupations, habits and customs, flora and fauna, monsters, wonders, and horrors about the known -- and unknown -- world, and was undoubtedly one of the most widely read books of its time.
Münster acquired the material for his book in three ways. Firstly he researched all available literary sources across Germany, Switzerland and other parts of Europe. Secondly he obtained original manuscript material from locals all over Europe for description of the countryside, cities, villages, towns, rivers and local history. Finally, he obtained further material first hand on his travels (primarily in south-west Germany, Switzerland, and Alsace). 

In 1588 Sebastian Petri re-released Cosomgraphia and re-issued many of Munsters maps and views in the "copperplate style". The maps in this release were more sophisticated than with earlier publications ofCosomgraphia and were based on the 1570 release of Abraham Ortelius monumental work Theatrum Orbis Terrarum.(Ref: Tooley; M&B)

General Description:
Paper thickness and quality: - Light and stable
Paper color: - off white
Age of map color: - 
Colors used: - 
General color appearance: - 
Paper size: - 16in x 13in (410mm x 330mm)
Plate size: - 16in x 13in (410mm x 330mm)
Margins: - 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: -None
Verso: - None

• Title : Die Statt Speier An
• Ref #:  22669
• Size: 16in x 13in (410mm x 330mm)
• Date : 1574
• Condition: (A+) Fine Condition

Description: 
This large finely engraved original antique print a view of the Rhineland-PalatinateCity of Speyer - dominated by the Speyer Cathedral - on the River Rhine was published by Sebastian Munster in the 1574 edition of Cosmographia.

Speyer is a town in Rhineland-Palatinate, Germany, located beside the River Rhine, Speyer is 25 km south of Ludwigshafen and Mannheim. Founded by the Romans, it is one of Germany's oldest cities. The first known names were Noviomagus and Civitas Nemetum, after the Teutonic tribe, Nemetes, settled in the area.
Around the year 500 the name Spira first appeared in written documents. Spire, Spira, and Espira are still names used for Speyer in the French, Italian, and Spanish languages.
Speyer is dominated by the Speyer Cathedral begun in 1030AD, a number of churches and the Altpörtel (old gate). In the cathedral, beneath the high altar, are the tombs of eight Holy Roman emperors and German kings.

Background: For a variety of reasons town plans were comparatively latecomers in the long history of cartography. Few cities in Europe in the middle ages had more than 20,00 inhabitants and even London in the late Elizabethan period had only 100-150,000 people which in itself was probably 10 times that of any other English city. The Nuremberg Chronicle in 1493 included one of the first town views of Jerusalem, thereafter, for most of the sixteenth century, German cartographers led the way in producing town plans in a modern sense. In 1544 Sebastian Munster issued in Basle hisCosmographia containing roughly sixty-six plans and views, some in the plan form, but many in the old panorama or birds eye view.

Sebastian Münster (1488-1552) was a German cartographer, cosmographer, and Hebrew scholar whose work Cosmographia (1544; "Cosmography") was the earliest German description of the world and a major work in the revival of geographic thought in 16th-century Europe. It had numerous editions in different languages including Latin, French, Italian, English, and even Czech. Altogether, about 40 editions of the Cosmographiaappeared between 1544 and 1628 and was one of the most successful and popular books of the 16th century. Münster was a major influence in popular thinking in Europe for the next 200 years.
This success was due not only to the level of descriptive detail but also to the fascinating full page maps & views as well as smaller woodcuts that were included in the text. Many of the woodcuts were executed by famous engravers of the time including Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel. 
Aside from the well-known maps present in the Cosmographia, the text is thickly sprinkled with vigorous views: portraits of kings and princes, costumes and occupations, habits and customs, flora and fauna, monsters, wonders, and horrors about the known -- and unknown -- world, and was undoubtedly one of the most widely read books of its time.
Münster acquired the material for his book in three ways. Firstly he researched all available literary sources across Germany, Switzerland and other parts of Europe. Secondly he obtained original manuscript material from locals all over Europe for description of the countryside, cities, villages, towns, rivers and local history. Finally, he obtained further material first hand on his travels (primarily in south-west Germany, Switzerland, and Alsace). 

In 1588 Sebastian Petri re-released Cosomgraphia and re-issued many of Munsters maps and views in the "copperplate style". The maps in this release were more sophisticated than with earlier publications ofCosomgraphia and were based on the 1570 release of Abraham Ortelius monumental work Theatrum Orbis Terrarum.(Ref: Tooley; M&B)

General Description:
Paper thickness and quality: - Light and stable
Paper color: - off white
Age of map color: - 
Colors used: - 
General color appearance: - 
Paper size: - 16in x 13in (410mm x 330mm)
Plate size: - 16in x 13in (410mm x 330mm)
Margins: - 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: -None
Verso: - None

• Title : Die Statt Wormbs
• Ref #:  22670
• Size: 27in x 13in (685mm x 330mm)
• Date : 1574
• Condition: (A) Very Good Condition

Description:
This large folding original antique print a View of the important German city ofWormbs, south of Hamburg was published in the 1574 release of Sebastian MunstersCosmographia published by Sebastian Petri, Basle.
(This is a reasonably scarce map as the large fold out maps in Cosmographia were easily damaged and lost)

Background: For a variety of reasons town plans were comparatively latecomers in the long history of cartography. Few cities in Europe in the middle ages had more than 20,00 inhabitants and even London in the late Elizabethan period had only 100-150,000 people which in itself was probably 10 times that of any other English city. The Nuremberg Chronicle in 1493 included one of the first town views of Jerusalem, thereafter, for most of the sixteenth century, German cartographers led the way in producing town plans in a modern sense. In 1544 Sebastian Munster issued in Basle his Cosmographia containing roughly sixty-six plans and views, some in the plan form, but many in the old panorama or birds eye view. (Ref: Tooley; M&B)

General Description:
Paper thickness and quality: - Heavy and stable
Paper color: - off white
Age of map color: - Later
Colors used: - Green, blue, yellow, pink
General color appearance: - Authentic
Paper size: - 27in x 13in (685mm x 330mm)
Plate size: - 25in x 10in (635 x 255m)
Margins: - 1/2in (12mm)

Imperfections:
Margins: - Light soiling
Plate area: -Folds re-joined small loss, light soiling, light creasing
Verso: - Light soiling, colour show through, half the map backed in archival material

• Title : Die Statt Tours
• Ref #:  22614
• Size: 16in x 13in (410mm x 330mm)
• Date : 1574
• Condition: (A+) Fine Condition

Description: 
This large finely engraved original antique print a view of the French city of Tours was published by Sebastian Munster in the 1574 edition of Cosmographia.

Tours is a city located in the centre-west of France. It is the administrative centre of the Indre-et-Loire department and the largest city in the Centre-Val de Loire region of France (although it is not the capital, which is the region's second-largest city, Orléans). Tours stands on the lower reaches of the River Loire, between Orléans and the Atlantic coast. The surrounding district, the traditional province of Touraine, is known for its wines, for the alleged perfection (as perceived by some speakers) of its local spoken French, and for the Battle of Tours (732).

 Background: For a variety of reasons town plans were comparatively latecomers in the long history of cartography. Few cities in Europe in the middle ages had more than 20,00 inhabitants and even London in the late Elizabethan period had only 100-150,000 people which in itself was probably 10 times that of any other English city. The Nuremberg Chronicle in 1493 included one of the first town views of Jerusalem, thereafter, for most of the sixteenth century, German cartographers led the way in producing town plans in a modern sense. In 1544 Sebastian Munster issued in Basle hisCosmographia containing roughly sixty-six plans and views, some in the plan form, but many in the old panorama or birds eye view.

Sebastian Münster (1488-1552) was a German cartographer, cosmographer, and Hebrew scholar whose work Cosmographia (1544; "Cosmography") was the earliest German description of the world and a major work in the revival of geographic thought in 16th-century Europe. It had numerous editions in different languages including Latin, French, Italian, English, and even Czech. Altogether, about 40 editions of the Cosmographiaappeared between 1544 and 1628 and was one of the most successful and popular books of the 16th century. Münster was a major influence in popular thinking in Europe for the next 200 years.
This success was due not only to the level of descriptive detail but also to the fascinating full page maps & views as well as smaller woodcuts that were included in the text. Many of the woodcuts were executed by famous engravers of the time including Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel. 
Aside from the well-known maps present in the Cosmographia, the text is thickly sprinkled with vigorous views: portraits of kings and princes, costumes and occupations, habits and customs, flora and fauna, monsters, wonders, and horrors about the known -- and unknown -- world, and was undoubtedly one of the most widely read books of its time.
Münster acquired the material for his book in three ways. Firstly he researched all available literary sources across Germany, Switzerland and other parts of Europe. Secondly he obtained original manuscript material from locals all over Europe for description of the countryside, cities, villages, towns, rivers and local history. Finally, he obtained further material first hand on his travels (primarily in south-west Germany, Switzerland, and Alsace). 

In 1588 Sebastian Petri re-released Cosomgraphia and re-issued many of Munsters maps and views in the "copperplate style". The maps in this release were more sophisticated than with earlier publications ofCosomgraphia and were based on the 1570 release of Abraham Ortelius monumental work Theatrum Orbis Terrarum.(Ref: Tooley; M&B)

General Description:
Paper thickness and quality: - Light and stable
Paper color: - off white
Age of map color: - 
Colors used: - 
General color appearance: - 
Paper size: - 16in x 13in (410mm x 330mm)
Plate size: - 16in x 13in (410mm x 330mm)
Margins: - 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: -None
Verso: - None

• Title : Ducatus Oswieczensis, et Zatoriensis, Descriptio
• Ref #:  35633
• Condition: (A+) Fine Condition
  
• Size: 10 1/2in x 9 1/2in (265mm x 240mm)
• Date : 1574
• Price: $149US

Description:
This original hand coloured copper plate engraved antique map, from a page of three maps, of the Oswięcim and Zator Duchies in South Poland by the Carpathian Mountains, by Abraham Ortelius was published in the 1574 edition of Theatrum Orbis Terrarum

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 10 1/2in x 9 1/2in (265mm x 240mm)
Plate size: - 10 1/2in x 9 1/2in (265mm x 240mm)
Margins: - Min 1/4in (5mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
Oswięcim has a rich history, which dates back to the early days of Polish statehood. It is one of the oldest castellan gords in Poland. Following the Fragmentation of Poland in 1138, Duke Casimir II the Just attached the town to the Duchy of Opole in c. 1179 for his younger brother Mieszko I Tanglefoot, Duke of Opole and Raciborz. The town was destroyed in 1241 during the Mongol invasion of Poland. Around 1272 the newly rebuilt Oswięcim was granted a municipal charter modeled on those of Lwowek Sląski (a Polish variation of the Magdeburg Law). The charter was confirmed on 3 September 1291. In 1281, the Land of Oswięcim became part of the newly established Duchy of Cieszyn, and in c. 1315, an independent Duchy of Oswięcim was established. In 1327, John I, Duke of Oswięcim joined his Duchy with the Duchy of Zator and, soon afterwards, his state became a vassal of the Kingdom of Bohemia, where it remained for over a century. In 1445, the Duchy was divided into three separate entities – the Duchies of Oswięcim, Zator and Toszek. In 1457 Polish King Casimir IV Jagiellon bought the rights to Oswięcim. On 25 February 1564, King Sigismund II Augustus issued a bill integrating the former Duchies of Oswięcim and Zator into the Kingdom of Poland. Both lands were attached to the Krakow Voivodeship, forming the Silesian County. The town later became one of the centers of Protestant culture in Poland.
Like other towns of Lesser Poland, Oswięcim prospered in the period known as Polish Golden Age. This period came to an abrupt end in 1655, during the catastrophic Swedish invasion of Poland. Oswięcim was burned and afterward, the town declined, and in 1772 (see Partitions of Poland), it was annexed by the Habsburg Empire, as part of the Kingdom of Galicia and Lodomeria, where it remained until late 1918. After the 1815 Congress of Vienna, the town was close to the borders of both Russian-controlled Congress Poland, and the Kingdom of Prussia. In the 1866 war between Austria and the Prussian-led North German Confederation, a cavalry skirmish was fought at the town, in which an Austrian force defeated a Prussian incursion.

Please note all items auctioned are genuine, we do not sell reproductions. A Certificate of Authenticity (COA) can be issued on request.

• Title : Ducatus Oswieczensis, et Zatoriensis, Descriptio
• Ref #:  35634
• Condition: (A+) Fine Condition
  
• Size: 10 1/2in x 9 1/2in (265mm x 240mm)
• Date : 1574
• Price: $149US

Description:
This original hand coloured copper plate engraved antique map, from a page of three maps, of the Oswięcim and Zator Duchies in South Poland by the Carpathian Mountains, by Abraham Ortelius was published in the 1574 edition of Theatrum Orbis Terrarum

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 10 1/2in x 9 1/2in (265mm x 240mm)
Plate size: - 10 1/2in x 9 1/2in (265mm x 240mm)
Margins: - Min 1/4in (5mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
Oswięcim has a rich history, which dates back to the early days of Polish statehood. It is one of the oldest castellan gords in Poland. Following the Fragmentation of Poland in 1138, Duke Casimir II the Just attached the town to the Duchy of Opole in c. 1179 for his younger brother Mieszko I Tanglefoot, Duke of Opole and Raciborz. The town was destroyed in 1241 during the Mongol invasion of Poland. Around 1272 the newly rebuilt Oswięcim was granted a municipal charter modeled on those of Lwowek Sląski (a Polish variation of the Magdeburg Law). The charter was confirmed on 3 September 1291. In 1281, the Land of Oswięcim became part of the newly established Duchy of Cieszyn, and in c. 1315, an independent Duchy of Oswięcim was established. In 1327, John I, Duke of Oswięcim joined his Duchy with the Duchy of Zator and, soon afterwards, his state became a vassal of the Kingdom of Bohemia, where it remained for over a century. In 1445, the Duchy was divided into three separate entities – the Duchies of Oswięcim, Zator and Toszek. In 1457 Polish King Casimir IV Jagiellon bought the rights to Oswięcim. On 25 February 1564, King Sigismund II Augustus issued a bill integrating the former Duchies of Oswięcim and Zator into the Kingdom of Poland. Both lands were attached to the Krakow Voivodeship, forming the Silesian County. The town later became one of the centers of Protestant culture in Poland.
Like other towns of Lesser Poland, Oswięcim prospered in the period known as Polish Golden Age. This period came to an abrupt end in 1655, during the catastrophic Swedish invasion of Poland. Oswięcim was burned and afterward, the town declined, and in 1772 (see Partitions of Poland), it was annexed by the Habsburg Empire, as part of the Kingdom of Galicia and Lodomeria, where it remained until late 1918. After the 1815 Congress of Vienna, the town was close to the borders of both Russian-controlled Congress Poland, and the Kingdom of Prussia. In the 1866 war between Austria and the Prussian-led North German Confederation, a cavalry skirmish was fought at the town, in which an Austrian force defeated a Prussian incursion.

Please note all items auctioned are genuine, we do not sell reproductions. A Certificate of Authenticity (COA) can be issued on request.

• Title  : Die Statt Treir
• Date  : 1574
• Condition: (A+) Fine Condition
• Ref # :  33540
• Size   : 16in x 13in (405mm x 330mm)

Description:
This finely engraved hand coloured original antique double page view of the German city of Trier in the state of Rhineland-Palatinate was published in the early 1574 edition of Sebastian Munsters Cosmographia by Sebastian Petri, Basle.
Sebastian Petri re-release of Cosomgraphia in 1588 produced some fine woodcut maps in the copperplate style. The maps in this release were more sophisticated than with earlier publications of Cosomgraphia and were based on the 1570 release of Abraham Ortelius monumental work Theatrum Orbis Terrarum. For a variety of reasons town plans were comparatively latecomers in the long history of cartography. Few cities in Europe in the middle ages had more than 20,00 inhabitants and even London in the late Elizabethan period had only 100-150,000 people which in itself was probably 10 times that of any other English city. The Nuremberg Chronicle in 1493 included one of the first town views of Jerusalem, thereafter, for most of the sixteenth century, German cartographers led the way in producing town plans in a modern sense. In 1544 Sebastian Munster issued in Basle his Cosmographia containing roughly sixty-six plans and views, some in the plan form, but many in the old panorama or birds eye view. (Ref: Tooley; M&B)

General Description:
Paper thickness and quality: - Light and stable
Paper color: - Off white
Age of map color: - Early
Colors used: -  Yellow, green, blue
General color appearance: -  Authentic
Paper size: - 16in x 13in (405mm x 330mm)
Margins: - Min ½in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
Trier is a city in Germany on the banks of the Moselle. Trier lies in a valley between low vine-covered hills of red sandstone in the west of the state of Rhineland-Palatinate, near the border with Luxembourg and within the important Moselle wine region. The German philosopher and one of the founders of Marxism, Karl Marx was born in the city in 1818.
Founded by the Celts in the late-4th century BC as Treuorum, it was later conquered by the Romans in the late-1st century BC and renamed Trevorum or Augusta Treverorum (Latin for The City of Augustus among the Treveri). Trier may be the oldest city in Germany. It is also the oldest seat of a bishop north of the Alps. In the Middle Ages, the Archbishop-Elector of Trier was an important prince of the church, as the archbishop-electorate controlled land from the French border to the Rhine. The Archbishop-Elector also had great significance as one of the seven electors of the Holy Roman Empire.

• Title  : Die Statt Lubeck
• Date  : 1574
• Condition: (A+) Fine Condition
• Ref # :  22708
• Size   : 15in x 13in (380mm x 340mm)

Description:
This fine original wood block engraved antique map a birds eye view of the German city of Lubeck, in the northern German state Schleswig-Holstein was published in the German Section of Sebastian Munsters 1574 edition of Cosmographia, Das ist: Beschreibung der gantzen Welt, Darinnen Aller Monarchien Keyserthumben, Königreichen, Fürstenthumben, Graff- und Herrschafften, Länderen, Stätten und Gemeinden.Ursprung (Cosmographia, that is: description of the whole world, in it all monarchies Keyser thumben, kingdoms, prince thumben, graff and herrschafften, countries, places and municipalities.)

Lübeck is a city in Schleswig-Holstein, northern Germany, and one of the major ports of Germany, on the river Trave.
In the 14th century Lübeck became the Queen of the Hanseatic League, being by far the largest and most powerful member of that medieval trade organization. In 1375 Emperor Charles IV named Lübeck one of the five Glories of the Empire, a title shared with Venice, Rome, Pisa and Florence. Several conflicts about trading privileges resulted in fighting between Lübeck (with the Hanseatic League) and Denmark and Norway – with varying outcome. While Lübeck and the Hanseatic League prevailed in conflicts in 1435 and 1512, Lübeck lost when it became involved in the Count\'s Feud, a civil war that raged in Denmark from 1534 to 1536. Lübeck also joined the pro-Lutheran Schmalkaldic League of the mid-16th century.
After its defeat in the Count\'s Feud, Lübeck\'s power slowly declined. The city remained neutral in the Thirty Years\' War of 1618–1648, but the combination of the devastation from the decades-long war and the new transatlantic orientation of European trade caused the Hanseatic League – and thus Lübeck with it – to decline in importance. However, even after the de facto disbanding of the Hanseatic League in 1669, Lübeck still remained an important trading town on the Baltic Sea.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 16in x 13in (410mm x 330mm)
Plate size: - 16in x 13in (410mm x 330mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - Folds as issued
Verso: - None

Background: 
Cosmographia, Das ist: Beschreibung der gantzen Welt, Darinnen Aller Monarchien Keyserthumben, Königreichen, Fürstenthumben, Graff- und Herrschafften, Länderen, Stätten und Gemeinden.Ursprung, Regiment, Reichthumb, Gewalt und.Beschaffenheit. Dessgleichen Aller deren, beyder Ständen, Regenten: Keysern, Königen, Bäpsten, Bischoffen.Genealogien und Stammbäumen.zusammen getragen. by Sebastian Münster was first published in 1544 and is the earliest German-language description of the world. It had numerous editions in different languages including Latin, French (translated by François de Belleforest), Italian, English, and Czech. The last German edition was published in 1628, long after Munsters death. The Cosmographia was one of the most successful and popular books of the 16th century. It passed through 24 editions in 100 years. This success was due to the notable woodcuts (some by Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel). It was most important in reviving geography in 16th-century Europe. Among the notable maps within Cosmographia is the map Tabula novarum insularum, which is credited as the first map to show the American continents as geographically discrete.
Munsters earlier geographic works were Germania descriptio (1530) and Mappa Europae (1536). In 1540, he published a Latin edition of Ptolemys Geographia with illustrations.

• Title : Die Statt Tours
• Ref #:  22614
• Size: 16in x 13in (410mm x 330mm)
• Date : 1574
• Condition: (A+) Fine Condition

Description:
This fine original wood block engraved antique map a birds eye view of the French city of Tours, France was published in the French Section of Sebastian Munsters 1574 edition of Cosmographia, Das ist: Beschreibung der gantzen Welt, Darinnen Aller Monarchien Keyserthumben, Königreichen, Fürstenthumben, Graff- und Herrschafften, Länderen, Stätten und Gemeinden.Ursprung (Cosmographia, that is: description of the whole world, in it all monarchies Keyser thumben, kingdoms, prince thumben, graff and herrschafften, countries, places and municipalities.)

Tours is a city in the centre-west of France. It is the administrative centre of the Indre-et-Loire department and the largest city in the Centre-Val de Loire region of France

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 16in x 13in (410mm x 330mm)
Plate size: - 16in x 13in (410mm x 330mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Cosmographia, Das ist: Beschreibung der gantzen Welt, Darinnen Aller Monarchien Keyserthumben, Königreichen, Fürstenthumben, Graff- und Herrschafften, Länderen, Stätten und Gemeinden.Ursprung, Regiment, Reichthumb, Gewalt und.Beschaffenheit. Dessgleichen Aller deren, beyder Ständen, Regenten: Keysern, Königen, Bäpsten, Bischoffen.Genealogien und Stammbäumen.zusammen getragen. by Sebastian Münster was first published in 1544 and is the earliest German-language description of the world. It had numerous editions in different languages including Latin, French (translated by François de Belleforest), Italian, English, and Czech. The last German edition was published in 1628, long after Munsters death. The Cosmographia was one of the most successful and popular books of the 16th century. It passed through 24 editions in 100 years. This success was due to the notable woodcuts (some by Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel). It was most important in reviving geography in 16th-century Europe. Among the notable maps within Cosmographia is the map Tabula novarum insularum, which is credited as the first map to show the American continents as geographically discrete.
Munsters earlier geographic works were Germania descriptio (1530) and Mappa Europae (1536). In 1540, he published a Latin edition of Ptolemys Geographia with illustrations.

• Title  : Die Statt Wyssenburg
• Date  : 1574
• Condition: (A+) Fine Condition
• Ref # :  22665
• Size   : 15in x 13in (380mm x 340mm)

Description:
This fine original wood block engraved antique map a birds eye view of the German city of Weißenburg (Weissenburg) in Bavaria in Middle Franconia - identified by the cities Coate of Arms with double headed eagle atop of a castle - was published in the German Section of Sebastian Munsters 1574 edition of Cosmographia, Das ist: Beschreibung der gantzen Welt, Darinnen Aller Monarchien Keyserthumben, Königreichen, Fürstenthumben, Graff- und Herrschafften, Länderen, Stätten und Gemeinden.Ursprung (Cosmographia, that is: description of the whole world, in it all monarchies Keyser thumben, kingdoms, prince thumben, graff and herrschafften, countries, places and municipalities.)

Weißenburg in Bayern (formerly also Weißenburg im Nordgau) is a town in Middle Franconia, Germany. It is the capital of the district Weißenburg-Gunzenhausen. Weissenburg is located in central Bavaria, in the south of the administrative region Mittelfranken.
The history of Weißenburg is generally traced back to the Roman fort that was built in the area towards the end of the first century. The settlement, which included Thermae, lay on the border of the Roman Empire and on the Tabula Peutingeriana from the 4th century it had the name Biriciana. Germanic tribes destroyed the fort and settled in what is still the city centre. The first mention of the name Weißenburg is in a deed dating from 867. The city became the seat of a royal residence during the reign of the Franks and according to legend, Charlemagne stayed there to supervise the construction of Fossa Carolina.
The city became a Free Imperial City in 1296 and continued to grow until the Reformation. Following the example of Nuremberg the city joined the Protestant side but it suffered heavily in the ensuing wars. However, the rights of the city as a Free Imperial City and an Imperial Estate were restored in the final peace treaty and some growth resumed. Despite its insignificant size and economic importance, the city, like the other 50-odd free imperial cities, was virtually independent.
Weissenburg lost its independence in 1802 and became part of the Bavarian kingdom in 1806. It was however saved from insignificance with the construction of a railway between Nuremberg and Augsburg which goes through the city and which supported industrialisation. Following World War II over 6,000 refugees and people expelled from the territories which Germany lost settled in the city and have since played an important role in its industry and culture.
The many stages in the history of Weissenburg can still be seen today. There are many ruins from the Roman times. One of the finest is the remains of a Roman bath which was excavated in 1977 and has been turned into a museum. The city wall from the Middle Ages has survived almost intact with its towers and in the Gothic Town Hall the city\'s elected members have held their meetings from 1476.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 16in x 13in (410mm x 330mm)
Plate size: - 16in x 13in (410mm x 330mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Cosmographia, Das ist: Beschreibung der gantzen Welt, Darinnen Aller Monarchien Keyserthumben, Königreichen, Fürstenthumben, Graff- und Herrschafften, Länderen, Stätten und Gemeinden.Ursprung, Regiment, Reichthumb, Gewalt und.Beschaffenheit. Dessgleichen Aller deren, beyder Ständen, Regenten: Keysern, Königen, Bäpsten, Bischoffen.Genealogien und Stammbäumen.zusammen getragen. by Sebastian Münster was first published in 1544 and is the earliest German-language description of the world. It had numerous editions in different languages including Latin, French (translated by François de Belleforest), Italian, English, and Czech. The last German edition was published in 1628, long after Munsters death. The Cosmographia was one of the most successful and popular books of the 16th century. It passed through 24 editions in 100 years. This success was due to the notable woodcuts (some by Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel). It was most important in reviving geography in 16th-century Europe. Among the notable maps within Cosmographia is the map Tabula novarum insularum, which is credited as the first map to show the American continents as geographically discrete.
Munsters earlier geographic works were Germania descriptio (1530) and Mappa Europae (1536). In 1540, he published a Latin edition of Ptolemys Geographia with illustrations.

• Title : Die Statt Heidelberg
• Size: 29in x 13in (740mm x 330mm)
• Ref #:  22692
• Date : 1574
• Condition: (B) Good Condition

Description:
This large hand coloured, original antique wood-block engraved birds-eye view of the German City of Heidelberg was published in the 1574 edition of Sebastian Munsters Cosmographia.
There were 2 large folding views in Cosmographia, both German cities, Wormbs and Heidelberg. As these were large folding views they were easily torn and damaged and so quiet rare, especially from the earlier editions.

The Cosmographia or Cosmography was first published in 1544 and is the earliest German-language description of the world.
It had numerous editions in different languages including Latin, French (translated by François de Belleforest), Italian, English, and Czech. The last German edition was published in 1628. The Cosmographia was one of the most successful and popular books of the 16th century and passed through 24 editions in 100 years. This success was due to the notable woodcuts (some by Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel). It was most important in reviving geography in 16th-century Europe. Among the notable maps within Cosmographia is the map Die Newe Welt oder Inseln, which is credited as the first map to show the American continents as geographically unique.
Munsters earlier geographic works were Germania descriptio (1530) and Mappa Europae (1536). In 1540, he published a Latin edition of Ptolemys Geographia, with numerous illustrations.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Orange, yellow, blue, red
General color appearance: - Authentic
Paper size: - 29in x 13in (740mm x 330mm)
Plate size: - 29in x 13in (740mm x 330mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Left margin cropped to plate-mark, light age toning repair to right & bottom margins
Plate area: - Left plate small loss along centrer-fold, light spotting & creasing
Verso: - Left plate backed onto contemporary paper

Background: 
Heidelberg is a college town in Baden-Wurttemberg situated on the river Neckar in south-west Germany.
Located about 78 km south of Frankfurt, Heidelberg is the fifth-largest city in the German state.
Founded in 1386, Heidelberg University is Germany\'s oldest and one of Europe\'s most reputable universities.
Heidelberg University played a leading part in the era of humanism and the Reformation, and the conflict between Lutheranism and Calvinism, in the 15th and 16th centuries. Heidelberg\'s library, founded in 1421, is the oldest existing public library in Germany. In April 1518, a few months after proclaiming his 95 Theses, Martin Luther was received in Heidelberg, to defend them. In 1537, the castle located higher up the mountain was destroyed by a gunpowder explosion. The duke\'s palace was built at the site of the lower castle.
The siege of Heidelberg 1622
Elector Frederick III, sovereign of the Electoral Palatinate from 1559 to 1576, commissioned the composition of a new Catechism for his territory. While the catechism\'s introduction credits the entire theological faculty here (at the University of Heidelberg) and all the superintendents and prominent servants of the church for the composition of the catechism, Zacharius Ursinus is commonly regarded as the catechism\'s principal author. Caspar Olevianus (1536–1587) was formerly asserted as a co-author of the document, though this theory has been largely discarded by modern scholarship. Johann Sylvan, Adam Neuser, Johannes Willing, Thomas Erastus, Michael Diller, Johannes Brunner, Tilemann Mumius, Petrus Macheropoeus, Johannes Eisenmenger, Immanuel Tremellius and Pierre Boquin are all likely to have contributed to the Catechism in some way. Frederick himself wrote the preface to the Catechism and closely oversaw its composition and publication. Frederick, who was officially Lutheran but had strong Reformed leanings, wanted to even out the religious situation of his highly Lutheran territory within the primarily Catholic Holy Roman Empire. The Council of Trent had just concluded with its conclusions and decrees against the Protestant faiths, and the Peace of Augsburg had only granted toleration for Lutheranism within the empire where the ruler was Lutheran. One of the aims of the catechism was to counteract the teachings of the Roman Catholic Church as well as Anabaptists and \"strict\" Gnesio-Lutherans like Tilemann Heshusius and Matthias Flacius, who were resisting Frederick\'s Reformed influences, particularly on the matter of Eucharist (the Lord\'s Supper). The Catechism-based each of its statements on biblical proof-texts, and Frederick himself would defend it as biblical, not reformed, at the 1566 Diet of Augsburg when he was called to answer to charges of violating the Peace of Augsburg. This was the Heidelberg Catechism, officially called the Catechism, or Christian Instruction, according to the Usages of the Churches and Schools of the Electoral Palatinate.
In November 1619, the royal crown of Bohemia was offered to the Elector, Frederick V. (He was married to Elizabeth, eldest daughter of James VI and I of Scotland and England, respectively.) Frederick became known as the Winter King, as he reigned for only one winter before the Imperial House of Habsburg regained the crown by force. His overthrow in 1621 marked the beginning of the Thirty Years War. In 1622, after a siege of two months, the armies of the Catholic League, commanded by Johann Tserclaes, Count of Tilly, captured the town. Tilly gave the famous Bibliotheca Palatina from the Church of the Holy Spirit to the Pope as a present. The Catholic Bavarian branch of the House of Wittelsbach gained control over the Palatinate and the title of Prince-Elector. In 1648, at the end of the war, Frederick Vs son Charles I Louis, Elector Palatine, was able to recover his titles and lands.
In late 1634 Imperialist forces attempted to take back the city, as the Swedish army had conquered it. They quickly took the city, but were unable to take the castle. As they prepared to blow up its fortifications with gunpowder the French army arrived, 30,000 men strong, led by Urbain de Maillé-Brézé, who had fought in many battles and participated in the Siege of La Rochelle (1627–1628), and Jacques-Nompar de Caumont, duc de La Force. They ended the siege and drove off the Catholic forces.
To strengthen his dynasty, Charles I Louis arranged the marriage of his daughter Liselotte to Philip I, Duke of Orléans, brother of Louis XIV, king of France. In 1685, after the death of Charles Louis\' son, Elector Charles II, Louis XIV laid claim to his sister-in-laws inheritance. The Germans rejected the claim, in part because of religious differences between local Protestants and the French Catholics, as the Protestant Reformation had divided the peoples of Europe. The War of the Grand Alliance ensued. In 1689, French troops took the town and castle, bringing nearly total destruction to the area in 1693. As a result of the destruction due to repeated French invasions related to the War of the Palatinate Succession coupled with severe winters, thousands of Protestant German Palatines emigrated from the lower Palatinate in the early 18th century. They fled to other European cities and especially to London (where the refugees were called the poor Palatines). In sympathy for the Protestants, in 1709–1710, Queen Anne\'s government arranged transport for nearly 6,000 Palatines to New York. Others were transported to Pennsylvania, and to South Carolina. They worked their passage and later settled in the English colonies there.
In 1720, after assigning a major church for exclusively Catholic use, religious conflicts with the mostly Protestant inhabitants of Heidelberg caused the Roman Catholic Prince-Elector Charles III Philip to transfer his residence to nearby Mannheim. The court remained there until the Elector Charles Theodore became Elector of Bavaria in 1777 and established his court in Munich. In 1742, Elector Charles Theodore began rebuilding the Palace. In 1764, a lightning bolt destroyed other palace buildings during reconstruction, causing the work to be discontinued.

• Title : Saxoniae Misniae, Thuringiae, Nova Exactissimaq Descriptio
• Size: 20 1/2in x 15 1/2in (520mm x 390mm)
• Condition: (A+) Fine Condition
• Date : 1587
• Ref #:  30032

Description:
These original copper-plate engraved antique map of the Obersachsen, Meissen and Thuringen regions of Germany was published in the 1575 French edition of Abraham Ortelius Atlas Theatrum Orbis Terrarum.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 20 1/2in x 15 1/2in (520mm x 390mm)
Plate size: - 20in x 13 1/2in (510mm x 345mm)
Margins: - Min 1/4in (4mm)

Imperfections:
Margins: - Light soiling
Plate area: - None
Verso: - Soiling

Background: 
Ortelius regional map of Germany, showing the area between Berlin and Braunschweig in the north, to Prague in the south and Silesia in the east. With Chemnitz, Dresden, Leipzig, Wittenberg and Erfurt

• Title : Regionis Biturigum Exactiss Descriptio per D. Ioannem Calamaeum. Limaniae Topographia Gabriele Symeoneo Auct. [The region of Berry exactly described by Jean Chameau. The topography around of Lyons by Gabriel Symeon]
• Size: 22in x 18 1/2in (560mm x 470mm)
• Condition: (A+) Fine Condition
• Date : 1575
• Ref #:  30021

Description:
These original copper-plate engraved antique maps, the first of the Loire River & Valley and the second of the Alliers River, was published by Abraham Ortelius in the 1575 French edition of Theatrum Orbis Terrarum.

These are two rare regional Abraham Ortelius maps on a single folio sheet. The Left Map, centered on Bourges, depicts the Loire Valley region from Gian to St. Sebastian in the south and from Le Blanc east as far as Nevers. Several important cities are noted, including Argenton, Neuers (Nevers), Bourges, Le Blang en Berry, Romarantin, Vierzon, Chasteau Neuf, and others. The right map follows the flow of the Alliers River from Randan to Gondole. Important cities, including Beauregard, Cleremont, among several others are noted. Each map features a decorative cartouche and details their respective regions in wonderful detail with attention to forests, cities, rivers and villages.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 22in x 18 1/2in (560mm x 470mm)
Plate size: - 19 1/2in x 12 1/2in (490mm x 310mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Light soiling
Plate area: - None
Verso: - Soiling

Background: 
The Loire Valley spanning 280 kilometres , is located in the middle stretch of the Loire River in central France, in both the administrative regions Pays de la Loire and Centre-Val de Loire. The area of the Loire Valley comprises about 800 square kilometres. It is referred to as the Cradle of the French and the Garden of France due to the abundance of vineyards, fruit orchards (such as cherries), and artichoke, and asparagus fields, which line the banks of the river. Notable for its historic towns, architecture, and wines, the valley has been inhabited since the Middle Palaeolithic period.

The Allier is a river in central France. It is a left tributary of the Loire. Its source is in the Massif Central, in the Lozère department, east of Mende. It flows generally north. It joins the Loire west of the city of Nevers.

• Title : Regionis Biturigum Exactiss Descriptio per D. Ioannem Calamaeum. Limaniae Topographia Gabriele Symeoneo Auct. [The region of Berry exactly described by Jean Chameau. The topography around of Lyons by Gabriel Symeon]
• Size: 21in x 19 1/2in (535mm x 495mm)
• Condition: (A+) Fine Condition
• Date : 1575
• Ref #:  50228

Description:
These original copper-plate engraved antique maps, the first of the Loire River & Valley and the second of the Alliers River, was published by Abraham Ortelius in the 1575 French edition of Theatrum Orbis Terrarum.

These are two rare regional Abraham Ortelius maps on a single folio sheet. The Left Map, centered on Bourges, depicts the Loire Valley region from Gian to St. Sebastian in the south and from Le Blanc east as far as Nevers. Several important cities are noted, including Argenton, Neuers (Nevers), Bourges, Le Blang en Berry, Romarantin, Vierzon, Chasteau Neuf, and others. The right map follows the flow of the Alliers River from Randan to Gondole. Important cities, including Beauregard, Cleremont, among several others are noted. Each map features a decorative cartouche and details their respective regions in wonderful detail with attention to forests, cities, rivers and villages.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 21in x 19 1/2in (535mm x 495mm)
Plate size: - 19 1/2in x 12 1/2in (490mm x 310mm)
Margins: - Min 1/8in (2mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
The Loire Valley spanning 280 kilometres , is located in the middle stretch of the Loire River in central France, in both the administrative regions Pays de la Loire and Centre-Val de Loire. The area of the Loire Valley comprises about 800 square kilometres. It is referred to as the Cradle of the French and the Garden of France due to the abundance of vineyards, fruit orchards (such as cherries), and artichoke, and asparagus fields, which line the banks of the river. Notable for its historic towns, architecture, and wines, the valley has been inhabited since the Middle Palaeolithic period.

The Allier is a river in central France. It is a left tributary of the Loire. Its source is in the Massif Central, in the Lozère department, east of Mende. It flows generally north. It joins the Loire west of the city of Nevers.

• Title : Regionis Biturigum Exactiss Descriptio per D. Ioannem Calamaeum. Limaniae Topographia Gabriele Symeoneo Auct. [The region of Berry exactly described by Jean Chameau. The topography around of Lyons by Gabriel Symeon]
• Size: 19in x 15in (485mm x 380mm)
• Condition: (A) Very Condition
• Date : 1575
• Ref #:  30993

Description:
These original copper-plate engraved antique maps, the first of the Loire River & Valley and the second of the Alliers River, was published by Abraham Ortelius in the 1575 French edition of Theatrum Orbis Terrarum.

These are two rare regional Abraham Ortelius maps on a single folio sheet. The Left Map, centered on Bourges, depicts the Loire Valley region from Gian to St. Sebastian in the south and from Le Blanc east as far as Nevers. Several important cities are noted, including Argenton, Neuers (Nevers), Bourges, Le Blang en Berry, Romarantin, Vierzon, Chasteau Neuf, and others. The right map follows the flow of the Alliers River from Randan to Gondole. Important cities, including Beauregard, Cleremont, among several others are noted. Each map features a decorative cartouche and details their respective regions in wonderful detail with attention to forests, cities, rivers and villages.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 19in x 15in (485mm x 380mm)
Plate size: - 19 1/2in x 12 1/2in (490mm x 310mm)
Margins: - Min 1/8in (2mm)

Imperfections:
Margins: - L&R margins cropped close to border
Plate area: - Light age toning along centerfold
Verso: - Soiling

Background: 
The Loire Valley spanning 280 kilometres , is located in the middle stretch of the Loire River in central France, in both the administrative regions Pays de la Loire and Centre-Val de Loire. The area of the Loire Valley comprises about 800 square kilometres. It is referred to as the Cradle of the French and the Garden of France due to the abundance of vineyards, fruit orchards (such as cherries), and artichoke, and asparagus fields, which line the banks of the river. Notable for its historic towns, architecture, and wines, the valley has been inhabited since the Middle Palaeolithic period.

The Allier is a river in central France. It is a left tributary of the Loire. Its source is in the Massif Central, in the Lozère department, east of Mende. It flows generally north. It joins the Loire west of the city of Nevers.

• Title : Tornacum
• Ref #:  30254
• Size: 21 1/2in x 16in (550mm x 400mm)
• Date : 1575
• Condition: (A+) Fine Condition

Description:
This fine beautifully hand coloured original antique map a birds-eye view of the town ofTournai or Doornik, a Walloon city located 85 kilometres west-southwest of Brussels, on the river Scheldt, in the province of Hainaut in Belgium was published by Georg Braun & Frans Hogenberg for the 1575 atlas of town plans Civiates Orbis Terrarum Vol II (1572-1612) intended as a companion to Abraham Ortelius's master Atlas Theatrum Orbis Terrarum published in 1570.

Background: 
Bird's-eye view of the city from the south seen fortified with a Renaissance-style moat and wall with projecting bastions. The Old Town wall, dating from 1290, can be seen inside the city. The 12th-century Gothic cathedral of Notre-Dame (5) stands out in the centre , the most important and influential church building in Belgium. 
Tournai is one of Belgium's oldest cities. A formidable stronghold as early as the 4th century AD, it was the main centre of the Salian Franks until the mid-5th century. Tournai became an Episcopal See at the beginning of the 6th century and belonged then to the Count of Flanders from 1188 to France. 
In the 15th century the city flourished economically and culturally as a result of its tapestry industry (Rogier van der Weyden, among others). In the Treaties of Madrid and Cambrai (1526/29), France had to cede Tournai to Charles V and it thus became part of the Spanish Netherlands.  

Verso Text: "Tornacum or Turnacum is a city in Gallia Belgica, situated on the Schelde in the territory of the Nervii, called Tournai by its French inhabitants, but Dorneck by the Germans. Tournai has always been a large and powerful city, with an abundance of goods and commercial activities and wonderfully resourceful craftsmen, who invent new articles every day, and although some of these go out of use they constantly conceive of other new things, both useful and delightful, so that they have at all times something that provides work and a means of livelihood for the poor." 

Civitates Orbis Terrarum
The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. The sixth and the final volume appeared in 1617. 
This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg, eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. Braun (1541-1622), a cleric of Cologne, was the principal editor of the work, and was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas.

For a variety of reasons town plans were comparatively latecomers in the long history of cartography. Few cities in Europe in the middle ages had more than 20,00 inhabitants and even London in the late Elizabethan period had only 100-150,000 people which in itself was probably 10 times that of any other English city. The Nuremberg Chronicle in 1493 included one of the first town views of Jerusalem, thereafter, for most of the sixteenth century, German cartographers led the way in producing town plans in a modern sense. In 1544 Sebastian Munster issued in Basle his Cosmographia containing roughly sixty-six plans and views, some in the plan form, but many in the old panorama or birds eye view. (Ref: Tooley; M&B)

Condition Report:
Paper thickness and quality: - Heavy and stable
Paper color: - off white
Age of map color: - Early
Colors used: - Green, blue, red, yellow
General color appearance: - Authentic
Paper size: - 21 1/2in x 16in (550mm x 400mm)
Plate size: - 16 3/4in x 14 1/4in (440mm x 365mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Light chipping to margin edges
Plate area: - None
Verso: - None

• Title : Sneecha, vulgo Sneeck Frisiae Occidentalis Oppidum. - Doccum - Sloten - Ylsta
• Ref #:  30261
• Size: 21in x 16in (535mm x 410mm)
• Date : 1575
• Condition: (A+) Fine Condition

Description:
This fine beautifully hand coloured original antique map a birds-eye view of the towns of Sneek, Dokkum, Ylst and Sloten in Frisia, the Netherlands was published by Georg Braun & Frans Hogenberg for the 1575 atlas of town plans Civiates Orbis Terrarum Vol II (1572-1612) intended as a companion to Abraham Ortelius's master Atlas Theatrum Orbis Terrarum published in 1570.

Background of Civitates Orbis Terrarum
The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. The sixth and the final volume appeared in 1617. 
This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg, eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. Braun (1541-1622), a cleric of Cologne, was the principal editor of the work, and was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas.

For a variety of reasons town plans were comparatively latecomers in the long history of cartography. Few cities in Europe in the middle ages had more than 20,00 inhabitants and even London in the late Elizabethan period had only 100-150,000 people which in itself was probably 10 times that of any other English city. The Nuremberg Chronicle in 1493 included one of the first town views of Jerusalem, thereafter, for most of the sixteenth century, German cartographers led the way in producing town plans in a modern sense. In 1544 Sebastian Munster issued in Basle his Cosmographia containing roughly sixty-six plans and views, some in the plan form, but many in the old panorama or birds eye view. (Ref: Tooley; M&B)

Condition Report:
Paper thickness and quality: - Heavy and stable
Paper color: - off white
Age of map color: - Early
Colors used: - Green, blue, red, yellow
General color appearance: - Authentic
Paper size: - 21in x 16in (535mm x 410mm)
Plate size: - 16 1/2in x 14in (420mm x 355mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Light soiling in margins
Plate area: - None
Verso: - None

• Title : Arras
• Date : 1575
• Condition: (A+) Fine Condition
• Ref:  92833
• Size: 21in x 16in (535mm x 410mm)

Description:
This fine beautifully hand coloured original antique map a birds-eye view of the French City of Arras - the capital of the Pas de Calais region - was published by Georg Braun & Frans Hogenberg for the 1575 atlas of town plans Civiates Orbis Terrarum Vol II (1572-1612) intended as a companion to Abraham Ortelius's master Atlas Theatrum Orbis Terrarum published in 1570.

Background of Civitates Orbis Terrarum
The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. The sixth and the final volume appeared in 1617. 
This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg, eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. Braun (1541-1622), a cleric of Cologne, was the principal editor of the work, and was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas.

For a variety of reasons town plans were comparatively latecomers in the long history of cartography. Few cities in Europe in the middle ages had more than 20,00 inhabitants and even London in the late Elizabethan period had only 100-150,000 people which in itself was probably 10 times that of any other English city. The Nuremberg Chronicle in 1493 included one of the first town views of Jerusalem, thereafter, for most of the sixteenth century, German cartographers led the way in producing town plans in a modern sense. In 1544 Sebastian Munster issued in Basle his Cosmographia containing roughly sixty-six plans and views, some in the plan form, but many in the old panorama or birds eye view. (Ref: Tooley; M&B)

Condition Report:
Paper thickness and quality: - Heavy and stable
Paper color: - off white
Age of map color: - Early
Colors used: - Green, blue, red, yellow
General color appearance: - Authentic
Paper size: - 21in x 16in (535mm x 410mm)
Plate size: - 19in x 14in (485mm x 355mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

• Title : Mechelen - Nitidissimae Civitatis Mechlineensis in meditullio Brabantiae sitae, exactis: delineatio
• Ref #:  16247
• Size: 21in x 16in (535mm x 410mm)
• Date : 1575
• Condition: (A+) Fine Condition

Description:
This fine beautifully hand coloured original antique map a birds-eye view of the city of Mechelen in the Antwerp province of Flanders, Belgium was published by Georg Braun & Frans Hogenberg for the 1575 atlas of town plans Civiates Orbis Terrarum Vol II (1572-1612) intended as a companion to Abraham Ortelius's master Atlas Theatrum Orbis Terrarum published in 1570.

Franz Hogenberg's birthplace is illustrated twice. In the view presented in Volume I the cityscape is dominated by the massive tower belonging to the cathedral of Sint-Rombout, which measures almost 100 m in height. Behind the cathedral to the right lies the Onze-Lieve-Vrouwe church built in the Brabantine late Gothic style. In the present plate Mechelen is seen in a bird's-eye view from the northwest. Clearly apparent is the almost circular shape of the inner city, which has already spread beyond the bounds of the canal ringing the old city wall. In the Middle Ages staple rights and the cloth trade brought Mechelen great prosperity. In 1336 the city passed to the Duchy of Brabant, later to Burgundy, and developed into a highly regarded centre of commerce. The collapse of the cloth industry prompted the development of new areas of manufacturing, such as cannon and bell founding. In 1477 Mechelen passed to the Habsburgs and from 1507 to 1530, under the regency of Margaret of Austria, was capital of the Habsburg Netherlands. In 1559 Mechelen became an archbishopric and over the course of the Wars of Religion grew into a centre of the Counter-Reformation. For some time it was also the seat of the highest tribunal of the Habsburg Netherlands. (Taschen)

Background of Civitates Orbis Terrarum
The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. The sixth and the final volume appeared in 1617. 
This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg, eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. Braun (1541-1622), a cleric of Cologne, was the principal editor of the work, and was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas.

For a variety of reasons town plans were comparatively latecomers in the long history of cartography. Few cities in Europe in the middle ages had more than 20,00 inhabitants and even London in the late Elizabethan period had only 100-150,000 people which in itself was probably 10 times that of any other English city. The Nuremberg Chronicle in 1493 included one of the first town views of Jerusalem, thereafter, for most of the sixteenth century, German cartographers led the way in producing town plans in a modern sense. In 1544 Sebastian Munster issued in Basle his Cosmographia containing roughly sixty-six plans and views, some in the plan form, but many in the old panorama or birds eye view. (Ref: Tooley; M&B)

Condition Report:
Paper thickness and quality: - Heavy and stable
Paper color: - off white
Age of map color: - Early
Colors used: - Green, blue, red, yellow
General color appearance: - Authentic
Paper size: - 21in x 16in (535mm x 410mm)
Plate size: - 18 1/2in x 13 1/2in (470mm x 345mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Light soiling in margins
Plate area: - None
Verso: - None

• Title : Puteoli et Baiae
• Date : 1575
• Condition: (A+) Fine Condition
• Ref:  92687
• Size: 21in x 16in (535mm x 410mm)

Description:
This finely engraved beautifully hand coloured original antique 2 x birds-eye view of the Bay of Pozzuoli -in the Gulf of Naples - with The city of Pozzuoli & the Port Of Baia visible was published by Georg Braun & Frans Hogenberg for the 1575 atlas of town plans Civiates Orbis Terrarum Vol II intended as a companion to Abraham Ortelius's master Atlas Theatrum Orbis Terrarum published in 1570.

The Gulf of Naples is a 10-mile wide gulf located in the south western coast of Italy, (province of Naples, Campania region). It opens to the west into the Mediterranean Sea & is bordered on the north by the cities of Naples and Pozzuoli. To the east is Mount Vesuvius, and on the south by the Sorrentine Peninsula and its main town Sorrento; the Peninsula separates it from the Gulf of Salerno.

Pozzuoli began as the Greek colony of Dicaearchia. The Roman colony was established in 194 BC, and took the Latin name Puteoli 'little wells', referring to the many hot springs in the area, most notably Solfatara. This is because Pozzuoli lies in the center of the Campi Flegrei, a caldera.
Puteoli was the great emporium for the Alexandrian grain ships, and other ships from all over the Roman world. It also was the main hub for goods exported from Campania, including blown glass, mosaics, wrought iron, and marble. The Roman naval base at nearby Misenum housed the largest naval fleet in the ancient world. It was also the site of the Roman Dictator Sulla's country villa and the place where he died in 78 BC.
The local volcanic sand, pozzolana formed the basis for the first effective concrete, as it reacted chemically with water. Instead of just evaporating slowly off, the water would turn this sand/lime mix into a mortar strong enough to bind lumps of aggregate into a load-bearing unit. This made possible the cupola of the Pantheon, the first real dome.

Background of Civitates Orbis Terrarum
The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. The sixth and the final volume appeared in 1617. 
This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg, eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. Braun (1541-1622), a cleric of Cologne, was the principal editor of the work, and was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas.

For a variety of reasons town plans were comparatively latecomers in the long history of cartography. Few cities in Europe in the middle ages had more than 20,00 inhabitants and even London in the late Elizabethan period had only 100-150,000 people which in itself was probably 10 times that of any other English city. The Nuremberg Chronicle in 1493 included one of the first town views of Jerusalem, thereafter, for most of the sixteenth century, German cartographers led the way in producing town plans in a modern sense. In 1544 Sebastian Munster issued in Basle his Cosmographia containing roughly sixty-six plans and views, some in the plan form, but many in the old panorama or birds eye view. (Ref: Tooley; M&B)

Condition Report:
Paper thickness and quality: - Light and stable
Paper color: - off white
Age of map color: - Early
Colors used: - Green, blue, red, yellow
General color appearance: - Authentic
Paper size: - 21in x 16in (535mm x 410mm)
Plate size: - 19in x 12in (485mm x 310mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Professional repair to top centre margin
Plate area: - Small professional repairs & light age toning to centrefold
Verso: - None